7.0/10
196
7 user 2 critic

Classified X (1998)

A history of the racially stereotyped portrayal of African Americans in cinema.

Director:

Mark Daniels
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1 win. See more awards »

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Cast

Credited cast:
Melvin Van Peebles ... Himself / Narrator
Rest of cast listed alphabetically:
Margaret Barker Margaret Barker ... Herself (archive footage)
Joanna Barnes ... Herself (archive footage)
Ethel Barrymore ... Herself (archive footage)
Harry Belafonte ... Himself (archive footage)
Ingrid Bergman ... Herself (archive footage)
David Brian ... Himself (archive footage)
Lloyd Bridges ... Himself (archive footage)
Steve Brodie ... Himself (archive footage)
Charles Bronson ... Himself (archive footage)
Jim Brown ... Himself (archive footage)
James Burke ... Himself (archive footage)
Jeff Corey ... Himself (archive footage)
Lou Costello ... Himself (archive footage)
Jeanne Crain ... Herself (archive footage)
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Storyline

A history of the racially stereotyped portrayal of African Americans in cinema.

Plot Summary | Add Synopsis

Taglines:

Explore the representation of African Americans in the history of American cinema through the eyes of Melvin Van Peebles.

Genres:

Documentary

Certificate:

PG-13 | See all certifications »
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Details

Country:

France | USA | UK

Language:

English

Release Date:

12 March 2007 (Argentina) See more »

Also Known As:

Melvin Van Peebles' Classified X See more »

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Box Office

Opening Weekend USA:

$65, 18 October 1998, Limited Release

Gross USA:

$65, 18 October 1998
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Connections

Features It's a Wonderful Life (1946) See more »

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User Reviews

 
good, but...
4 January 2008 | by Kevin_ManessSee all my reviews

I've meant to watch this documentary for quite some time, primarily because Spike Lee cited it as a major influence on his own narrative film, Bamboozled. Classified X is good, especially in its presentation of 100 years of movie representation of African Americans. I especially like its useful designation of periods in film history (the decades of independent black cinema, the "new Negro" period, the "no Negro" period, etc.).

There are a few times when I wish the film provided more careful explanation of how the discrimination against African Americans generally and African American films specifically happens. For example, near the end of the film, Van Peebles says that, with movies like Malcolm X and Panther, theaters siphon off the profits at the box office. I'd like to know what that means. Is it a problem of how many screens the movies are shown on? Or how many screens are hogged up by movies that the studios support more wholeheartedly?

I plan to use this movie in a college course about race in the mass media, and I think it will be provocative and educational, but the occasional lack of detailed explanation will be a slight stumbling block for my mostly white, mostly middle class students (as it is at least a minor disappointment for white, middle class me!). Perhaps this movie will simply be a bold starting point for a longer and sometimes difficult learning journey.


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