4.8/10
304
10 user 1 critic

Beings (1998)

Since as far back as Kyle and Evie Preston can remember, their grandmother told fantastical tales about elves who had been trapped underground by giants for thousands of years. Now ... See full summary »

Director:

Paul Matthews
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Cast

Complete credited cast:
Corbin Bernsen ... Rob Preston
Glynis Barber ... Nancy Preston
Jameson Baltes Jameson Baltes ... Kyle Preston
Brittney Bomann ... Evie
Leigh Greyvenstein Leigh Greyvenstein ... Tumbeleen
Malcolm McDowell ... Ian
Anne Curteis Anne Curteis ... Elizabeth Ballaugh
Ron Smerczak Ron Smerczak ... PC Jim Blythe
Amanda Lane Amanda Lane ... Cashier
Heléne Lombard Heléne Lombard ... Pam
Gavin Hood ... US Doctor
Philip Godawa Philip Godawa ... Isle of Man Doctor
David Clatworthy David Clatworthy ... Vicar
Byron Taylor ... Goblin King
Bunbury Tarset Bunbury Tarset ... Tippit the dog
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Storyline

Since as far back as Kyle and Evie Preston can remember, their grandmother told fantastical tales about elves who had been trapped underground by giants for thousands of years. Now grandmother is gone, and the siblings are surprised to discover that they have inherited a decrepit gold mine and a family home they never even knew existed. Upon discovering that grandmother's far fetched stories have a bizarre basis in reality and that by freeing the fairies from the mine they will discover a cure for their terminally ill father (Bernsen), Kyle and Evie race against time to free the trapped fairies and save their father's life. Written by Watcher26

Plot Summary | Plot Synopsis


Certificate:

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Details

Official Sites:

Peakviewing Transatlantic

Country:

UK

Language:

English

Release Date:

14 May 1998 (UK) See more »

Also Known As:

The Fairy King of Ar See more »

Company Credits

Production Co:

Peakviewing Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color
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Did You Know?

Trivia

The foley artists in this film were students from a performing arts course in Cardiff, South Wales. They did all the background voiceovers in an afternoon for 20 pounds each and some sandwiches. See more »

Goofs

While their grandmother was telling them the story at the beginning, a boom mic could be seen overhead throughout the entire story. See more »

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User Reviews

 
Amateur
26 September 2008 | by junk-monkeySee all my reviews

I would guess one of the dreadful things about being an actor is that you can't ever take your name off your work. Directors can hide behind pseudonyms, producers can blame the director, and everyone else can throw up their hands and blame everyone else for letting them down. The actors however are stuck there up there, on screen for all the world to see, unable to hide from the awfulness that surrounds them. And this movie is awful.

Most of the blame lies with the direction - not that there appears to have been any, and a script that may well have been, judging from what arrives on the screen, little more than a rough outline, semi-improvised by the actors as they were shooting. The whole thing looks like it was shot in single, unrehearsed takes with no one having bothered to tell the cast and the few background artists what was going on or what they were supposed to be doing.

In short it looks like an amateur production and I can't begin to guess at the behind the scenes events that left reliably professional jobbing actors like Corbin Bernsen*, Glynis Barber, and Malcolm McDowell so helplessly adrift; I occasionally work with youth drama groups and have seen more conviction from bored High School kids than is on display here. Still, I guess the principals all got a nice holiday in South Africa out of it - though I don't suppose anyone involved in this turd will be including any part of it in their show reels.

Having said all that my hyper-imaginative, six year old, fairy loving daughter was hooked throughout and genuinely terrified during the 'climactic' trapped-in-the-mine sequence, and even my four year old got 'the message'.

*Bernsen also has to suffer the indignity of most incredibly underwritten, non-specific terminal disease in the history of movies since the Production Code of the thirties prevented anyone from mentioning the clap.


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