When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men.
Based on Marvel Comics' superhero character, this is a story of Peter Parker who is a nerdy high-schooler. He was orphaned as a child, bullied by jocks, and can't confess his crush for his stunning neighborhood girl Mary Jane Watson. To say his life is "miserable" is an understatement. But one day while on an excursion to a laboratory a runaway radioactive spider bites him... and his life changes in a way no one could have imagined. Peter acquires a muscle-bound physique, clear vision, ability to cling to surfaces and crawl over walls, shooting webs from his wrist ... but the fun isn't going to last. An eccentric millionaire Norman Osborn administers a performance enhancing drug on himself and his maniacal alter ego Green Goblin emerges. Now Peter Parker has to become Spider-Man and take Green Goblin to the task... or else Goblin will kill him. They come face to face and the war begins in which only one of them will survive at the end.Written by
The genetically modified spider that bit Peter Parker was not a black widow spider but a Steatoda spider, which was chosen by Steven R. Kutcher and painted red and blue by Jens Schnabel while the spider was anesthetized. See more »
When Norman is getting ready to test himself, he lies down on the bed, fastens himself in and the doctor goes to the computer. However, when it shows him being brought in to the chamber he has several electrodes connected to his chest and head. See more »
Who am I? You sure you want to know? The story of my life is not for the faint of heart. If somebody said it was a happy little tale... if somebody told you I was just your average ordinary guy, not a care in the world... somebody lied. But let me assure you: This, like any story worth telling, is all about a girl. That girl. The girl next door. Mary Jane Watson. The woman I've loved since before I even liked girls.
[referring to Flash Thompson sitting next to her]
[...] See more »
The intro credits are all spun on a spider web and the end credits are surrounded by webbing on random sides of the screen. See more »
In the version that showed on Cartoon Network, there were many cuts for time, violence, and swearing. All uses of ass, hell, and damn were scrubbed from the movie (i.e. Goblin says "we're gonna have [an interesting] time" as opposed to a "hell of a time"). References to religion were also trimmed. There is also an alternate angle of Norman getting impaled that is less violent. See more »
Having seen the trailers for this film I have to say that I didn't walk into the cinema with high hopes. The computer effects looked badly integrated, the Green Goblin's costume looked awful and comic book adaptations usually have such painful scripting and plotting. Thankfully I was wrong on most counts (The Goblin still looks rubbish).
As it turns out, this is probably the best super-hero film I've yet seen - certainly up there with Superman and Batman. People seem to automatically comment that the script and acting was bad because they expect it to be the case in these films; and indeed it usually is. But if you go into Spider-man without this prejudicial attitude you'll be pleasently suprised. The acting is generally great - there is never a time when anyone is not believable as their character and you think "Hey, that's an actor, not Peter Parker". The effects do look artificial but the pace of the movie means you don't have time to dwell on this and the script is fine! What do people want, Shakespearian soliloquies? That would sound incredibly out-of-place in modern day New York. There are few of the painful cliches or dreadful dialogue that plague films like The Phantom Menace and the catchphrases like "friendly neighbourhood spider-man" are fully in-keeping with the character.
The comic turns from J.J. Jameson hit the mark, the snarling facial contortions of Willem Defoe were suitably evil-looking (and the conversation with his mirror-image was a great touch). My only gripe was with the Green Goblin's costume. Very monotone green and not very scary.
All-in-all a great film that I wouldn't hesitate for a second in recommending.
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