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Detective Prudhomme, and his partner are assigned to investigate the murder of a man who's arm was severed. After 2 more victims with missing body parts turn up, the detectives realise they're after a serial killer. Even worse; he's using the body parts to reconstruct the body of Christ..Written by
Adam Thomas <email@example.com>
Actor Christopher Lambert, writer Brad Mirman and director Russell Mulcahy were having a meeting at an LA hotel to discuss another project that they were working on, but the trio couldn't stop talking about "Resurrection" and how much they liked the idea. The three soon abandoned the other film, and quickly decided to make this film. See more »
(at around 23 mins) Prudhomme (Christopher Lambert) and Hollingsworth (Leland Orser) are sitting on a bench and Hollingsworth is drinking a coffee and eating donuts. Throughout the scene the donut keeps changing both size and type. See more »
Given the opportunity of clambering to the top of the directorial heap on the back of the magnificent Highlander, Mr. Mulcahy instead managed to shoot down his own chances by unwisely having any association at all with the not-quite-so-well-received sequel. Nevertheless, Resurrection, while not exactly a triple-A title, shows that the old dog's still got a few tricks up his sleeve - even if they are being deployed on straight-to-TV efforts these days.
With old chum Chris Lambert (a man equally cursed in his career choices, and looking very old all of a sudden) on board, the scene is set for another shameless reworking of Seven - which might be an obvious comment to make, but that doesn't make it any less true. While the deadly sins are replaced with the names of apostles, the relentless rain, gloom and gritty gore are still there in force, and the plot's just as threadbare.
But! That still doesn't make it a bad film, as such. It's decently performed and nicely shot, with a few nifty camera tricks thrown in to break up the free-roaming NYPD Blue feel of the general proceedings, and there are one or two genuinely effective twists encountered along the way (with some glaringly obvious ones to balance them out, unfortunately).
So it's worth catching, as long as you're not expecting mould-breaking brilliance. One of Lambert's better films, certainly, and an example of the sort of high production values he should be aiming for. So sit back and enjoy... all in all, it's better than you might expect.
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