It's the late 1980s. Twenty-seven year old Wall Streeter Patrick Bateman travels among a closed network of the proverbial beautiful people, that closed network in only they able to allow others like themselves in in a feeling of superiority. Patrick has a routinized morning regimen to maintain his appearance of attractiveness and fitness. He, like those in his network, are vain, narcissistic, egomaniacal and competitive, always having to one up everyone else in that presentation of oneself, but he, unlike the others, realizes that, for himself, all of these are masks to hide what is truly underneath, someone/something inhuman in nature. In other words, he is comprised of a shell resembling a human that contains only greed and disgust, greed in wanting what others may have, and disgust for those who do not meet his expectations and for himself in not being the first or the best. That disgust ends up manifesting itself in wanting to rid the world of those people, he not seeing them as ...Written by
To block the three-way sex scene with two prostitutes, co-writer and director Mary Harron and Christian Bale watched x-rated tapes. In her commentary, Harron says Bale made stick-figure drawings of the positions he thought would work best. See more »
(at around 1h 4 mins) As Jean is leaving Patrick's apartment, she reminds Patrick of his lunch appointment the following day, but the second-half of Jean's line appears to have been dubbed. It is unclear what the actress was actually saying. See more »
Our pasta this evening is squid ravioli in a lemon grass broth with goat cheese profiteroles, and I also have an arugula Caesar salad. For entrees this evening, I have swordfish meatloaf with onion marmalade, rare roasted partridge breast in raspberry coulis with a sorrel timbale.
...and grilled free-range rabbit with herbed french fries. Our pasta tonight is a squid ravioli in a lemon grass broth, and the fish tonight is a grilled...
See more »
For the US theatrical release, director Mary Harron had to edit the following two scenes (which are available on the unrated edition) in order to receive an R-rating from the MPAA:
The word "asshole" in the line, "Christy, get down on your knees so Sabrina can see your asshole" was changed to just "ass".
The threesome during the same scene was trimmed several seconds.
The film looks to examine our own distorted points of view or detachments from reality. Like Patrick Bateman, we may be trapped craving the approval of others and denying ourselves the ability to distinguish fantasies from our reality.
People are obsessed with how the others perceive them likewise in American Psycho Bateman achieves no catharsis, he's trapped in his own personal hell because he requires the recognition of the other yuppies to confirm his identity as a murderer. The irony is that Feynman's real crimes may as well be fantasy. The lack of acknowledging his reality drives Bateman further into madness and existential despair
It's about yuppie culture, the melding of identity, and the craving to stand out from a superficial homogenized society. Bateman's interpretation of the world is skewed by his inflated ego and his evident psychosis as well as presumably multiple mental illnesses. Bateman is a killer, but still, he's not the killer he thinks he is, as he goes insane he can't distinguish reality from fantasy. His over the top chainsaw massacre style killings may be an aestheticized elaboration on partial truths, ultimately the film doesn't care. The more significant point of the movies absurdity is that within his society Batemans not the psycho at all he's just one more normal guy amidst a horde of uncaring detached from reality, secretly discontented American psychos. Bateman is surrounded by like-minded superficial people obsessed with all the wrong things like making impossible reservations at Dorsia and the tasteful thickness of their business cards. Within the homogenized upper-class elite identities blur as everyone strives after a generic yet highly specific image of success.
Everyone we see in Bateman's company appears to be the same person. It's no wonder that identity is mistaken continuously and swapped throughout the film. The lawyer has mistaken Paul Allen or perhaps Batman has killed the wrong person becomes not only plausible but also an expression of the general confusion resulting from the loss of individual identity.
Meanwhile, although Batman tries like the rest to fit in, the emptiness of his lifestyle also fuels a craving to stand out. To escape the conformity that he on some level despises Batman leads a second life as a killer, where he's unfettered from the bounds of society. Although he actually wants to be seen as a murderer as someone different from the rest of society Bateman is denied even the satisfaction by every self-absorbed yuppie he meets. When he's seen stuffing a body into the trunk of a car, the witness is only interested in the bag.
This is a great movie. Look for the subtext under the dialogue.
188 of 199 people found this review helpful.
Was this review helpful to you?
| Report this