K-9 and Company

Sarah Jane arrives at her Aunt Lavinia's cottage, but she isn't there, the locals are all highly suspicious, she receives K9 in the post and young Brendan comes to stay with her.

The plot is a little on the thin side, and has been mentioned before the boundaries of the show's format at that time would have prevented a series going very far. For this episode the Pagan villagers work really well.

That said I find K-9 and Company hugely watchable, I suppose for reasons of nostalgia, it has become my official Christmas wrapping show, it goes on, out comes the Baileys, it does have a very festive feel to it.

The acting is a little on the patchy side, most of the performances dare I say it are a little on the theatrical side, but still enjoyable and in keeping with the script, that said I love Juno Baker, played by Linda Polan, she was great fun.

I still love those opening credits and music too!

Not to be taken too seriously, but lots of fun, 7/10

Most of the other reviewers here can't seem to get past the theme song--yeah, it's silly but hardly something you would want to commit suicide over! The producer John Nathan Turner wanted a Hart To Hart opening credit sequence and that was a bit of a bad idea considering that the two leads in this are a woman and a mechanical dog! However, there is something bizarrely funny about it that acually draws you in. Maybe it's the camera zooming in on K-9 sitting on a stone fence--just how the hell did he get up there?! All of that aside, the actual story of witchcraft in the English countryside is rather fun stuff. There is some nice nightime atmosphere surrounding the coven's ceremonies and the actors who portray the various locals are all well cast. The only real negative is the short running time which is why there is not a lot of tension built. If one reads the novel it can be seen there was much more going on in the background to create tension but this does an acceptable job. Anyone who takes this too seriously or gets mad over this needs to relax and take a few deep breaths. This is great fun in the solid tradition of Doctor Who and it is too bad it never became a series.

I rather enjoyed this pilot episode of this proposed "Doctor Who" spinoff series. Too bad the BBC didn't pick it up as a series because I think it showed promise.

Hmm some people really have it in for K9 AND COMPANY the first - And to date - only spin off from DOCTOR WHO . I guess if there was any potential spin offs from the legendary fantasy show then two would spring to mind . The first one obviously being a series featuring the Daleks . Terry Nation actually approached American television studios in the late 1960s seeking funding for the metallic meanies but since America never experienced Dalekmania you can see why they wouldn't want to invest in a concept they have no knowledge of . It would have probably been too expensive anyway and almost certainly unfilmable . The recent series of DOCTOR WHO contained breath taking Dalek sequences but that's because television technology has moved on in the last 40 years . The other obvious spin off would have been a show featuring Brigadier Lethbridge Stewart and UNIT but again the amount of military hardware involved would probably have made it prohibitive on financial grounds ( though THE X - FILES isn't a million miles removed from this premise when you think about it ) so instead of what we might have got we ended up with a former journalist and a robotic dog !

I was never keen on K9 during the fourth Doctor's tenure . Every time Tom Baker would be chained to a wall about to be tortured you just knew that K9 was going to appear out of the shadows and shoot the villains with his blaster . So in other words he was a plot device used by very lazy writers during the poorest period of the show seen at that time . As for Sarah Jane Smith I always thought she was slightly overrated as a companion ( She wins every single poll as favourite companion ) possibly because she was the Doctor's sidekick when the show achieved its highest ratings and most critical acclaim in the mid 1970s . I guess John Nathan Turner thought he was onto a winner by resurrecting two popular companions in a pilot for a proposed series

What is very clear by watching this pilot is how self limiting the format is . It's set on present day Earth with no monsters with the villains being pagan worshipers . If it had gone to a full series we'd have seen Sarah and K9 and girlie boy Brendan tackle mad scientists and .. and .. and ... maybe they'd have brought back pagan worshipers for a rematch . Or maybe JNT could have had an alien invasion every third week to break up the monotony of mad scientists and pagan worshipers . No doubt Sarah could have tackled the aliens with her karate ( Where did she learn that ? ) and if that wasn't enough K9 could zap the aliens with his laser - As long as the aliens didn't run up a flight of stairs or hide behind a greenhouse or were able to run faster than three miles per hour .

Despite the poor format there are some good points to this pilot . It contains some impressive night filming which lends itself to some atmospheric moments such as the policeman gingerly walking down a lonely country lane and it's nowhere as badly acted as some people claim , I mean try watching some DOCTOR WHO from the mid to late 1980s to see what bad acting is . Sean Chapman as Peter Tracey has a scene where he bursts into tears of despair and I often think that crying must be difficult for an actor to portray convincingly but here Chapman manages it . I'm not saying he deserves an Oscar but think of all the scenes you've seen on television and in movies where an actor is supposed to be crying and you're asking yourself if their character is laughing or crying ? As for the really crap title sequence or more appropriately the music that goes with it blame Ian Levine , someone who would later produce records for Take That , aka Robbie Williams and those other blokes

Hardly brilliant but not as bad as some people claim K-9 AND COMPANY gets six out of ten

John Nathan-Turner's time as producer of Dr Who (1980-9) was a frightful mess. Clearly out of his depth, his period at the helm was characterised largely by thrashing around with gimmicks to compensate for small budgets, miscasting, poor scripting and uncertainties of tone, whose accumulation had begun during Graham William's tenure, but which accelerated dramatically from Nathan-Turner's first season (season 18) onwards.

One problem that Nathan-Turner faced was that the audience was ageing, and sci-fi nerds were beginning to define the show to the detriment of its universal qualities. It was therefore potentially a shrewd move to develop the one-off TV movie K9 and Company, coupling Dr Who's favourite companion, Sarah Jane, who still lingered in the memory, with his most asinine, for younger viewers. If this reached fruition as a series, maybe a new younger audience could be cultivated?

Of course, he muffed it. The filming does not appear to have been a happy experience, at least for Elisabeth Sladen, according to her memoirs. But the appalling script, the embarrassing public school nephew Brendan, the weedy attacker Peter, a goodly set of well-known character actors reduced to oo-arrr dialogue, and a set of unintentionally comic pagans all combine to kill it anyway. The wonderful support actress Mary Wimbush is particularly wasted. The execrable title sequence is a microcosm of the failure of the whole enterprise.

Lots of people watched it; I was one of them. I wanted to love it, especially as it came shortly after the very disappointing season 18. I hated it. I assumed I was just growing too big for Dr Who, but, now we can watch these shows again on DVD, it is clear that Dr Who was leaving its audience, not the other way round.