In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him ... See full summary »
Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl (Brandauer), an ambitious young officer who proceeds up the ladder to become ... See full summary »
Klaus Maria Brandauer,
Hans Christian Blech,
A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and ... See full summary »
Klaus Maria Brandauer,
During WW2 Hungarian resistance hides a married couple from the officials. The woman is sent to act as the wife of one of the resistance members who is also in hiding and pretending to be somebody else. They slowly begin to fall in love.
A tale based on the life of Wilhelm Furtwangler, the controversial conductor of the Berlin Philharmonic whose tenure coincided with the controversial Nazi era. One of the most spectacular ... See full summary »
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
The film follows a Jewish family living in Hungary through three generations, rising from humble beginnings to positions of wealth and power in the crumbling Austro-Hungarian Empire. The patriarch becomes a prominent judge but is torn when his government sanctions anti-Jewish persecutions. His son converts to Christianity to advance his career as a champion fencer and Olympic hero, but is caught up in the Holocaust. Finally, the grandson, after surviving war, revolution, loss and betrayal, realizes that his ultimate allegiance must be to himself and his heritage.Written by
When Adam Sors returns to Budapest after the 1936 Olympics, there is a brief shot of the train station in Budapest showing several Bzmot type trains that were first put in use in 1977. See more »
For the first time in my life, I walked down the street without feeling like I was in hiding. My great grandfather Emmanuel must have been the last Sonnenschein to feel like this. I knew the only way to find meaning in my life, my only chance in life, would be to account for it. My grandmother's words return to me; "Try to photograph what's beautiful in life." By the time I finish this story, the third tragic misadventure of the 20th century was over. After the monarchy and fascist rule, the ...
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Schindler's List was apparently enough for most film goers. "Sunshine," superior to "Schindler" in many respects, got fewer accolades and much less attention. Why do I think "Sunshine" is superior to "Schindler?" Primarily because it tells the story of the Holocaust through the lens of a single family whose pre-Holocaust history gives a dimension and depth to the tragedy of that family that "Schlinder" is incapable of providing because of its quite different narrative strategy and focus. To be sure, "Schindler's" narrative sweep affords a greater sense than "Sunshine" of the scope of the slaughter. But "Sunshine" stands in relation to "Schindler" as a novel stands to a work of history. One brings the insights offered by individual tragedies, the other brings more of a societal perspective. The best "Holocaust" film, however, remains in this viewer's opinion, "The Pawnbroker" with Rod Stieger, which had an even narrower focus than "Sunshine" and brought the horror of the Holocaust to life by exploring the emotional desolation/death suffered by a single survivor. A truly great film.
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