The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood friend Prince Proteus.
A wild stallion is captured by humans and slowly loses the will to resist training, yet, throughout his struggles for freedom, the stallion refuses to let go of the hope of one day returning home to his herd.
The story is about two swindlers who get their hands on a map to the fabled city of gold, El Dorado while pulling off some sort of scam. Their plan goes bad and the rogues end up lost at sea after a number of misfortunes. Oddly enough, they end up on the shores of El Dorado and are worshiped by the natives for their foreign appearance.Written by
Paolo Costabel <email@example.com>
In the original screenplay, Tulio and Miguel were supposed to be lovers. This idea was cut by the suits, and thus, the character of Chel was created. See more »
All of the Spaniards - Cortez, Tulio, and Miguel - immediately speak the same language as the inhabitants of El Dorado, when in fact the natives would not have known Spanish. See more »
[trying to make up an excuse why the ship needs to be redone]
I have BEEN around boats, believe me! And that, uhm, the... pointy, tall... uhm... the long up and down thingy...
See more »
Bibo the armadillo appears under the Directed By credit chasing two butterflies, catching one, and then eating it. See more »
The version shown on ABC television has two brief shots of Miguel and Tulio's bare backsides altered by digitally adding white underpants. See more »
One of the few more-modern animated films I still enjoy; maybe that's because it doesn't happen to revolve around "The power of friendship/love/whatever" and isn't some sappy love story, like many of Disney's drek has been (though it does have a minor, slightly sleazey love-ish story in the background). Dreamworks is a breath of fresh air in times like these, it would seem.
The plot works on many levels; it's straightforward enough for the general kid to understand and enjoy, but is piled under levels of wit and more jokes that rely on understanding more of it, making it balanced and still funny the 150+th time I watch it.
The songs are catchy (as can be well-expected from the good man Elton John), the characters are lovable yet total sleazeball con-men, and the humour is on many levels; and with it, it brings many good, memorable lines ("'For three days?!' 'YES! Don't even breathe!'" and "'You're buying your own con!' 'At least I'm not DATING mine!' '... oooh, low blow.'" come to mind).
As a basic rundown, there's Miguel, the fun-loving, more light-hearted of the two con-men; he tends to appreciate the beauty in fun and people. Tulio, the other half of the duo, has a bit more preoccupation with material possessions and wealth, though he still remains human. Then there's Chel; the seducer from the city of gold, able to help the two (at a price). And our main antagonist? Tzekel Khan (spelling unsure), a rather nutsy high priest and speaker for the gods, who proves to be... well, a basket case.
The animation pulls itself off well; the movie is bright and colourful, but not a kiddie flick at all- rather, it's humorous on all scales- my friend's 6-year-old-brother, I, and my 55-year-old dad agree. The Road to El Dorado is enjoyable on all accounts. If nothing else, consider renting it.
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