Madame Ranevskaya (Charlotte Rampling) is a spoiled aging aristocratic lady, who returns from a trip to Paris to face the loss of her magnificent Cherry Orchard estate after a default on ...
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A reformed young man with a steady job, Benny, returns to the city of his youth to find the girl he's been in love with since childhood and that's home to his four petty criminal friends, Jacko, Zac, Bisto and Flea.
When Sarah Hopson realizes her successful high-rise New York lifestyle is devoid of meaning, she packs her bags and heads for her home town in the Scottish Borders to look for Sam, her ... See full summary »
The tragic, unexpected death of David in a car-crash causes the cozy, safe life of gardener Beth to be thrown into complete chaos. In the aftermath, as Beth begins to pick up the pieces, ... See full summary »
Proud and independent, Stella, an unconventional Rebetico singer who cherishes her freedom, finds herself in an intense whirlwind romance. Everything points to a tragic ending, and in the aftermath of passion, there can be no winners.
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Based on a true story, this film tells the tale of the 1950 U.S. soccer team, who, against all odds, beat England 1 - 0 in the city of Belo Horizonte, Brazil. Although no U.S. team has ever won a World Cup title, this story is about the family traditions and passions which shaped the lives of the players who made up this team of underdogs.
Centuries ago, under the sands of ancient Egypt, a Prince was buried and his tomb eternally cursed so that no man would ever again suffer from his evil ways. But hundreds of years later on ... See full summary »
Jason Scott Lee,
Madame Ranevskaya (Charlotte Rampling) is a spoiled aging aristocratic lady, who returns from a trip to Paris to face the loss of her magnificent Cherry Orchard estate after a default on the mortgage. In denial, she continues living in the past, deluding herself and her family, while the beautiful cherry trees are being axed down by the re-possessor Lopakhin (Owen Teale), her former serf, who has his own agenda.Written by
In this era of gratuitous special effects and uneven, even shoddy, production, one cannot depend on Hollywood to successfully transfer a stage play to the screen. This movie is partially the exception, as the movie amazingly pulls itself together in midstream to become a commendable work of art. The first part of this movie is a cinematic disaster. It's boring, slow, and muddled, with a terrible first ten minutes which is supposed to provide some background information about some of the main characters but which is totally disconnected from the main body of the story itself which takes place in a completely different venue. Then as this movie is heading toward a complete cinematic breakdown it amazingly recovers its strength and vitality and becomes crisp, sharp, focused and coherent, conveying a poignant story about torment and suffering in time of change. From that point on all the performances are great, especially that of Michael Gough, Alan Bates and the beautiful Charlotte Rampling who succeeds in capturing the essence of the woman whose whole world is being turned upside down. But despite the strong finish, that one first has to endure a truly bad start before getting to the good part makes this movie a tedious cinematic experience.
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