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The Boondock Saints (1999)

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2:09 | Trailer
Two Irish Catholic brothers become vigilantes and wipe out Boston's criminal underworld in the name of God.

Director:

Troy Duffy

Writer:

Troy Duffy
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Cast

Cast overview, first billed only:
Willem Dafoe ... Paul Smecker
Sean Patrick Flanery ... Connor MacManus
Norman Reedus ... Murphy MacManus
David Della Rocco ... Rocco
Billy Connolly ... Il Duce
David Ferry ... Detective Dolly
Brian Mahoney ... Detective Duffy
Bob Marley ... Detective Greenly
Richard Fitzpatrick ... The Chief
William Young William Young ... Monsignor
Robert Pemberton Robert Pemberton ... Macklepenny
Bill Craig Bill Craig ... McGerkin
Dot-Marie Jones ... Rosengurtle Baumgartener (as Dorothy-Marie Jones)
Scott Griffith ... Ivan Checkov
Layton Morrison ... Vladdy
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Storyline

Two Irish brothers accidentally kill mafia thugs. They turn themselves in and are released as heroes. They then see it as a calling by God and start knocking off mafia gang members one by one. Willem Dafoe plays the detective trying to figure out the killings, but the closer he comes to catching the Irish brothers, the more he thinks the brothers are doing the right thing. Written by KevinYang(meowdragon@hotmail.com)

Plot Summary | Plot Synopsis

Taglines:

And shepherds we shall be, for thee, my lord, for thee. See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence, language and sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MySpace | Official Fansite | See more »

Country:

USA | Canada

Language:

English | Spanish | Papiamento | Russian | Latin

Release Date:

19 November 1999 (Denmark) See more »

Also Known As:

The Boondock Saints See more »

Filming Locations:

Massachusetts, USA See more »

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Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend USA:

$19,930, 23 January 2000

Gross USA:

$30,471

Cumulative Worldwide Gross:

$30,471
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Dolby

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Shot in thirty-two days. See more »

Goofs

When Connor is standing above the apartment building getting ready to drop the toilet down on the Russian mobster, there is a second where he looks ahead and Toronto's CN Tower is clearly visible in the top right section of the screen. See more »

Quotes

[first lines]
Mackiepenny: Our father, who art in heaven, hallowed be thy name. Thy kingdom come, Thy will be done, on Earth as it is in Heaven. Give us this day our daily bread, and forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For Thine is the kingdom, and the power, the glory, now and forever. Amen.
See more »

Crazy Credits

Clips of people being interviewed about their opinions on "the saints" are shown while the credits roll. See more »

Alternate Versions

Television version shown on the USA network removes the scene where the brothers have their vision from God. See more »

Connections

References The Matrix (1999) See more »

Soundtracks

Miss Mountain
Composed by Greenburg/Harrell
One Music Publishing (ASCAP)
See more »

Frequently Asked Questions

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User Reviews

 
Non-linear storytelling executed well
28 July 2003 | by stumblefootSee all my reviews

I've always enjoyed non-linear storytelling. A number of people seem to have picked up on this aspect of the movie and thus dubbed it similar to Pulp Fiction (though no one mentions Reservoir Dogs) when this movie takes non-linear storytelling to a level beyond where Quentin Tarrantino was ever able to go.

Now, certainly Memento came along afterwards and transformed the entire art of non-linear storytelling. However, Memento uses it to keep the movie watcher guessing until the very end, whereas Boondock Saints puts the pieces on the table, letting you try to put them together, but then will continue handing you pieces until the picture becomes clearer.

Clearly the movie is designed to be over-the-top, both from Williem Dafoe's character to the action sequences themselves. Williem Dafoe makes this movie for me. The plot, which centers on religiously-inspired vigilante justice, has an air of being somewhat cliched, although I would be hard pressed to name another movie which handles it in this matter.

I still fail to see how others consider this movie vacuous and without meaning, when its message about the pitfalls of our current legal system and the need for something that transcends it is quite clear. I thought the ending, in which various people are interviewed about their opinion of the "Saints" and how for some vigilante justice was an incredibly sensitive issue, made this point very clear.


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