While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire P.J. Waters, a macho ...
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While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire P.J. Waters, a macho cult de-programmer who confronts Ruth in a remote desert hideaway. But P.J. quickly learns that he's met his match in the sexy, intelligent, and iron-willed Ruth.
Lead producer Jan Chapman said of location filming in outback South Australia: "The Flinders Ranges shoot was physically hard, with long distances between locations, dusty difficult roads, freezing temperatures, and constant rain when it wasn't supposed to be raining. It was wild, strange, dirty, but beautiful. I have to say, that the extreme beauty of the place tended to overpower the stresses. [Cinematographer] Dion [Beebe] did a wonderful job of capturing those figures in that brutal majestic landscape: the colours, the light, the scale." See more »
When PJ is driving in the red outfit, he is on the left-hand "driver" side. When the lady gets in the car, he then has switched to the right-hand side (still driving). The lady is then in the left driver side where PJ was originally. See more »
I don't hate women. I love ladies.
Ha! Ladies! You wouldn't know any. I bet you date little Barbie dolls, don't you? "Oh, you're so brainy, you're so big! Can I suck your dick?" Can I be alone now?
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The sex scene between Keitel and Winslet has been trimmed in the U.S version. On the Australian VHS, Keitel is seen putting himself between Winslet's legs and reaching down to his crotch before thrusting. As they are making love, Winslet says "Don't come, don't come", then there is the sound of Keitel doing so. He stops, and Winslet moans for a bit before the film cuts to the next scene. In the U.S version, they trim Keitel getting inbetween her legs and reaching for his crotch. The scene plays out as normal just until Keitel "comes" and the sound of Winslet moaning is also trimmed. The U.S version also misses some of the thrusting and related sounds. See more »
Holy Smoke! follows two lost souls (Winslet and Keitel) over the course of three days. The Winslet character, Ruth Baron, is seduced by a not-so-handsome guru on a trip to India, and she intends to marry him. Eventually, her family tricks her into coming home and hires a famous "cult-exiter" named P.J. Waters (Keitel). Keitel's entrance, backed by Neil Diamond's "I Am, I Said," is priceless. Once Ruth agrees to the three-day exiting (because she doesn't believe that her views will be dislodged), debates on religion, truth, and sex commence between Ruth and P.J. The remainder of the film is an unexpected wild ride. Could P.J. learn a thing or two from a inexperienced but strong willed woman? Don't worry, Holy Smoke! isn't all seriousness. Ruth's wacky family provides most of the laughs in the film. At a family gathering, a sheep serves as a coffee table...no one even comments on it!
Holy Smoke! isn't nearly as grim or open-ended as The Piano or Portrait of a Lady (two films that gained and lost many Campion supporters). Underappreciated Winslet (unfortunately only well known for Titanic), gives the performance of her life. Keitel, too, is absolute perfection (as always). Campion recently said that she wanted to "seduce" the audience into thinking deeper...and she has.
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