On the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes left to live.
Balls-out "60 Minutes" producer Lowell Bergman sniffs a story when a former research biologist for Brown & Williamson, Jeff Wigand, won't talk to him. When the company leans hard on Wigand to honor a confidentiality agreement, he gets his back up. Trusting Bergman and despite a crumbling marriage, he goes on camera for a Mike Wallace interview and risks arrest for contempt of court. Westinghouse is negotiating to buy CBS, so CBS attorneys advise CBS News to shelve the interview and avoid a lawsuit. "60 Minutes" and CBS News bosses cave, Wigand is hung out to dry, Bergman is compromised, and the CEOs of Big Tobacco may get away with perjury. Will the truth come out?Written by
After filming a scene shot at the school, Russell Crowe pranked young castmates by screaming and ripping out his hair. The realistic gray wig had many fooled and horrified, until the crew and Crowe erupted in laughter. See more »
When Bergman and Wigand first meet in the hotel, Bergman places two documents on the table for him to read; the thinner document being placed on top of the thicker one. When Wigand picks them up the thicker document is on top. See more »
Alright... ABC Telemarketing Company?
ABC Telemarketing Company.
A can opener! A $39.95 can opener. I cancelled payment... it was junk. You ever bounce a check, Lowell? You ever look at another woman's tits? You ever cheat a little on your taxes? Whose life, if you look at it under a microscope, doesn't have any flaws...?
Well that's the whole point, Jeffrey. That's the whole point. Anyone's. Everyone's. They are gonna look under every rock, dig up every flaw, every mistake you've ever ...
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The TV version is actually longer than the theatrical version and was extended over two nights. The edit was supervised by director . See more »
From scene one, this film delivers a long slow burn as the tale of power and corruption unfolds. There is little action, but the film is steeped in an atmosphere of tension and high drama. The direction by Michael Mann is masterful, an object lesson in how to frame shots and let silence, as well as words - and music - work for the story. Al Pacino is once more the great actor of early films such as 'Scarecrow', instead of the theatrical performer of recent films. Russell Crowe shows his solid 'ordinary guy'character as more tortured through losing his family than any of the macho scenes he portrayed in 'Gladiator.' A superb film.
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