The War Zone (1999)

An alienated teenager, saddened that he has moved away from London, must find a way to deal with a dark family secret.

Director:

Tim Roth

Writers:

Alexander Stuart (novel), Alexander Stuart (screenplay)

Stars:

Ray Winstone, Kate Ashfield, Annabelle Apsion

9 wins & 12 nominations.

Cast

Complete credited cast:
Kate Ashfield	...	Lucy
Annabelle Apsion	...	Nurse
Lara Belmont	...	Jessie
Freddie Cunliffe	...	Tom
Colin Farrell	...	Nick (as Colin J Farrell)
Aisling O'Sullivan	...	Carol
Tilda Swinton	...	Mum
Megan Thorp	...	Baby Alice
Kim Wall	...	Barman
Ray Winstone	...	Dad

Storyline

Suddenly, the moody 15-year-old, Tom, and his 18-year-old sister, Jessie, find themselves relocated from the hustle and bustle of urban London to the sullen silence of wind-swept rural Devon, at a little but neat cottage in the middle of nowhere. Dad is caring and kind, and very much in love with mum who has just given birth; however, an accidental glimpse of a disturbing and well-hidden secret in the family will bring Tom face-to-face with shock, denial, and ultimately, rage. What mystery could be so appalling that threatens to bring everyone in the family to their knees?

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Plot Keywords:

family secret | baby | rape of a minor | father daughter incest | child abuse | 

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Taglines:

When the worst of men hides in a family with no history.

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated R for sexual content, some involving molestation, and for nudity, language and a scene of violence

Details

Official Sites:

Atlanta Films Official site

Country:

Italy UK

Language:

English

Release Date:

11 June 1999 (Italy)

Also Known As:

Tim Roth's The War Zone

Filming Locations:

England, UK

Box Office

Opening Weekend USA:

$18,335, 12 December 1999, Limited Release

Gross USA:

$254,441, 6 June 2013

Company Credits

Production Co:

Channel Four Films,Fandango,Mikado Film

Technical Specs

Runtime:

98 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Alexander Stuart: "Once my son was diagnosed with cancer, I had this huge amount of pain and anger about how this could happen to the child I loved so much. And I definitely directed that into The War Zone. I wrote it differently than anything I've written. I would rush back to the house while he was in chemotherapy and just write for two hours. I almost felt as if I were channeling it."

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Quotes

Tom: I saw you.
Jessie: Saw me what?
Tom: In the bath...
Jessie: Yeah?
Tom: What were you doing?
Jessie: What do you think? I got in and he got out.
Tom: That's not what I saw.
Jessie: Well, that's all it was.
Tom: Where were you?
Jessie: It's a pretty weird thing you're suggesting if you're saying what I think you're saying. I haven't told you to f@ck off or anything, which I probably should've. Nothing happened, OK? I'd tell you.
[...]

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Connections

Referenced in Dinner for Five: Episode #2.1 (2003)

User Reviews

Beautiful, troubling, superbly acted

Probably the worst thing about Tim Roth's audacious directorial debut is its title: 'The War Zone' conjures images of something rather noisier, and less subtle, than this film about aberrant sexuality within a family unit. Roth is brave enough to show love among the hate, and to assign a limited degree of complicit guilt to the apparent victim: the film gains greatly from both of these decisions. He also has interesting visual ideas: the film is full of lonely, widescreen images in which the central subjects appear almost lost; and homely Devon has never looked wilder and less civilised than it does here, depicted in winter and at night. Roth also gets great performances from all his cast: in what is essentially a four-hander, Tilda Swinton is good in a limited part, Ray Winstone shows (not for the first time) that he has talents beyond those required for his customary hard-man roles, but it's the young actors who are most outstanding: Freddie Cunliffe as the troubled boy who discovers dark secrets, and especially the beautiful, opaque Laura Belmont who is simply tremendous as his sexually aware, not-as-cool-as-she-seems sister. At time the soundtrack seems a bit generic, and I'm not entirely convinced by the open ending, but this is still a better film than many directors make in their careers. On the strength of this movie, Roth should enjoy a long career behind the camera.