Central Station (1998) - News Poster

News

Is Carey Mulligan’s Oscar Nomination for ‘Promising Young Woman’ Already Locked In?

Is Carey Mulligan’s Oscar Nomination for ‘Promising Young Woman’ Already Locked In?
Carey Mulligan’s performance in Emerald Fennell’s “Promising Young Woman” has been beloved by critics and audiences alike since it debuted at the Sundance Film Festival in January 2020. She has been considered one of the top contenders in the best actress race, which is among the most competitive of all-time, with no shortage of talent in the running. However, a notable statistic may have just cemented her an Academy Awards nomination.

Mulligan has won best actress prizes from the Los Angeles Film Critics Association and, most recently, the National Board of Review — two critical precursors leading up to the Oscars. Since Lafca’s founding in 1975, every actress who has won both of these awards has been nominated for an Oscar. The two groups have only matched 12 times since 1975 and haven’t since 2002.

Most notable is seven of the 12 women went on to win the Academy Award for best actress.
See full article at Variety »

CAA Signs Award Winning ‘Central Station’ & ‘The Motorcycle Diaries’ Filmmaker Walter Salles

  • Deadline
CAA Signs Award Winning ‘Central Station’ & ‘The Motorcycle Diaries’ Filmmaker Walter Salles
Exclusive: CAA has inked acclaimed Brazilian filmmaker, documentarian, and philanthropist Walter Salles.

A USC alum, Salles has been a filmmaker for 35 years, his 1995 feature Foreign Land selected by over 40 film festivals and being local hit in his homeland.

His 1998 drama Central Station about a former school teacher, who writes letters for illiterate people, and a young boy, whose mother recently died died, searching for the father he never knew; was nominated for two Oscars — Best Foreign Language Film and Fernanda Montenegro for Best Actress– and won the Foreign Language Film Golden Globe, blasted him off to a career in Hollywood. The movie also won a BAFTA, and the Berlin International Film Festival’s Golden Bear.

His 2004 feature The Motorcycle Diaries from Focus Features, about an early road trip made by Che Guevara and Alberto Granado through South America that defined their revolutionary beginnings, grabbed a Golden Globe nom, and won
See full article at Deadline »

Gwyneth Paltrow's Shakespeare in Love Oscar Win Makes No Sense to Glenn Close

Gwyneth Paltrow's Shakespeare in Love Oscar Win Makes No Sense to Glenn Close
Glenn Close says Gwyneth Paltrow's Academy Award win for 1998's Shakespeare in Love "doesn't make sense." The Miramax movie ended up taking the Best Picture award home that evening too, which has been debated for over 20 years now. The comedy was the first in the genre since Annie Hall (1977) to win Best Picture and many believe that it should have gone to Saving Private Ryan.

In a new interview, Glenn Close talked about being recognized for her acting work over the years. "I honestly feel that to be nominated by your peers is about as good as it gets," Close says. However, she does see some faults in the award ceremonies and how they are structured. You can read what Close had to say below.

"I've never understood how you could honestly compare performances, you know? I remember the year Gwyneth Paltrow won over that incredible actress who was
See full article at MovieWeb »

Glenn Close Says Gwyneth Paltrow’s ‘Shakespeare in Love’ Oscar Win ‘Doesn’t Make Sense’

Glenn Close Says Gwyneth Paltrow’s ‘Shakespeare in Love’ Oscar Win ‘Doesn’t Make Sense’
Glenn Close said this week that Gwyneth Paltrow’s 1998 “Best Actress” Oscar for “Shakespeare in Love” just “doesn’t make sense.”

Close was on ABC News’ “Popcorn with Peter Travers” to promote her new Netflix film, “Hillbilly Elegy,” when she shared her distaste for awards on the grounds that she can’t justify comparing artists’ works.

“I’ve never understood how you could honestly compare performances. I remember the year Gwyneth Paltrow won over that incredible actress who was in ‘Central Station,'” she said, referring to Fernanda Montenegro. Paltrow and Montenegro were also up against Cate Blanchett (for “Elizabeth”), Meryl Streep (for “One True Thing”) and Emily Watson (for “Hilary and Jackie”).

Close went on, “I thought, ‘What?’ It’s like, it doesn’t make sense, so I think who wins has a lot of things to do with how things have been, whether it has traction or whatever.
See full article at The Wrap »

Glenn Close Says Gwyneth Paltrow’s ‘Shakespeare in Love’ Oscar Win Didn’t Make Sense

Glenn Close Says Gwyneth Paltrow’s ‘Shakespeare in Love’ Oscar Win Didn’t Make Sense
Seven-time Academy Award-nominee Glenn Close is back in the Oscar mix for her turn in Ron Howard’s “Hillbilly Elegy,” now streaming on Netflix. All eyes were on Close last year to finally take home Best Actress for “The Wife,” but alas that honor went to Olivia Colman for “The Favourite.” Speaking with film critic Peter Travers for his ABC News special “Popcorn,” Close had some candid thoughts about the Oscars, pointing to the Best Actress race in 1999 as an example that didn’t “make sense.”

“I honestly feel that to be nominated by your peers is about as good as it gets,” Close said. “And then, I’ve never understood how you could honestly compare performances, you know? I remember the year Gwyneth Paltrow won over that incredible actress who was in ‘Central Station’ and I thought, ‘What?’ It doesn’t make sense.”

The year Paltrow won, she was
See full article at Indiewire »

Oscars 2021: Brazil picks ‘Babenco’ doc; Suriname debuts with ‘Wiren’

Oscars 2021: Brazil picks ‘Babenco’ doc; Suriname debuts with ‘Wiren’
Bookmark this page for all the latest international feature submissions.

Submissions for the best international feature film award at the 2021 Academy Awards have started to come in, and Screen is keeping a running list of each film below.

Scroll down for the full list

The 93rd Academy Awards is set to take place on April 25, 2021. It was originally set to be held on February 28, before both the ceremony and eligibility period were postponed for two months due to the Covid-19 pandemic.

Submitted films must have been released in their respective countries between the expanded dates of October 1, 2019, and December 31, 2020. (Last year it was October-September.
See full article at ScreenDaily »

Conecta Fiction: ‘Homeland’s’ Ran Tellem on the Art of Crafting Global Action Thrillers

  • Variety
Conecta Fiction: ‘Homeland’s’ Ran Tellem on the Art of Crafting Global Action Thrillers
Homeland” creator Ran Tellem, whose hit thriller “The Head” was released across Asia this June, stressed the importance of nurturing local talent and placing faith in writers during his Conecta Fiction keynote.

During an online conversation with “Vendetta” executive producer Raffaella Bonivento, the head of The Mediapro Studio’s international content development arm said that finding talent outside Spain was an integral part of his role.

“That could be a great chef, or a writer or production company,” he said.

He added that shaping roles to fit stars in territories that are key production partners is sometimes essential – as was the case with “The Head”, a six-part limited series co pro with Hulu Japan and HBO Asia.

Tellem credits part of show’s success in Japan and Asia – where it has remained number one in its slot for the last six weeks – with the casting of one of Japan’s
See full article at Variety »

Gina Prince-Bythewood

Gina Prince-Bythewood
Gina Prince-Bythewood, the director of this summer’s hottest movie, The Old Guard, joins Josh and Joe for a cheerful discussion of the movies that shattered her.

Show Notes: Movies Referenced In This Episode

The Old Guard (2020)

The Irishman (2019)

The Other Side of the Wind (2018)

Love And Basketball (2000)

The Secret Life of Bees (2008)

First Cow (2019)

Benji (1974)

Oh! Heavenly Dog (1980)

Chitty Chitty Bang Bang (1968)

Bambi (1942)

E.T. The Extra Terrestrial (1982)

The Color Purple (1985)

Ghost (1990)

Indiana Jones and the Last Crusade (1989)

Ordinary People (1980)

Central Station (1998)

Life Is Beautiful (1997)

To Be Or Not To Be (1942)

Pinocchio (2002)

Like Crazy (2011)

Rogue One: A Star Wars Story (2016)

Beyond The Lights (2014)

12 Years A Slave (2013)

Goodfellas (1990)

Dirty Pretty Things (2002)

Amy (2015)

Moonlight (2016)

The Florida Project (2017)

Man On Fire (2004)

Bridesmaids (2011)

Sex And The City: The Movie (2008)

Wonder Woman (2017)

Black Panther (2018)

Spy (2015)

Se7en (1995)

Fight Club (1999)

The Game (1997)

Once Upon A Time In Hollywood (2019)

Other Notable Items

Netflix

Martin Scorsese

Orson Welles
See full article at Trailers from Hell »

The Mediapro Studio, Globo Team on ‘Submarine’

The Mediapro Studio, Globo Team on ‘Submarine’
Madrid — Continuing its burgeoning line in action thrillers of substance – following South Pole crime thriller “The Head”- The Mediapro Studio (“The New Pope”) is teaming with Globo Studios to produce “Submarine,” described by the partners as a “complex political criminal thriller.”

Budgeted at a provisional €1.5 million ($1.7 million) per episode – high-end for Spain and Brazil but attractively manageable for many international buyers – “Submarine” is created by The Mediapro Studio’s Ran Tellem (“Homeland”) and Mariano Baselga (“The Boarding School”) and Brazil’s Marcos Bernstein (“Central Station”).

One of the 16 drama series projects being presented at Series Mania’s virtual Digital Forum, available online through April 7, “Submarine” will picture Brazil’s first nuclear submarine’s being taken over by a criminal organization which pretends to use it as the most efficient, fast and undetectable way to transport drugs across the Atlantic.

The mastermind behind the operation is none other than the Commander of the Navy,
See full article at Variety »

Series Mania Goes Virtual

  • Variety
In one of the first concrete instances of a new virtual TV marketplace building in Europe as a response to the Covid-19 crisis, Series Mania, which cancelled its 2020 edition in Lille, is instead launching Series Mania Digital Platform.

The Platform will feature video pitches of the 16 selected projects in the Co-Pro Pitching sessions, Series Mania’s industry centerpiece, Laurence Herszberg, founder and general director of Series Mania, announced Tuesday.

Other Digital Platform features take in selected events from the Ugc Writers Campus Pitching sessions, video pitches from the Franco-Israeli residency, “Coming Next From” sessions in collaboration with Sodec, Tvfi and German Films, and curated series from its Buyers Showcase.

The platform will be made available to an online audience of accredited industry decision-makers starting Wednesday March 25, the day the Co-Pro Pitching Sessions were programmed to take place in Lille, northern France, kicking off Series Mania’s three day industry Forum.
See full article at Variety »

33rd Israel Film Festival in Los Angeles, November 12th — 26th: Sold-Out Opening Night Gala

33rd Israel Film Festival in Los Angeles, November 12th — 26th: Sold-Out Opening Night Gala
33rd Israel Film Festival in Los Angeles, November 12th — 26th: Sold-Out Opening Night Gala

Six-time Academy Award winning producer Arthur Cohn and producer Sharon Harel-Cohen receive festival honors.

Incitement has its U.S. premiere

It looked like every Jew in entertainment attended the Opening Night Gala. It was the first time Opening Night was completely sold out a week in advance to a capacity crowd of over 900 guests at the Saban Theatre in Beverly Hills.

The packed audience greeted the evening’s host, Israel FilmFestival Founder/Executive Director Meir Fenigstein, with a standing ovation in recognition of his outstanding leadership of the Festival for over three decades.

Standing ovations continued as six-time Academy Award-winning producer Arthur Cohn received the 2019 Iff Lifetime Achievement Award from actress Rosanna Arquette and when WestEnd Film Chair and producer Sharon Harel-Cohen was presented with the 2019 Iff Achievement in Film Award by Avi Lerner, Chairman/CEO,
See full article at SydneysBuzz »

Cannes Film Review: ‘Bacurau’

Cannes Film Review: ‘Bacurau’
A bloody Brazilian riff on “The Most Dangerous Game,” the sinews of which are girded with so many allusions to local culture and politics, “Bacurau” is that rare movie that probably would have been better if it had been dumber, or at least less ambitious. Set in the sertão — or inland outback that occupies the country’s northeast corner — “Bacurau” slowly builds to the standoff between the residents of a matriarchal village and a group of wealthy American visitors, led by Udo Kier, who’ve arranged to hunt them for sport. These white outsiders see themselves as superior, but with the help of a psychotropic drug found in the desert, the people put up more of a fight than these sickos expected.

As premises go, this human-poaching scenario promises excitement galore, though co-directors Kleber Mendonça Filho and longtime collaborator Juliano Dornelles overthink it, delivering a visually impressive but unevenly paced
See full article at Variety »

Cannes Cinematography Survey: Here’s the Cameras and Lenses Used to Shoot 54 Films

IndieWire reached out to the cinematographers whose feature films are premiering at the Cannes Film Festival to find out which cameras and lenses they used and, more importantly, why these were the right tools to create the visual language of their films.

Page 1: Competition (Palme d’Or Contenders)

Page 2: Out of Competition & Special Screenings

Page 3: Un Certain Regard & Critics’ Week

Page 4: Directors’ Fortnight

(Films are in alphabetical order by title.)

Competition

“Atlantics”

Dir: Mati Diop, DoP: Claire Mathon

Format: Digital, 1.66 aspect ratio, post production was done in 2K

Camera: Red Epic 5K and Panasonic Varicam35 4K

Lens: Angenieux 45/120 and 25/250, and Zeiss lenses T1.3

Mathon: We chose the Red Epic to shoot daytime, to give romance to images that were captured in a documentary way, and to enhance the sun-drenched sets. We wanted to make a film that was visually arresting but remained very grounded in reality
See full article at Indiewire »

Netflix Hires Stx’s David Kosse as New VP of International Film

Netflix announced on Monday that it has hired former Stx Entertainment exec David Kosse to lead the streamer’s international team as the new vice president of international film.

Kosse, who will report directly to Netflix’s head of film Scott Stuber, will lead a team out of Netflix’s London offices.

In this newly created position, Kosse will oversee all of international film production and acquisitions with a focus on making and acquiring significant non-English language films that can travel around the world.

Also Read: Stx Entertainment Promotes John Friedberg to Head International Division

“By making international content available globally on such a large scale, Netflix is shattering cultural boundaries in a way no other company has. And, what a team to do it with — I’m thrilled to work with Scott again and to work with the incredible team he has assembled,” Kosse said in a statement. “Together,
See full article at The Wrap »

Natpe: 5 Takes on Brazil’s Globo and Its 2019 Lineup

Miami — In hallowed tradition, Brazilian TV giant Globo unveiled its Natpe line-up on the first day of the Miami trade fair.

With scripted and non-scripted promos playing to a thundering soundtrack Jerry Bruckheimer would have been proud of, this was, as ever for Globo, a polished and powerful presentation. But it also said much about where Globo is going. Five takes from the Jan. 22 Natpe presentation.

1. Globo Moves

In explanations of strategy, from CEO Carlos Henrique Schroder onwards, and the presentation’s motto- “Let’s Move Together” – Globo, by its own admission, is evolving in industry terms. Some indicators:

*Globo is reaching out to international partners for production and distribution, linking to Spain’s Atresmedia Internacional, for Latin American pay TV distribution, for example, and to Telemundo Intl Studios for a Spanish-language reversion of its eight-hour original drama “Doomed” (“Amores robados”).

*The Brazilian TV giant is reaching out to international in general.
See full article at Variety »

‘Roma’ stars Yalitza Aparicio and Marina de Tavira join short list of Latina acting Oscar nominees

‘Roma’ stars Yalitza Aparicio and Marina de Tavira join short list of Latina acting Oscar nominees
Roma” scored two surprising Oscar nominations Tuesday in two of the biggest categories: Yalitza Aparicio in Best Actress and Marina de Tavira in Best Supporting Actress. The dual acting bids make Aparicio and de Tavira, both Mexican, two of the few Latina actresses to be shortlisted by the academy.

Aparicio is just the fourth Latin American to be nominated in Best Actress, following Fernanda Montenegra, Salma Hayek and Catalina Sandino Moreno. Aparicio is just the second Mexican nominee after Hayek. None of the first three won.

See Oscar nominations: See the full list of nominations

There have been a few more Latina nominees in Best Supporting Actress. De Tavira joins Katy Jurado, Rita Moreno, Norma Aleandro, Adriana Barraza, Berenice Bejo and Lupita Nyong’o. Jurado, Barraza and Nyong’o are all Mexican-born, and Moreno and Nyong’o are the only winners.

See ‘Roma’ and ‘The Favourite’ reign over Oscar nominations with 10 apiece

Aparicio,
See full article at Gold Derby »

Natpe: ‘Brazil Avenue’s’ Joao Emanuel Carneiro on ‘Second Chance’

Miami — To be presented Tuesday at Natpe by Globo, “Second Chance” marks “Central Station” co-screenwriter Joao Emanuel Carneiro’s second telenovela after “Brazil Avenue,” which he also created.

Those are pretty hard acts to follow. Directed by Walter Salles, “Central Station” was nominated for two Academy Awards, foreign-language and best actress for Fernanda Montenegro: “Brazil Avenue,” became Brazil’s most-watched, most-sold novel ever.

In “Second Chance,” Carneiro returns to a story of a broken family reunited. This is also a woman’s empowerment tale about Luzia, forced to abandon her children and flee for her life, but returns years later to reclaim them.

But it has tropes of more traditional telenovela fare: a dastardly antagonist, the scheming, money-grabbing Karola, multiple cases of infidelity, hidden parentage – Karola secretly abducting Luzia’s baby – and large twists of fate – Beto failing to make a plane which crashes into the Atlantic.

In the build-up to Natpe,
See full article at Variety »

Top 150 Most Anticipated Foreign Films of 2019: #50. The Invisible Life of Euridice Gusmao (A Vida Invisível) – Karim Aïnouz

The Invisible Life of Euridice Gusmao (A Vida Invisível)

It’s been five years since the last narrative feature from Brazil’s Karim Aïnouz, but he’ll finally return in 2019 with the feminist melodrama A Vida Invisível (The Invisible Life of Euridice Gusmao). Produced by Rodrigo Teixeira of Rt Features (who produced Ainouz’s 2011 film Silver Cliff and apparently an upcoming adaptation of the Geovani Martins novel O Sol na Cabeca), Ainouz’s adaptation of the Martha Batalha novel features Academy Award nominee Fernanda Montenegro, Julia Stockler and Carol Duarte. The film is co-produced by Viola Fugen (Only Lovers Left Alive; Happy as Lazzaro; Foxtrot) and Michael Weber (The Untamed) with cinematography by Helene Louvart.…
See full article at IONCINEMA.com »

A star is born? Meet the aspiring teacher who could make Oscar history in ‘Roma’

A star is born? Meet the aspiring teacher who could make Oscar history in ‘Roma’
Yalitza Aparicio, 24, was an aspiring pre-school teacher with a degree in education when her sister decided to go to a casting call at a local community center for a movie that was being partly shot in their town of Tlaxiaco, Oaxaca, in Mexico.

Turns out, her sister wanted her to audition, instead. “She was very, very happy for me that they cast me. Even though I’m not a talkative person,“ Aparicio said with the help of a translator at last month’s Middleburg Film Festival in Virginia.

The movie turned out to be “Roma,” a Netflix film that could make history as the first Best Picture nominee – and perhaps winner – to be produced by a streaming site. It would also be the only fully subtitled feature to ever win. The story of a middle-class family of six living in Mexico City in the ‘70s and their kind and devoted live-in housekeeper and nanny Cleo,
See full article at Gold Derby »

Fabiano Gullane, Walter Salles’ ‘Noah’s Ark’ Ramps Up Pre-Sales (Exclusive)

Produced by Fabiano Gullane, Walter Salles and Globo Filmes, and unfolding to the strains of Bossa Nova, “Noah’s Ark” has closed brisk pre-sales for Edward Noeltner’s Cinema Management Group (Cmg) off a Berlin Festival launch.

Those deals reflect the status of “Noah’s Ark” – directed by Sérgio Machado (“Lower City”) and with songs and lyrics by Bossa Nova legend Vinicius de Moraes – as both one of the biggest-budgeted of current Brazilian movies and a flagship of its vibrant animation sector, which will receive a tribute at June’s Annecy Festival.

Made in what is now the long run-up to Cannes, deals also underscore Cmg’s making full use of Bordeaux’s Cartoon Movie and Hong Kong’s FilmArt to not only pre-sell “Noah’s Ark” in small-to-midsize territories – a traditional strategy – but position “Noah’s Ark” for the Cannes Festival. That tactic is likely to be copied by
See full article at Variety »
An error has occured. Please try again.

See also

Showtimes | External Sites


Recently Viewed