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A paranoid mathematician searches for a key number that will unlock the universal patterns found in nature.

Director:

Darren Aronofsky
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Popularity
3,357 ( 437)
8 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sean Gullette ... Maximillian Cohen
Mark Margolis ... Sol Robeson
Ben Shenkman ... Lenny Meyer
Pamela Hart Pamela Hart ... Marcy Dawson
Stephen Pearlman ... Rabbi Cohen
Samia Shoaib Samia Shoaib ... Devi
Ajay Naidu ... Farrouhk
Kristyn Mae-Anne Lao ... Jenna
Espher Lao Nieves Espher Lao Nieves ... Jenna's Mom
Joanne Gordon Joanne Gordon ... Mrs. Ovadia
Lauren Fox ... Jenny Robeson
Stanley B. Herman ... Moustacheless Man (as Stanley Herman)
Clint Mansell Clint Mansell ... Photographer
Tom Tumminello Tom Tumminello ... Ephraim
Henri Falconi Henri Falconi ... Kaballah Scholar
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Storyline

In NYC's Chinatown, recluse math genius Max (Sean Gullette) believes "everything can be understood in terms of numbers," and he looks for a pattern in the system as he suffers headaches, plays Go with former teacher Sol Robeson (Mark Margolis), and fools around with an advanced computer system he's built in his apartment. Both a Wall Street company and a Hasidic sect take an interest in his work, but he's distracted by blackout attacks, hallucinations, and paranoid delusions..

Plot Summary | Plot Synopsis

Taglines:

3.14159265358 See more »


Motion Picture Rating (MPAA)

Rated R for language and some disturbing images | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Live Entertainment

Country:

USA

Language:

English | Hebrew

Release Date:

10 July 1998 (USA) See more »

Also Known As:

3.14159265358 See more »

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Box Office

Budget:

$60,000 (estimated)

Opening Weekend USA:

$31,069, 12 July 1998, Limited Release

Gross USA:

$3,216,970, 29 November 1998
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

The film cost only $60,000 to make, most of which was raised in the form of individual $100 contributions from director Darren Aronofsky's friends and family. When it was later bought by Artisan Entertainment, each contributor got back a $150 return on their investment. See more »

Goofs

Shadow of camera operator visible looming over Max as he thrashes on the floor of his bathroom. See more »

Quotes

[first lines]
Maximillian Cohen: 9:13, Personal note: When I was a little kid my mother told me not to stare into the sun. So once when I was six I did. The doctors didn't know if my eyes would ever heal. I was terrified, alone in that darkness. Slowly, daylight crept in through the bandages, and I could see. But something else had changed inside of me. That day I had my first headache.
See more »

Crazy Credits

In the original script, the man seen singing on the subway was referred to as the "Moustache Man". But since the part went to the clean-shaven Stanley B. Herman, the final movie credits list him as "Moustacheless Man". See more »

Alternate Versions

The DVD also contains a 2-minute test of the "Snorricam" with Guillete walking on the street and through a market. The "Snorricam" is the camera used in Pi which follows Max from head on, with his orientation always in the center. Also, it contains a small scene with Max playing with Jenna's Slinky. Other extra's inclued a music video and a behind the scenes look. See more »

Connections

References Eraserhead (1977) See more »

Soundtracks

Angel
Performed by Massive Attack
Written by Robert Del Naja (as Del Naja) / Grant Marshall (as Marshall) / Andrew Vowles (as Vowels) / Horace Andy (as Hinds)
Published by Songs of Polygram International, Inc.(BMI)/BMG Music Publishing LTD.(PRS) Admin. by BMG Songs Inc.(ASCAP)
Massive Attack appears courtesy of Circa Records LTD.
See more »

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User Reviews

Genius!
5 October 2003 | by quixoboySee all my reviews

I have yet to come even close to fully appreciating the sheer artistry and complexity of Darren Aronofsky's stunning mathematical/sci-fi thriller, "Pi". Watching this film, one can tell from the subdued effects, grainy black-and-white filter, and guerrilla-style filmmaking that this must be a low-budget independent film - NOT to try and downplay its impact, as many independent films can clearly surpass any typical Hollywood movie, in terms of style and subject matter.

"Pi" is a perfectly concrete example of how the relative absence of special effects, explosions, etc. can still help create an engaging, and thoroughly unique viewing experience. Overflowing with intensity and hyperkinetic camerawork, this is a frightening roller-coaster ride of a film; despite clocking in at less than 90 minutes, "Pi" is by no means short on resonance - but rather leaves a heavy feeling of exuberance and fascination with the material that lasts long after it's finished. At the same time, though, people who aren't as open-minded to more obscure, abstract films like this would be, I think, surprised. This is not as complicated or bewildering a film as I had expected. If one can be able to focus intently on the story, the result is rewarding, and doesn't provide for much head-scratching. Its style seems rather modern, rather hip...at times it reminded me of "The Matrix" (which, ironically, was released the FOLLOWING year) what with its slick techno musical score and its flashy opening credits.

To shy away from this film simply because of its math content is to be completely shallow and ignorant. The way it handles the material is a whole lot more interesting than you'd probably think. Like "A Beautiful Mind", "Pi" is an instant classic that serves to re-awaken my erratic interests in my poorest subject, mathematics. It's original, it's interesting, and above all - genius.


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