A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
Steve Everett, Oakland Tribune journalist with a passion for women and alcohol, is given the coverage of the upcoming execution of murderer Frank Beachum. His attractive colleague Michelle died in a car accident the night before. Bob Findley, Steve's boss and husband to Steve's current affair, wants him dead and gone as soon as possible. When Steve stumbles across the possibility of Frank Beachum being innocently on death row, Bob feels his time to have come. Now Steve only has a few hours left to prove the innocence of Frank and to be right with this theory, as he definitely will be history if he's not.Written by
Julian Reischl <firstname.lastname@example.org>
Currently, this is the last time Eastwood used the aspect ratio 1.85:1. See more »
California does not use a machine to administer the drugs used to conduct lethal injections. Rather, it is done manually. See more »
Dr. Roger Waters:
Blood pressure: 120 over 70. Normal. All right, open wide. Looks fine. Healthy as a horse. Just one more thing, Luther.
Warden Luther Plunkitt:
You got to whiz in the cup, Frank. Then we're done.
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Here's one of those movies that's basically been done before but still manages to hold our interest -- and hold it fairly well. Squinty Clinty plays an over-the-hill newspaper reporter who sniffs a bigger scoop when assigned a human interest story about a death row inmate hours away from execution. It seems his fine shackled friend is really innocent, but can our hero prove it in time?
It's hard to pinpoint what elevates TRUE CRIME above its formulaic tendencies. Though not in top form, Eastwood is intriguing despite his character's occasional unlikeability. Isaiah Washington, playing the innocent inmate, is well cast and able to stoically earn our sympathy. Eastwood's newsroom antics would seem tired in many other films, but decent writing and supporting performances help keep things moving at a reasonably smooth pace. And although we know Eastwood will prevail at the end of the day, we're not always quite sure how.
TRUE CRIME is a picture some will appreciate more than others. What's for certain is that there are much worse ways to spend 127 minutes. It's worth a look on a rainy night.
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