Two Irish brothers accidentally kill mafia thugs. They turn themselves in and are released as heroes. They then see it as a calling by God and start knocking off mafia gang members one by one. Willem Dafoe plays the detective trying to figure out the killings, but the closer he comes to catching the Irish brothers, the more he thinks the brothers are doing the right thing.Written by
Connor and Murphy both use suppressed Beretta 92f pistols throughout the movie, with Rocco's small revolver being a .38 caliber snub-nose. The .38 Snub-Nose is a Colt Python. The revolver is really a .357 magnum, but both the mag and .38 can be shot out of the handgun. See more »
When Connor is handcuffed to the toilet, the blood on his head is gone when seen from where Murphy is but present when shot from beneath the toilet. See more »
Our father, who art in heaven, hallowed be thy name. Thy kingdom come, Thy will be done, on Earth as it is in Heaven. Give us this day our daily bread, and forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For Thine is the kingdom, and the power, the glory, now and forever. Amen.
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Clips of people being interviewed about their opinions on "the saints" are shown while the credits roll. See more »
I've always enjoyed non-linear storytelling. A number of people seem to have picked up on this aspect of the movie and thus dubbed it similar to Pulp Fiction (though no one mentions Reservoir Dogs) when this movie takes non-linear storytelling to a level beyond where Quentin Tarrantino was ever able to go.
Now, certainly Memento came along afterwards and transformed the entire art of non-linear storytelling. However, Memento uses it to keep the movie watcher guessing until the very end, whereas Boondock Saints puts the pieces on the table, letting you try to put them together, but then will continue handing you pieces until the picture becomes clearer.
Clearly the movie is designed to be over-the-top, both from Williem Dafoe's character to the action sequences themselves. Williem Dafoe makes this movie for me. The plot, which centers on religiously-inspired vigilante justice, has an air of being somewhat cliched, although I would be hard pressed to name another movie which handles it in this matter.
I still fail to see how others consider this movie vacuous and without meaning, when its message about the pitfalls of our current legal system and the need for something that transcends it is quite clear. I thought the ending, in which various people are interviewed about their opinion of the "Saints" and how for some vigilante justice was an incredibly sensitive issue, made this point very clear.
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