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American Psycho (2000)

R | | Crime, Drama | 14 April 2000 (USA)
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A wealthy New York City investment banking executive, Patrick Bateman, hides his alternate psychopathic ego from his co-workers and friends as he delves deeper into his violent, hedonistic fantasies.

Director:

Mary Harron

Writers:

Bret Easton Ellis (novel), Mary Harron (screenplay) | 1 more credit »
Popularity
563 ( 1)
5 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Christian Bale ... Patrick Bateman
Justin Theroux ... Timothy Bryce
Josh Lucas ... Craig McDermott
Bill Sage ... David Van Patten
Chloë Sevigny ... Jean
Reese Witherspoon ... Evelyn Williams
Samantha Mathis ... Courtney Rawlinson
Matt Ross ... Luis Carruthers
Jared Leto ... Paul Allen
Willem Dafoe ... Donald Kimball
Cara Seymour ... Christie
Guinevere Turner ... Elizabeth
Stephen Bogaert ... Harold Carnes
Monika Meier Monika Meier ... Daisy
Reg E. Cathey ... Homeless Man
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Storyline

Patrick Bateman is handsome, well educated and intelligent. He is twenty-seven and living his own American dream. He works by day on Wall Street, earning a fortune to complement the one he was born with. At night he descends into madness, as he experiments with fear and violence. Written by Lion Films

Plot Summary | Plot Synopsis

Taglines:

Killer inside. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong violence, sexuality, drug use and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA | Canada

Language:

English | Spanish | Cantonese

Release Date:

14 April 2000 (USA) See more »

Also Known As:

Psicópata americano See more »

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Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend USA:

$4,961,015, 16 April 2000, Wide Release

Gross USA:

$15,070,285, 30 July 2000

Cumulative Worldwide Gross:

$34,266,564
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

During production, Christian Bale followed the morning routine that his character Patrick Bateman describes toward the beginning of the film. See more »

Goofs

Towards the end of the movie, Patrick runs by a subway entrance that lists the 9 train. The 9 train was first established in 1989, two years after the setting of this film. See more »

Quotes

[first lines]
Waiter #1: Our pasta this evening is squid ravioli in a lemon grass broth with goat cheese profiteroles, and I also have an arugula Caesar salad. For entrees this evening, I have swordfish meatloaf with onion marmalade, rare roasted partridge breast in raspberry coulis with a sorrel timbale.
Waiter #2: ...and grilled free-range rabbit with herbed french fries. Our pasta tonight is a squid ravioli in a lemon grass broth, and the fish tonight is a grilled...
See more »


Soundtracks

Im Nin'alu
Ofra Haza
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Frequently Asked Questions

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User Reviews

 
A film that teeters between Miracles and Mania
13 October 2001 | by grendel-37See all my reviews

Having just finished American Psycho, I came to IMDB to get some clarification on the ending. And it seems I'm not the only one left vaguely adrift by the ambiguous ending.

I've browsed some of your comments, not all 400+ to be sure. But some of them. A good sampling I think, and this movie has three distinct cheering sections.

Those who consider it a masterpiece, those who consider it unredeemable, boring trash, and by far the largest segment, those who see it as a flawed masterpiece.

I fall into the latter category. And no, I did not read the book. But as others have stated any movie that requires you to read the book, to "get" the movie, is ultimately a failure as a movie.

So my review is based solely on the merits of the film. And contrary to what some have said, the film does have many merits. I found it brilliantly directed, and a superbly acted examination of excess, and boredom, and evil. An examination, satire, critique of a time, and type of thinking.

Even before seeing the ending, I thought how much bateman lives in people. Found myself thinking, an examination of bateman is an examination of men by the name of Reagan and Bush. How American Psycho is an examination of our times, and our modern theologies.

I found the movie as a whole riveting, loved the restraint shown (and disagree with those calling for more gore, I think Mary should be applauded for her deft hand, the scenes have more power for what is not shown), and was captivated by nearly every scene, by scenes others have called boring, but I found profound.

Bateman putting on his makeup, or simply trying to get a restaurant, and the near apocalyptic importance, such minutiae makes in the lives of empty men. The right card, or the right cloth, or the right table, or the right watch, how these are the signposts of an empty age and an empty soul, and how these things have more value than your fellow man... or woman.

Bateman attains everything the materialistic times tells him he should want, but once he gets it he feels nothing. Emptier than before, less than before. It's only in the extremes of his addictions he begins to feel something, anything. He feeds to fill the emptiness, but the more he feeds the emptier he gets. He eats at his fellowman (woman) but in his bloodlust he eats at himself.

He is the American dream, taken to its cannibalistic extremes.



And never before has makeup, played such a mesmerizing part in a movie. Bateman's(Chris Bale's) face at times when he is under stress, takes on a plastic look, a glossy, sweaty sheen, and for all the world it looks like he's wearing a mask... and the mask, his mask of sanity, is beginning to run.

Simply amazing use of makeup. And incredible performance by the lead actor. I wasn't familiar with him before this, but everyone will be after this.

Upon first hearing about this movie, I had no desire to see it. I've grown up since the age of Hills Have Eyes and trash like The Beyond, watching people suffer no longer seems significant. I guess as we get older we ask more of our art than springer, or the WWF, or slasher flicks. We ask of our art to tell us something true. Something of ourselves, and our world.

I think American Psycho under the deft hand of Mary Harron becomes more than my prejudices, and exceeds my expectations. Rises at times to dizzying heights not unlike art.

Mary's restraint makes this movie. But I fear her restraint nearly sinks it as well. The ending is too ambiguous. Who is Bateman in the end. Is there a Bateman? And what did he do or did not do?

In the end,the movie will nag at you. Did he or didn't he? And in the end, now that I write this I'm thinking maybe the answer doesn't really matter, maybe in the end the answer is the same. In the end a sin of thought, or a sin of action, is still a sin. In the end we are left with a man, and a nation... whose mask is slipping.

I think like the first Psycho, time will prove this one.... worthy. I now add Mary Harron to the small selection of modern directors I will tiptoe through broken glass to see. Directors like Dave Fincher(Seven, Fight Club), Carl Franklin(Devil in a Blue Dress), Johnny To(Expect the Unexpected), Ringo Lam(Full Alert, Victim), M. Night Shyamalan(Sixth Sense, Unbreakable), and Peter Weir(Fearless).

Recommended.


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