In NYC's Chinatown, recluse math genius Max (Sean Gullette) believes "everything can be understood in terms of numbers," and he looks for a pattern in the system as he suffers headaches, plays Go with former teacher Sol Robeson (Mark Margolis), and fools around with an advanced computer system he's built in his apartment. Both a Wall Street company and a Hasidic sect take an interest in his work, but he's distracted by blackout attacks, hallucinations, and paranoid delusions..
Included among the American Film Institute's 2001 list of 400 movies nominated for the top 100 Most Heart-Pounding American Movies. See more »
The logic followed by the Kabbalists with respect to Hebrew numerology is flawed. First, there are no zeroes in the Hebrew numerological system. Second, in Hebrew numerology, the different letters have values that vary in the number of digits (the values range from 1 to 400, with only the first 9 letters having single-digit values.) Therefore, it is impossible to create a specific 216-letter-word in Hebrew given a 216-digit-number with zeroes in it. It has been argued that the Kabbalists do not use Hebrew numbers to decipher the code, rather, they use the modern western number system to correlate the 216 character name to each Hebrew letter. Nevertheless, the premise seems to be muddled, at best, if not completely flawed. See more »
9:13, Personal note: When I was a little kid my mother told me not to stare into the sun. So once when I was six I did. The doctors didn't know if my eyes would ever heal. I was terrified, alone in that darkness. Slowly, daylight crept in through the bandages, and I could see. But something else had changed inside of me. That day I had my first headache.
See more »
In the original script, the man seen singing on the subway was referred to as the "Moustache Man". But since the part went to the clean-shaven Stanley B. Herman, the final movie credits list him as "Moustacheless Man". See more »
DVD version includes deleted scenes:
Max being threatened by Farrouhk, Devi's jealous boyfriend;
Max climbing up a pile of discarded computer parts and monitors;
'Pi' is independent filmmaking at its best. Without the constraints of the studio/corporate system, Aronofsky and Gullette created a film that is bizarre, intelligent, and unlike anything that came out of Hollywood in the 1990's. Who would have thought to blend Wall Street, the Kabbalah, computer science, Go, number theory, and the most fascinating number in the universe in a solute of obsessive-compulsive, paranoid genius and then strain through gritty B&W cinematography and hyperkinetic editing? The mixture is definitely not for everybody, but I certainly loved it.
Plus the soundtrack (featuring Orbital, Clint Mansell, Aphex Twin. Gus Gus, Spacetime Continuum, and other techno talents) just flat-out rocks.
310 of 385 people found this review helpful.
Was this review helpful to you?
| Report this