A priest from the Vatican is sent to Sao Paulo, Brazil to investigate the appearance of the face of the Virgin Mary on the side of a building. While there he hears of a statue of the Virgin Mary bleeding tears in a small town outside of the city. Meanwhile, a young woman in the U.S. begins to show signs of stigmata, the wounds of Christ. The priest from the Vatican links up with her and cares for her as she is increasingly afflicted by the stigmata. Her ranting and raving finally begins to make sense to the priest who starts to question what his religion has stood for for the last 1900 years.Written by
Jeff Mellinger <firstname.lastname@example.org>
The body of Almeida in the coffin actually was a wax dummy made in Los Angeles and shipped to the filming location. See more »
In the bathtub scene, we see numerous shots of Frankie suggesting she is completely naked in the tub (without seeing actual nudity). Right after she places the fallen feather on the side of the tub, the unseen "force" pulls her backwards into the water. As she is falling back, we can clearly see she is wearing a flesh colored bra or bikini top. See more »
In the mentioned alternate ending, after Frankie dies, we see also an alternate, extended shot of Father Kiernan discovering the secret scrolls, in it he also places a picture of Frankie in front of the statue. The ending text about the scrolls is intact. See more »
Stigmata is at the very least controversial. I feel that it's really struggling to find a genre, so it's harsh to compare it to the Exorcist as many have. This is a film based somewhat on truth, and somewhat on legend with a little Hollywood finesse to bring it all together. It doesn't stay completely true to either a Christian audience or to mainstream Hollywood, but I think that's to it's credit. I don't know many people who knowingly make this kind of cross-over in their normal rental choices, so in that way, it helps to reach the largest possible audience. The way that the film afflicts it's heroine with the stigmata through the rosary is just typical screenwriting, and the romance aspects are predictable. The film, based upon the discovery of the Gospel of Thomas, assumes that the discovery of that scroll had never been know to the public, and that personal vendettas within the Vatican had helped to suppress it. In reality however, there have been numerous translations of that Gospel, although I rather doubt that the modern bible will be amended. (Due to it's debated authenticity.) In short, the film is thought-provoking, yet not heavy-handed in it's message. It leaves you asking questions as to your own faith, and to the nature of the established "church" far after you've reached the final credits. As an action-suspense-thriller I'd rank it about a 7 out of 10, but in terms of it's religious nature it succeeds greatly in the find-the-truth-for-yourself message that it conveys.
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