The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sado-masochist ... See full summary »
Marina de Van
Modern retelling of Hansel and Gretel. After committing a murder, a young couple on the run find refuge in a remote cottage in the woods, where they become trapped by the perverse hermit who lives there.
Mousse and Louis are young, beautiful, rich and in love. But drugs have invaded their lives. One day, they overdose and Louis dies. Mousse survives, but soon learns she's pregnant. Feeling ... See full summary »
A fashion photographer with terminal cancer elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.
When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and ... See full summary »
Seven brief scenes, each with a couple, explore the surprises and the changes of heart that can occur during sexual encounters. Only one of the seven couples has been in bed together before... See full summary »
Innocence gives way to experience. Two girls and two boys, probably about 14 or 15 years old, play a game of truth or dare. The questions and the challenges deal with sex; it's innocent and... See full summary »
Sasha, a young British woman, is living with her baby daughter at Ile d'Yeu, a peaceful beach community. A stranger appears. Her name is Tatiana, she's passing through, and pitches her tent in Sasha's yard. The two women build an odd rapport, and tension builds as events unfold.Written by
Eileen Berdon <firstname.lastname@example.org>
The character Sasha was written specifically for Sasha Hails. Her character was given a young daughter so that Hails could work alongside her own infant daughter and not have to be separated from her while the film was being shot. See more »
This is flat out brilliant film-making - right up there with Hitchcock, Kurosawa, Ford, or anyone else you can name. It functions on multiple levels, the simplest of which is as a thriller which will keep you on edge for 52 minutes - and stays with you a long time after. It's done in a traditional French style - minimal dialogue, almost no music (1 pivotal scene), maximum use of visuals to tell story. The director doesn't need to tell the audience where to go emotionally with heavy handed music cues or dialogue - he knows exactly where he's taking us and lets the images speak for themselves. It's ironic that French films are sometimes thought of as pretentious, because this film is made so simply and fluidly. I heard it said that the best way to tell a story is to get out of its way and let it tell itself. I'd put this one in my top twenty of all time.
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