Stigmata (1999)

When a young woman becomes afflicted by stigmata, a priest is sent to investigate her case, which may have severe ramifications for his faith and for the Catholic Church itself.

Director:

Rupert Wainwright

Writers:

Tom Lazarus (story), Tom Lazarus (screenplay)

Stars:

Patricia Arquette, Gabriel Byrne, Jonathan Pryce

6 nominations.

Cast

Cast overview, first billed only:
Patricia Arquette	...	Frankie Paige
Gabriel Byrne	...	Father Andrew Kiernan
Jonathan Pryce	...	Cardinal Daniel Houseman
Nia Long	...	Donna Chadway
Thomas Kopache	...	Father Durning
Rade Serbedzija	...	Marion Petrocelli (as Rade Sherbedgia)
Enrico Colantoni	...	Father Dario
Dick Latessa	...	Father Gianni Delmonico
Portia de Rossi	...	Jennifer Kelliho
Patrick Muldoon	...	Steven
Ann Cusack	...	Dr. Reston
Shaun Toub	...	Doctor
Tom Hodges	...	ER Nurse
Lydia Hazan	...	Attending Nurse
Shaun Duke	...	Dr. Eckworth (as Duke Moosekian)

Storyline

A priest from the Vatican is sent to Sao Paulo, Brazil to investigate the appearance of the face of the Virgin Mary on the side of a building. While there he hears of a statue of the Virgin Mary bleeding tears in a small town outside of the city. Meanwhile, a young woman in the U.S. begins to show signs of stigmata, the wounds of Christ. The priest from the Vatican links up with her and cares for her as she is increasingly afflicted by the stigmata. Her ranting and raving finally begins to make sense to the priest who starts to question what his religion has stood for for the last 1900 years.

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Plot Keywords:

priest | stigmata | wound | vatican | catholic | 

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Taglines:

The messenger must be silenced.

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Genres:

Horror

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Motion Picture Rating (MPAA)

Rated R for intense violent sequences, language and some sexuality

Details

Official Sites:

MGM [United States]

Country:

USA

Language:

English Assyrian Neo-Aramaic Portuguese Italian Aramaic

Release Date:

10 September 1999 (USA)

Also Known As:

Toby's Story

Filming Locations:

Greystone Park & Mansion - 905 Loma Vista Drive, Beverly Hills, California, USA

Box Office

Budget:

$29,000,000 (estimated)

Opening Weekend USA:

$18,309,666, 12 September 1999, Wide Release

Gross USA:

$50,046,268

Cumulative Worldwide Gross:

$89,446,268

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM), FGM Entertainment

Technical Specs

Runtime:

103 min

Sound Mix:

DTS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

In the subway scene, Patricia Arquette and Nia Long were the only people who weren't stunt people.

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Goofs

When Frankie is being whipped on the subway train, there is a cut scene of a closeup of her face where there is blood on the side of her mouth. In all continuing shots after this, the blood is gone.

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Quotes

Dr. Reston: And are there any problems with a significant other?
Frankie: Yes...
Dr. Reston: Which is?
Frankie: I'm not very significant.

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Alternate Versions

The DVD release offers several scenes that were edited, reshot, or removed altogether after poor test screenings. Glimpses of several of these scenes can be seen in the movie's original theatrical trailer (also included on the DVD):

• An alternate opening where Father Almeida commits suicide by jumping off of the roof of his church. In the final cut, there is no indication as to how he died.
• A longer, much more explicit version of Frankie and her boyfriend Steve fooling around during the opening credits.
• Before Frankie's first stimagtic attack, she experiences a series of strange occurances while closing her hair salon.
• Also, before Frankie's first stigmatic attack, she comes home and is scared by her boyfriend Steve. The two have an argument.

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Connections

Referenced in Max & Paddy's Road to Nowhere: Episode #1.1 (2004)

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Soundtracks

All Is Full of Love
Written by Björk (as Bjork Gudmundsdottir)
Performed by Björk
Courtesy of One Little Indian Records / Elektra Entertainment Group / Mother Records
By Arrangement with Warner Special Products

User Reviews

A clever blend of Christian mysticism and 20th Century narcissistic cynicism

STIGMATA: Well, this one is certain to be somewhat controversial with hardcore fundamentalist Christians and the equally dedicated Catholic, but I personally found the movie to be far from irreverent, and actually rather faithful in parts. Though the film balances psychological terror and armchair Christian mythology, the movie manages to present a thought-provoking dramatic episode by clashing the faithful and the faithless, the true spirituality and hypocrisy, the sincere and the mundane.

The film centers on the experiences of a young woman who is a self-professed athiest who manages to somehow be afflicted with The Stigmata, a paranormal experience wherein the "victim" or the "gifted" (dependant upon one's point of view) is afflicted/touched by God and with manifestations of the wounds Christ suffered at His Crucifixion. These include the wounds through the wrists, the feet, the crown of thorns, the scourging of the back and finally the spear through the side.

Into the mix is tossed a mildly agnostic Catholic priest/scientist assigned by Rome to investigate supposed "miracles." Also blended into the story is a sub plot full of political goings on inside the Vatican and the attraction between the priest and the young woman afflicted. So not only does the movie examine The Stigmata, spirituality, Christian myth, and the Catholic tradition, but it explores the inner workings of the Church (to a very critical degree) and the meeting of man, woman and God. It's also entertaining.

The movie seems to be marketed as a modern-day "The Exorcist." I don't think the comparison is fair. Though there does appear to be some sort of possession story happening, it somehow ends up being mostly the desperate actions of a benevolent spirit of a deceased priest trying to get attention and bring the Truth to light. Obviously the more fundamental Christian believer familiar with the Christian mythos would find this plot element suspect, and dramatically it's only mildly fulfilling. For this reason the mature and educated viewer might find the ending of the film anticlimactic and arguably "sell out," but the casual viewer would probably find nothing questionable about the Hollywood ending. Personally, I thought it tainted an otherwise splendidly atmospheric film. The integration of Catholic mysticism with MTV-era music video filmography at times seems nearly as visually attractive as Madonna's "Just Like a Prayer" video, though not quite as sublime.

I'll give the movie 3 stars, mostly solidified by strong dialogue and exceptional performances from both Patricia Arquette and Gabriel Byrne as the woman and the priest. On it's own merits, the film manages to create a foundation from which the viewer is challenged to fill in the blanks re: the spiritual goings-on, but it loses points where it attempts to find cheap thrills and reinvent the spiritual-psychological horror portrayed in The Exorcist by turning an interesting and engaging look at mystic spirituality's interaction with the 20th Century's narcissistic cynicism into something more akin to the later OMEN movies.