Two Irish brothers accidentally kill mafia thugs. They turn themselves in and are released as heroes. They then see it as a calling by God and start knocking off mafia gang members one by one. Willem Dafoe plays the detective trying to figure out the killings, but the closer he comes to catching the Irish brothers, the more he thinks the brothers are doing the right thing.Written by
The scene where Rocco goes on a shooting spree takes place at the Lakeview Restaurant on Dundas Street, West in Toronto. Also, you can see the IDA Drug Mart (as well as the Toronto Dominion Bank logo) down the street just before enters (starting at around the 56:54 mark). See more »
When the character Vincenzo Lipazzi is introduced, the graphic showing his name is spelled 'Lapazzi' - different to the name in the credits. See more »
Our father, who art in heaven, hallowed be thy name. Thy kingdom come, Thy will be done, on Earth as it is in Heaven. Give us this day our daily bread, and forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For Thine is the kingdom, and the power, the glory, now and forever. Amen.
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Clips of people being interviewed about their opinions on "the saints" are shown while the credits roll. See more »
The Version at the German Fantasy Film Fest (1999) and the canadian DVD-Release differ in 3 cuts. The DVD cuts are:
the Hotel Shootout: This scene has a cut about 7 seconds, showing bloody bullet hits, when the two brothers are hanging on the rope.
Rocco shoots the Mafia-Guys in the bar: The headshot and the shot in the chest are cut away on the DVD. You only see the blood coming out of the back of the bench.
Shoot out in the pool-room: one scene is cut which shows several bullet hits in the body of the guy who opens the door.
Poolroom shootout: The guy that's holding the phone, standing in the back left corner gets shot twice. The second bullet hit is cut out from the US DVD.
Great (but not always new) ideas - great realization. Entertainment in the tradition of "Pulp Fiction".
Preliminary remark: the comments refer to a pre-release version that was shown at the "Fantasy Film Festival" in Cologne, Germany, in August 1999.
"Boondock Saints" is a clever, funny, sufficiently violent movie with an overall high entertainment value. The story revolves around two Irish-American brothers and an excentric gay FBI agent (awesome: William Dafoe). The brothers - devout Catholics - who speak several languages fluently and work in a slaughterhouse find themselves equipped with money and weapons and subsequently start their very own crusade against the evil men of Boston - professional killers, mafia bosses and drug dealers. The agent is at their heels from the outset, but he has to realize that justice is on the side of the brothers...
This basic plot is the foundation for a highly energetic narrative: we get excellent and at times highly comic dialogues (with a high F***-word ratio), running gags, and lots of crazy situations and plot developments that are as absurd as they are funny. The action/shooting scenes are well-choreographed with a fine eye for the detail, but it's the main characters, their dialogues and developments around which the movie is develops rather than the action sequences.
On top of this, we get a fractured time/place structure that's already familiar from movies such as Kubrick's "The Killing" or Tarantino's "Reservoir Dogs", but "Boondock Saints" takes it to new extremes - and thus it's fun to watch.
Of course, the characters are a bit shallow every now and then and one would love to learn more about their background, but that's only a slight criticism. Overall, and measured by its own intention, "Boondock Saints" is great entertainment. More, it doesn't need to be.
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