An American in Ho Chi Minh City looks for a daughter he fathered during the war. He meets Woody, a child who's a street vendor, and when Woody's case of wares disappears, he thinks the ...
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With the brilliant Vietnamese summer as a setting Vertical Ray of the Sun is beautiful from beginning to end. The plot centres around three sisters, two of whom are happily married (or so ... See full summary »
Anh Hung Tran
Nu Yên-Khê Tran,
Nhu Quynh Nguyen,
Set along the southern coast of Vietnam during the French occupation in the 1940s, water is everywhere, giving life and bringing decay and rot. Kim is 15; his father and step-mother have ... See full summary »
The Lu Le,
Thi Kieu Trinh Nguyen,
Huu Thanh Nguyen
A young man who struggles through life by earning some money with his bicycle-taxi in Saigon (Ho Chi Minh city) gets contact to a group of criminals. They introduce him to the mafia-world ... See full summary »
Anh Hung Tran
Le Van Loc,
Tony Chiu-Wai Leung,
Nu Yên-Khê Tran
The film portrays the life of a family separated from the mainstream of modern society, yet containing within its microcosm the complex layers and dramas of human relationship: conjugal ... See full summary »
Phan Quang Binh Nguyen
Thi Hai Yen Do,
Tang Thanh Ha,
Ninh Duong Lan Ngoc
A Vietnamese servant girl, Mui, observes lives within two different Saigon families: the first, a woman textile seller with three boys and a frequently absent husband; the second, a handsome young pianist with his fiancée.
Anh Hung Tran
Nu Yên-Khê Tran,
Man San Lu,
Thi Loc Truong
Wartime epic involving a poverty-stricken family who struggle to make ends meet, and the mother who does the unthinkable to provide her daughters with the traditional silk dresses required to attend school.
Thien Tu Tran,
Truong Ngoc Anh,
Khanh Quoc Nguyen
Set in a breath-taking primitive landscape in the mountainous provinces of Vietnam, the film tells the story of a Hmong tribe girl named Pao. She was raised by her stepmother, for her real ... See full summary »
Nguyen Vu is the sole survivor of his family who was executed by the empress of Vietnam. Upon discovering that his family may have been framed for crimes they did not commit, he sets out to bring justice and clear his family name.
In 19th century rural Vietnam, May is ready to become the third wife of a wealthy landowner. Little does she know that her hidden desires will force her to decide between living in safety and being free.
Hong Chuong Nguyen,
Long Le Vu,
Nu Yên-Khê Tran
An American in Ho Chi Minh City looks for a daughter he fathered during the war. He meets Woody, a child who's a street vendor, and when Woody's case of wares disappears, he thinks the soldier took it. Woody hunts for him. A cyclo driver, Hai, gives a ride to Lan, a hotel call girl, and starts waiting for her daily; he falls in love with her and tries to break through her tough veneer. Kien An, a young woman, takes a job harvesting lotuses in the ponds of Teacher Dao, a reclusive man who has leprosy. Her singing awakens him from depression, and he asks her to write down poetry he has composed. The characters' paths cross in small ways, around flowers and kindnesses.Written by
Harvey Keitel was cast as Captain Benjamin L. Willard in Apocalypse Now (1979), but was replaced by Martin Sheen after the first week of filming. In this movie, he sits in a bar called "Apocalypse Now" (written in the same font as the film). See more »
I made many mistakes in my life. That was a long time ago. Have I met the same man I was then? A lot of times past. When a chance comes around to make a wrong a right it's a special thing. But I hoped to make one thing right.
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Director Tony Bui left Vietnam to live in California when he was only two years old, then returned to take a look at postwar Vietnam in 1994. The result was his 1999 film Three Seasons that walked away with a prize for Lisa Rinzler's cinematography as well as the Best Dramatic Picture Award at the Sundance Film Festival. Performed in Vietnamese with Vietnamese actors, Three Seasons is a series of interweaving stories about loss and redemption in the lives of four characters living in Ho Chi Minh City (though the residents apparently still call it Saigon). Its strength lies, not in its plot or characters, but in the stunning images and dreamlike quality that transports the viewer into a world of sensuous music and soft colors where village women sing while they work, harvesting flowers on a lotus lake.
The main and most effective story is about a cyclo driver Hai (Don Duong) who falls in love with a prostitute named Lan (Zoe Bui), He wants to "redeem" her innocence and dutifully waits for her each day as she leaves her hotel. When they go to a hotel together, he pays $50 from the money he won in a cyclo race merely to watch her sleep, a gesture that allows her to experience the feeling of being loved for the first time. The second story is about a young lotus picker Kien An, a female orphan (Ngoc Hiep Nguyen) who befriends her employer, Teacher Dao (Manh Cuong Tran), and lovingly copies his poems that he cannot record himself because of leprosy. This gesture allows both to touch the poetic quality of life, the teacher for perhaps the last time. The other stories involve a five-year old street urchin named Woody (Huu Duoc Nguen) who braves monsoon-like weather to sell trinkets to tourists in order to survive. When the box containing his wares is stolen, he sets out to find it. This brings him in contact with an American, James Hager (Harvey Keitel) in Vietnam to search for the daughter he left behind when the war was over. This last episode is the least developed of the four and Keitel's performance seems listless in spite of the fact that he is Executive Producer of the film. All four stories come together at the end in a way that ties up all loose ends.
Though I am grateful for any look into Vietnam, Three Seasons left me wanting more. It is almost as if Bui was being overly cautious, afraid to say anything about what he saw because of the censors following him around. As a result, his film does not convey a strong sense of time and place, and the neon street signs and glamorous hotels patronized by the rich could be anywhere in the world. Perhaps it is true that the city's culture is being overrun by rampant commercialism, but the director observes this without comment and seems content to offer only a highly romanticized tone poem. Even the city's textures, squalid areas, and chaotic energy are so muted by the use of camera filters that it robs them of their steamy authenticity. Three Seasons is visually striking but left me feeling like a distant observer. I found the characters to be neither fresh nor engaging and the film overly composed, lacking in the poetic vision that turns an average film experience into a great one.
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