A wealthy New York City investment banking executive, Patrick Bateman, hides his alternate psychopathic ego from his co-workers and friends as he delves deeper into his violent, hedonistic fantasies.
Check out our gallery of the 2021 Oscar nominees in the leading and supporting acting categories, as the characters they so brilliantly played and in real life.
It's the late 1980s. Twenty-seven year old Wall Streeter Patrick Bateman travels among a closed network of the proverbial beautiful people, that closed network in only they able to allow others like themselves in in a feeling of superiority. Patrick has a routinized morning regimen to maintain his appearance of attractiveness and fitness. He, like those in his network, are vain, narcissistic, egomaniacal and competitive, always having to one up everyone else in that presentation of oneself, but he, unlike the others, realizes that, for himself, all of these are masks to hide what is truly underneath, someone/something inhuman in nature. In other words, he is comprised of a shell resembling a human that contains only greed and disgust, greed in wanting what others may have, and disgust for those who do not meet his expectations and for himself in not being the first or the best. That disgust ends up manifesting itself in wanting to rid the world of those people, he not seeing them as ...Written by
Huggo
The business cards belonging to Patrick Bateman, David Van Patten, Timothy Bryce, Paul Allen, and Luis Carruthers each contain the same typo. On the top right, underneath where the company name "Pierce & Pierce" is listed, the department is written as "Mergers and Aquisitions" rather than "Mergers and Acquisitions". See more »
Goofs
At his apartment Jean asks Patrick if he's seeing anyone. It is odd that his secretary would know nothing about Patrick being engaged. See more »
Quotes
[first lines]
Waiter #1:
Our pasta this evening is squid ravioli in a lemon grass broth with goat cheese profiteroles, and I also have an arugula Caesar salad. For entrees this evening, I have swordfish meatloaf with onion marmalade, rare roasted partridge breast in raspberry coulis with a sorrel timbale.
Waiter #2:
...and grilled free-range rabbit with herbed french fries. Our pasta tonight is a squid ravioli in a lemon grass broth, and the fish tonight is a grilled...
See more »
Alternate Versions
In the television edit, there are these changes:
Though the hooker scene is kept in, the threesome sex scene part is cut off, and after starting "Sussudio" it cuts to them with the light off. When Christian Bale gets up, his butt is not shown.
Christian Bale's butt is also removed from "Morning Routine" scene
Curses and some innuendo ("he won't give the maitre'd head") are cut. The line "I want you to clean your vagina" is kept however.
A very funny horror flick. A worthy companion piece to its literary roots. A phenomenal, fearless performance by Christian Bale that, in a way, cleared up my questions about this versatile British actor. I could never quite warm up to him. Not even in "Little Women". Now, Bale as Patrick Bateman, revealed the reason. It is the cruelty around his mouth. His smiles are chilling and they work to perfection in this, his yuppie modern monster.His actions have the pristine shallowness of his business cards and the disgusting taste of his self awareness. You don't feel sorry for him, the way one did for Norman Bates. No, his character is unredeemable. His rough sex with two women while he rides one of them looking at himself in the mirror is one of the most disturbing film moments I've ever seen. I wonder if Bale will ever be able to play goodness, convincingly.
152 of 213 people found this review helpful.
Was this review helpful to you?
| Report this
A very funny horror flick. A worthy companion piece to its literary roots. A phenomenal, fearless performance by Christian Bale that, in a way, cleared up my questions about this versatile British actor. I could never quite warm up to him. Not even in "Little Women". Now, Bale as Patrick Bateman, revealed the reason. It is the cruelty around his mouth. His smiles are chilling and they work to perfection in this, his yuppie modern monster.His actions have the pristine shallowness of his business cards and the disgusting taste of his self awareness. You don't feel sorry for him, the way one did for Norman Bates. No, his character is unredeemable. His rough sex with two women while he rides one of them looking at himself in the mirror is one of the most disturbing film moments I've ever seen. I wonder if Bale will ever be able to play goodness, convincingly.