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The Birth, the Life and the Death of Christ (1906)

La vie du Christ (original title)
Not Rated | | Short, Biography, Drama | January 1907 (USA)
The life of Jesus Christ in 25 scenes.

Director:

Alice Guy (as Alice Blaché)
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Director: Alice Guy
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Storyline

The life of Jesus Christ in 25 scenes.

Plot Summary | Add Synopsis

Genres:

Short | Biography | Drama

Certificate:

Not Rated
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Details

Country:

France

Release Date:

January 1907 (USA) See more »

Also Known As:

The Birth, the Life and the Death of Christ See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

At the time this film was made, it's director/producer, Alice Guy, was also the head of Gaumont film production. See more »

Quotes

Title Card: The Samaritan
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User Reviews

 
Amazing for 1906.
5 February 2010 | by MartinHaferSee all my reviews

While this film will look extremely primitive to viewers today, for 1906 it was absolutely amazing. The life of Christ is told in a very archaic form, though the production values (for 1906) are shockingly good and quite expensive. It must have taken a lot of work to produce the film--with so many costumes, sets and live animals. When compared to the average film of the day, this is an incredibly complex film. And, at 33 minutes, it's a very, very long movie for the day. And, compared to the wonderful film of the director's countryman, Georges Méliès, the backgrounds were MUCH higher quality and construction--not just painted curtains. I was particularly impressed with Jesus' rising to Heaven near the end--very impressively done.

The biggest shortcoming, and I don't blame the director (Alice Guy) is the format. Instead of a typical narrative they would have used decades later, slides appear that tell what the next portion of Christ's life is and then you see some actors replicate the scene very briefly. It's tough going today, but it had to absolutely wow audiences at the time it was made.

For film historians, this is a must-see. Most non-film historians could probably pass on this one.


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