Trixie Thompson concludes that the only way she could save her sister from dying of the "white plague" is by preventing the autumn leaves from falling. Little Trixie knows all this because ... See full summary »
For any good comedy, you generally need at least two things to set the story in motion. In this case, you have a dog and you have a sausage. The dog wants the sausage. Others want to keep ... See full summary »
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the ... See full summary »
George S. Fleming,
Edwin S. Porter
James H. White
A young wife and her musician husband live in poverty in a New York City tenement. The husband's job requires him to go away for for a number of days. On his return, he is robbed by the ... See full summary »
1. THE ANNUNCIATION. The Angel of the Lord appears to Mary, announcing the birth of a child, which shall be called the "Son of God." 2. THE STRANGE STAR. Led by the light of the strange new... See full summary »
The library of a modern home is shown, husband, wife and child each occupied in their particular diversions. The maid is called in, who dresses the child in street garments, and the two ... See full summary »
This is the story of a pot of glue and the over interfering boy. Finding a pot of glue, the lad immediately proceeds to apply it to everything in sight. Accordingly, the stairway, lawn seat... See full summary »
Depicting well-known incidents in the life of Jesus Christ, this milestone of early cinema won world fame, huge audiences and a screen life of decades when most secular films of the time measured their commercial life in weeks.
While this film will look extremely primitive to viewers today, for 1906 it was absolutely amazing. The life of Christ is told in a very archaic form, though the production values (for 1906) are shockingly good and quite expensive. It must have taken a lot of work to produce the film--with so many costumes, sets and live animals. When compared to the average film of the day, this is an incredibly complex film. And, at 33 minutes, it's a very, very long movie for the day. And, compared to the wonderful film of the director's countryman, Georges Méliès, the backgrounds were MUCH higher quality and construction--not just painted curtains. I was particularly impressed with Jesus' rising to Heaven near the end--very impressively done.
The biggest shortcoming, and I don't blame the director (Alice Guy) is the format. Instead of a typical narrative they would have used decades later, slides appear that tell what the next portion of Christ's life is and then you see some actors replicate the scene very briefly. It's tough going today, but it had to absolutely wow audiences at the time it was made.
For film historians, this is a must-see. Most non-film historians could probably pass on this one.
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