6.7/10
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8 user 10 critic

Anrakkî monkî (1998)

Yamazaki has spent a lot of time plotting a robbery of a local bank, but when he actually gets to the bank he finds another robber escaping with the money. Through an improbable chain of ... See full summary »

Director:

SABU (as Sabu)

Writer:

SABU (as Sabu)
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Cast

Credited cast:
Shin'ichi Tsutsumi ... Yamazaki
Hiroshi Shimizu Hiroshi Shimizu
Akira Yamamoto Akira Yamamoto ... Matsui
Ikkô Suzuki Ikkô Suzuki ... Kaneda (as Ikko Suzuki)
Kimika Yoshino Kimika Yoshino ... Miki Yoshida (victim of stabbing)
Rest of cast listed alphabetically:
Denden
Yôzaburô Itô Yôzaburô Itô ... Company Member at public hearing
Akaji Maro ... Hobo
Naomasa Musaka Naomasa Musaka ... Angry citizen
Toshie Negishi Toshie Negishi ... Angry citizen
Ren Osugi ... Tachibana (as Ren Ôsugi)
SABU SABU ... Bank Robber
Manzô Shinra Manzô Shinra
Tomorô Taguchi ... Miyata, Killer
Yôji Tanaka Yôji Tanaka ... Member of citizen convention
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Storyline

Yamazaki has spent a lot of time plotting a robbery of a local bank, but when he actually gets to the bank he finds another robber escaping with the money. Through an improbable chain of events Yamazaki gets hold of the money and during a panicked escape accidentally kills an innocent girl.

Plot Summary | Add Synopsis

Genres:

Action | Comedy

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Details

Country:

Japan

Language:

Japanese

Release Date:

18 July 1998 (Japan) See more »

Also Known As:

Unlucky Monkey See more »

Company Credits

Production Co:

Shôchiku Eiga See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Connections

Referenced in Ausverkauft! (1999) See more »

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User Reviews

Typically quirky film from a cult director
4 December 2003 | by FilmFlaneurSee all my reviews

Unlucky Monkey / Anrakkî monkî (1998) is the 3rd film by writer-director Hiroyuki Tanaka (aka 'Sabu') who, over seven features, has established himself as one of Japan's leading comedic directors, establishing a growing reputation overseas. Eschewing the over-familiar repetitions of Nippon's best known big screen humorous series (the interminable but vastly popular Tora-San), or the startlingly prodigious range of a director like Takashi Miike, Tanaka has created an immediately recognisable filmic universe of his own. Characteristically based around such concerns as the calamities of fate, the humorous treatment of Japanese social interractions, and a typically satiric treatment of Yakuza, his stories often feature surreal, casually-cruel chains of events, as characters are tossed and turned about on fate's whims and left to an uncertain future. In his world, plots are intertwined, coincidences are common, ironies rife. Add this to a firm sense of cinematic pacing (often on a low budget) with a willingness to disrupt reality to achieve artistic purpose, and you have a director whose quirky films can be addictive.

At the heart of Unlucky Monkey are the fated perambulations of small time crook Yamazaki, played by Shinichi Tsutsumi. Tsutsumi is already an established member of Sabu's repertoire of actors, having previously appeared in Postman Blues / Posutoman burusu (1997), Dangan Runner / Dangan Ranna (1996) and perhaps most memorably, in the stylish Monday (2000). Expert in expressing stunned disbelief, in the present film he spends a good deal of time running or shuffling along in monologue, with words which range from his suggestions of the true nature of bravery at the start of the film, onto pathetic self-exoneration before ending with mute foreboding and resignation.

Yamazaki's attempt to rob a bank with a colleague is bungled from the start when he discovers that the place has just been raided by similarly clad villains. After acquiring the loot by default while on the run he then, almost as accidentally, commits a stabbing. At the close of a memorable opening sequence and these two momentous turning points in his hero's fortune, Sabu fills the screen (in English) with the main title, slowly scrolling up the name. Far from being 'lucky', after acquiring such a large windfall Yamazaki will eventually wish himself dead. And, like a monkey on rope, he is obliged to go where his master - fate - leads him. Connected by cause and effect to Yamazaki's woes is the sublot featuring a trio of second-rate yakuza, also responsible for an accidental fatality, their increasingly bumbling attempts to save their skins, and those other gangsters after them. Eventually the two main threads combine in a showdown finale.

It's a film full of crazy coincidences and ironic recognitions: Yamazaki's initial dealings outside the bank and following encounter with the girl, then the peculiar chain of events by which he ends up holding her funeral urn in a hearse for instance, or the passing of the ubiquitous ski-mask from various characters; the unconscious burial of loot and yakuza chief side by side, and so on. At one point, in a scene oddly reminscent of Hitchcock's The Thirty Nine Steps, Yamazaki escapes his persecutors off the street, blundering into a resident's meeting. At the gathering he delivers an impromptu and impassioned speech about the collapse of the Japanese dream and the destruction of the environment. A lot of this is satirical and far fetched (though it does set up a memorable dream sequence). Sabu doesn't care and, ultimately a sympathetic viewer will judge, it doesn't matter. The director is not after a sensible recreation of reality. His films' narratives regularly create an outrageous momentum of their own, one in which strange logic becomes its own justification. The tableau of main characters assembled at the end of Unlucky Monkey is both thus crazy and pithy at the same time, a bizarrely formal confrontation miles away from the regular climatic shoot-outs of asian crime dramas .

There are other remarkable scenes. Standout is Yamazaki's stunned encounter with the just self-disinterred Yakuza, a figure who is seemingly just as unkillable as the hero, edging down the street. Or the memorable bar scene, where an assassin first shoots himself accidentally in the groin, then drags his dying body bloodily across the floor to try and hit his targets now cowering in the toilet. Such a moment, full of pitch black humour, anticipates the gore of Ichi the Killer / Koroshiya 1 (2001), a film in which Sabu appeared as an actor.

For those who have yet to discover Sabu, Unlucky Monkey is as good a starting point as any, although it lacks some of the polish of his other films. For those who already relish the peculiar world of such an individual writer-director then it will prove unmissable. One dreams of Sabu one day directing a major talent like the deadpan Takeshi Kitano (whose own efforts at comedy such as Getting Any?/ Minnâ-yatteruka! (1995) have been uneven), when his Keatonesque world vision would surely reach new levels. In the meantime, this little gem can be strongly recommended


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