A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and ... See full summary »
Klaus Maria Brandauer,
Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl (Brandauer), an ambitious young officer who proceeds up the ladder to become ... See full summary »
Klaus Maria Brandauer,
Hans Christian Blech,
A tale based on the life of Wilhelm Furtwangler, the controversial conductor of the Berlin Philharmonic whose tenure coincided with the controversial Nazi era. One of the most spectacular ... See full summary »
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
Young honest public official is sworn in after his predecessor had to leave due to a corruption scandal. Soon, the young idealist discovers just how far-reaching the corruption is in his town and how easy it is to become corrupt yourself.
The film follows a Jewish family living in Hungary through three generations, rising from humble beginnings to positions of wealth and power in the crumbling Austro-Hungarian Empire. The patriarch becomes a prominent judge but is torn when his government sanctions anti-Jewish persecutions. His son converts to Christianity to advance his career as a champion fencer and Olympic hero, but is caught up in the Holocaust. Finally, the grandson, after surviving war, revolution, loss and betrayal, realizes that his ultimate allegiance must be to himself and his heritage.Written by
When Adam Sors returns to Budapest after the 1936 Olympics, there is a brief shot of the train station in Budapest showing several Bzmot type trains that were first put in use in 1977. See more »
[speaking to the graveside of Andor Knorr]
Andor Knorr, one of your murderers has come to your grave, to say goodbye to you. I was your first interrogator, someone who you trained to defend the cause without mercy. We believed we were going to make the world better place for people, but, instead, we made it so much worse. As servants of power-hungry criminals, we became criminals. Our politicians lied to the people by saying they were doing good. And then the people lied to the politicians by ...
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Schindler's List was apparently enough for most film goers. "Sunshine," superior to "Schindler" in many respects, got fewer accolades and much less attention. Why do I think "Sunshine" is superior to "Schindler?" Primarily because it tells the story of the Holocaust through the lens of a single family whose pre-Holocaust history gives a dimension and depth to the tragedy of that family that "Schlinder" is incapable of providing because of its quite different narrative strategy and focus. To be sure, "Schindler's" narrative sweep affords a greater sense than "Sunshine" of the scope of the slaughter. But "Sunshine" stands in relation to "Schindler" as a novel stands to a work of history. One brings the insights offered by individual tragedies, the other brings more of a societal perspective. The best "Holocaust" film, however, remains in this viewer's opinion, "The Pawnbroker" with Rod Stieger, which had an even narrower focus than "Sunshine" and brought the horror of the Holocaust to life by exploring the emotional desolation/death suffered by a single survivor. A truly great film.
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