Balls-out "60 Minutes" producer Lowell Bergman sniffs a story when a former research biologist for Brown & Williamson, Jeff Wigand, won't talk to him. When the company leans hard on Wigand to honor a confidentiality agreement, he gets his back up. Trusting Bergman and despite a crumbling marriage, he goes on camera for a Mike Wallace interview and risks arrest for contempt of court. Westinghouse is negotiating to buy CBS, so CBS attorneys advise CBS News to shelve the interview and avoid a lawsuit. "60 Minutes" and CBS News bosses cave, Wigand is hung out to dry, Bergman is compromised, and the CEOs of Big Tobacco may get away with perjury. Will the truth come out?Written by
Wigand tells his entering chemistry class that their very first experiment would be to "measure the molecular weight of butane." Student comprehension of a topic as complex as this would require background knowledge of chemistry. But by failing to raise their hands to indicate they had such knowledge, the students would likely not have been able to understand this as their first lesson in the subject. See more »
When Bergman first calls Scruggs (as he's flying his Lear jet), Scruggs calls in to air traffic control saying he's "Lear November 643", yet the external shot of the jet shows the registration number to be N[ovember] 6100". Then shortly after returning Bergman's call Scruggs walks out to the runway and the jet now has a registration number of "N550M". See more »
I joined Brown & Williamson, came up through sales. I was the best salesman they ever had, and do you know why? I never made a promise I couldn't keep.
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The TV version is actually longer than the theatrical version and was extended over two nights. The edit was supervised by director Michael Mann. See more »
Uotaaref Men Elihabek
Written by J. Baird, Frank Gari (as F. Gari)
Performed by Casbah Orchestra
Courtesy of Legacy International
By Arrangement with Frank Garl Productions & Bully Music Associates See more »
Forget Russell Crowe's performance by numbers in 'Gladiator' (good though that film was), and enjoy his acting talent here alongside Al Pacino. Both men give inspired and classy masterclasses in how to put a character across. 'The Insider' is unusual, it is long and wordy (not often the case in modern movies), it has a superb soundtrack - 'Sacrifice', in particular - and it makes you involved, makes you care.
Curious, then, that a Roman epic outshone it. A good epic, but not in the same class.
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