A depressed woman learns that her husband was killed in a car accident the previous day, then awakens the next morning to find him alive and well at home; then awakens the day after that to find that he's dead.
A lonely doctor, who once occupied an unusual lakeside house, begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
Ben Holmes, a professional book-jacket blurbologist, is trying to get to Savannah for his wedding. He just barely catches the last plane, but a seagull flies into the engine as the plane is taking off. All later flights are cancelled because of an approaching hurricane, so he is forced to hitch a ride in a Geo Metro with an attractive but eccentric woman named Sarah.Written by
Tim Horrigan <firstname.lastname@example.org>
The film was initially marketed as a potentially loose remake of Planes, Trains & Automobiles (1987), which was also released through Paramount Pictures. Both films feature similar plots, of a businessman who has to return home in a short amount of time and finds himself under the company of an annoying loudmouth. Although it was never billed as a remake, numerous interviews claimed the material was at least inspired by John Hughes' film. See more »
Reflected in the window of the train when the kid is staring at Sarah from behind. See more »
[Alan taps a glass with a knife, causing it to break]
Okay, I'm not... payin' for that. It was already chipped.
See more »
In "Forces of Nature," Ben Affleck stars as Ben, a repressed, buttoned-up stuffed shirt writer who, through a series of natural and manmade mishaps, ends up spending the several days before his impending marriage in the company of a freespirited, totally spontaneous and liberated young woman named Sarah, played by Sandra Bullock.
For the vast majority of the film's running time, the screenplay follows the conventions of the opposites-attract scenario almost slavishly. The script even provides Ben's fiancee with an overly-convenient replacement in the form of a now-hunky childhood friend she has not seen in years who rekindles sparks with her on the eve of the wedding.
Thus, the stage is set for the predictable true love romantic finale. But, damn, if the writers don't pull the rug out from under us and shatter the time-honored cliche. This is particularly surprising because, up to now, the film has exhibited no trace of iconoclasm in either its plot or character development. In fact, the screenplay is less a full-fledged narrative than a series of photographic montage sequences strung lazily together as Ben and Sarah engage in one cutesy situation and encounter after another. Thus, the unconventionality of the resolution comes as an even more stunning surprise than it otherwise might.
Affleck and Bullock are very appealing as two young people who complement each other's strengths and weaknesses and who learn to offer one another valuable life lessons. "Forces of Nature" emerges as one of those rare films that is, perhaps bizarrely, actually better in retrospect than in the watching.
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