In the next century, a reconfiguring ship (think "Transformer" with a pilot) called Macross carries fifty thousand refugees within its hold as it returns to Earth pursued by giant humanoid ... See full summary »
Taking place in 2059 A.D., Macross Frontier chronicles the events of the 25th Frontier fleet, located near the center of the Galaxy. The Frontier comes under attack by a mysterious and ... See full summary »
Taking place one year before the Zentraedi arrive on Earth, Macross Zero chronicles the final days of the war between the U.N. Spacy and anti-U.N. factions. After being shot down by the ... See full summary »
A new splinter race of the Zentraedi show up: the Marduk. While the Zentraedi were defeated by Lynn Minmay's music, the Marduk have their own singers (emulators), spur their soldiers into ... See full summary »
In the war between the Earth Federation and Zeon, a young and inexperienced crew find themselves on a new spaceship. Their best hope of making it through the conflict is the Gundam, a giant humanoid robot, and its gifted teenage pilot.
In the year 2075, mankind has reached a point where journeying between Earth, the moon and the space stations is part of daily life. However, the progression of technology in space has also... See full summary »
Eight years after the One Year War, the Earth Federation creates an elite force called the Titans to hunt Zeon remnants. When Titans proves to be no better than Zeon, the Anti Earth Union Group (AEUG) is formed to restore peace in space.
In the middle of World War III in 1999, an alien spaceship crashes on deserted Macross Island. In response to this event, a cease fire is declared as the ship reveals evidence of a potential extraterrestrial threat that could come to retrieve her. In response, the nations of the world unite to create the United Nations Space Navy (UN Spacy). In ten years, the ship is rebuilt as Super Dimensional Fortress One (SDF-1) and her technology is adopted for use. On the day of her formal launch, the Zentradi arrive determined to retrieve the ship intact. As Earth defends itself, we also see the personal lives of the ship's crew and residents as the war profoundly changes them. Meanwhile, the Zentradi learn that their enemy bears an uncomfortable resemble to their creators, the Protoculture, a fact which threatens to take this war down paths that no one can anticipate.Written by
Kenneth Chisholm (firstname.lastname@example.org)
The companies that designed and built the VF-1 Valkyrie are Stonewell/Bellcom and Shinnakasu Heavy Industries, which is a nod to real world aerospace companies Rockwell and Bell. Most if not all other mecha in the series have the same kind of references for its builders. See more »
Due to the fact that at least three studios of wildly varying quality worked on each episode simultaneously, many minor continuity errors and animation inconsistencies (for instance in Ep. 3 "Spacefold" where the escape pod under Roy's Valk every so often switches to a gunpod) crop up in each episode. See more »
The original showing of the pilot episode had a different beginning, not revealing the transforming capabilities of the Valkyries in order to give the audience a suprise. The opening was changed to the regular one for all further showings. See more »
The first two episodes were originally edited in to one hour-long episode for the show's premiere on 5 October 1982 in the Osaka region. The opening of the show was changed to avoid any shots of Hikaru in a Valkyrie or the Valkyrie's "Battroid" (full robot) mode. See more »
Super Dimension Fortress Macross: An all-time classic
Macross... The original.
Originally intended to be just a parody of Gundam, it evolved into becoming an entity of its own, with a compelling storyline and a deeply anti-war message.
Genre-defining character designs by Haruhiko Mikimoto, excellent space craft and mecha designs by Shoji Kawamori and Kazutaka Miyatake and great directing work by Noboru Ishiguro were the first part of Macross' enormous success. Shoji Kawamori's VF-1 Valkyrie is one of the most easily identified anime mecha ever and for good reason: I've yet to see one that can match its sleek, yet strong and purposeful lines. It looks like it's ready to take off and go on a war, whereas other mecha often look like gimmicks.
The characters seemed to actually live and breathe, developing their personalities through the ordeal of their perversely unequal war against the Zentradi, the loss of friends, loved ones, the senseless suffering and carnage that war is, their change of heart over time...
And all this enhanced by the very fine voice acting of Arihiro Hase, Mari Iijima, Mika Doi, Akira Kamiya, Michio Hazama, Noriko Ohara and other distinguished Japanese voice actors and actresses, who conveyed the dialogue in a manner forceful, economical, emotionally wealthy and mature.
Add to this Mari Iijima's excellent voice and performance on each and every one of Lynn Minmay's songs - even the songs seem to evolve as Minmay grows: from the childish and girlie-love pop of "Zero-G Love" and "Watashi No Kare Wa Pairotto" ("My Boyfriend Is A Pilot") to the beautiful, softly-sung and emotionally overwhelming anti-war "Ai Wa Nagareru" ("Love Drifts Away"), which was performed during the Macross' battle against Gorg Bodolzaa's armada, the equally powerful elegy "My Beautiful Place" or the series' last song, "Yasashisa Sayonara" (Farewell Tenderness"). And the rest of Macross' soundtrack is a wonderful merger of a symphonic orchestra with rock, jazz and even blues influences.
Macross is a sad story; it is not quite an epic, although it features battle after battle. It's an anti-war story - it brings forth a message to everyone, a message stating that the works of peace and culture are immensely superior to the cruel barbarity of war.
Sadly, in the haste to produce the episodes fast enough, a number of episodes was farmed out to a Korean studio named Anime Friend, whose work was sub-par and introduced a fair number of animation errors. Despite this, Macross still is a shining gem and deservedly enjoys a strong following in Japan and internationally, even now, 20 years on.
Unfortunately for the Western world, in 1985, an American company named Harmony Gold and someone named Carl Macek combined Macross with two other anime series (Super Dimension Cavalry Southern Cross and Genesis Pit Climber M.O.S.P.E.A.D.A.), dumbing down the dialogues, to which they added even more (to the point where you wondered if the characters ever stop talking), replacing the meticulous use of silence with excessive narration with someone who sounds like a sportscaster on steroids, the cohesive storyline with a mangled patchwork, the artful voice acting with over-the-top "performances" by third-rate "actors", the lovely soundtrack with generic synth stuff, Mari Iijima's wonderful songs with outrageous "creations" "performed" by the Reba West (Rebecca Forstadt), who is more annoying than a car alarm. The worst display of Harmony Gold's inability to comprehend ANYTHING that Macross stands for is the replacement of "Ai Wa Nagareru" with the jingoistic attempt at anthem-writing titled "We Will Win".
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