A KKK leader is gunned down. His 12 y.o. son isn't spotted. When 4 cops drive the son to a safe house, they're ambushed. Only the racist boy and a black cop get away. He's suspected of the killings so they're on the run.
Director:
Writer:
Photos and Videos
Complete, Cast awaiting verification
Courtney B. Vance | ... |
Jerry Robinson
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Jer Adrianne Lelliott | ... |
Eric Natter
(as a different name)
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Virginia Madsen | ... |
Lucy Monroe
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William Forsythe | ... |
Mike Organski
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David Keith | ... |
Deputy Lawrence
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Bill Nunn | ... |
Watts Fatboy
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Charles Hallahan | ... |
Sheriff Carter
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Robert Patrick | ... |
Shannon Herrold
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William Sadler | ... |
Jim Natter
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Carl Espy | ... |
Deputy Bean
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Scott Hinson | ... |
Deputy Dunbar
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William Flaman | ... |
Tom
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J. Michael Hunter | ... |
Mintz
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Scott Simpson | ... |
Richter
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Don Hall | ... |
Billy Dean
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Travis Stanberry | ... |
Danny
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Jim Grimshaw | ... |
Officer Newfield
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Ernest Dickerson Jr. | ... |
J.J. Robinson
(as Ernest 'EJ' Dickerson Jr.)
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Kenya Bennett | ... |
Diner Waitress
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April Turner | ... |
Connie Jackson
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Richard K. Olsen | ... |
Motel Manager
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Lou Criscuolo | ... |
Man in Bathrobe
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Nora Cook | ... |
Nancy Richter
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Nina Repeta | ... |
Mary Natter
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Samantha Agnoff | ... |
Karen Natter
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Dale Frye | ... |
Aryan #1
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Lex D. Geddings | ... |
Aryan #2
(as Lex Geddings)
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Jackie Dickerson | ... |
Store Clerk
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Directed by
Ernest R. Dickerson | ... | (directed by) (as Ernest Dickerson) |
Written by
Andrew Miles | ... | (written by) |
Produced by
David Baxter | ... | associate producer |
Bill Bromiley | ... | executive producer (as William V. Bromiley Jr.) |
Alan B. Bursteen | ... | executive producer |
Jonathan Josell | ... | co-producer |
Ric Rondell | ... | co-producer |
Dave Thomas | ... | producer (produced by) |
Music by
Terry Plumeri | ... | (music composed by) |
Cinematography by
Phil Oetiker | ... | director of photography |
Editing by
Stephen Lovejoy |
Editorial Department
Lynn Abroms | ... | additional editor |
Chris Regan | ... | color timer |
Glenn Suffern | ... | negative cutter |
Casting By
Amy Elisabeth Sabel | ... | (casting by) |
Production Design by
Burton Rencher |
Set Decoration by
Valerie Fann |
Costume Design by
Dana Campbell |
Makeup Department
Darlene Brumfield | ... | key hair stylist |
Sharyn Cordice | ... | assistant makeup artist |
Jeff Goodwin | ... | effects makeup artist |
Louisa Gore Hamn | ... | assistant makeup artist |
Ellie Winslow | ... | key makeup artist (as Eleanor Winslow) |
Production Management
Mark Barbolak | ... | production supervisor |
Eleanor Hemingway | ... | production supervisor |
Julio Kollerbohm | ... | post-production supervisor |
Ric Rondell | ... | unit production manager |
Second Unit Director or Assistant Director
Michael G. Jefferson | ... | second assistant director |
Nina K. Noble | ... | first assistant director (as Nina Kostroff-Noble) |
Ric Rondell | ... | second unit director |
Art Department
C. Scott Baker | ... | set designer |
Peter Battistelli | ... | construction coordinator |
William Butler | ... | on-set dresser |
Keith Darwin | ... | charge scenic artist |
Alex 'Jurgen' Ferguson | ... | swing gang (as Alex Ferguson) |
Brian Avery Galligan | ... | assistant property master |
Jake Ippolito | ... | swing gang |
Ted J. Koch | ... | property master |
Gregory Messer | ... | swing gang |
Randall Milazzo | ... | lead man |
Brad Watson | ... | art department production assistant (as Bradley Watson) |
Ralph Woollaston | ... | foreman |
Sound Department
Willy Allen | ... | adr editor / dialogue editor |
Dickran Bezirgenian | ... | foley mixer |
Dee Dee Davis | ... | director of sound services |
Michael Kreple | ... | adr mixer |
Greg Mauer | ... | foley mixer |
Robert Maxfield | ... | sound mixer (1999) |
Paul Menichini | ... | sound effects editor |
Lisa O'Donoghue | ... | assistant sound editor (as Lisa Varetakis) |
Rick Owens | ... | foley artist |
Susan Pusateri | ... | foley artist (as Sue Pusateri) |
Paul Ratajczak | ... | re-recording mixer / sound supervisor |
Will Riley | ... | sound effects editor |
Kurt Thum | ... | sound effects editor |
Jonathan Wales | ... | re-recording mixer |
Special Effects by
Jeffrey L. Loy | ... | special effects technician |
Stunts
Lex D. Geddings | ... | stunts |
John Gilbert | ... | stunt double: Jeremy Lelliot |
Bennie Moore | ... | stunts |
Dino Muccio | ... | utility stunts |
Dea Mumford | ... | stunts |
Erik Rondell | ... | stunt coordinator |
Keith Siglinger | ... | stunts |
Camera and Electrical Department
Alan Aldridge | ... | first assistant camera |
Steve Bacon | ... | grip |
Jill Balloun | ... | camera loader |
Eric Bartsch | ... | key grip |
Neil Beard | ... | electrician |
Stephen Brock | ... | electrician (as Steve Brock) |
Kelly Curry | ... | best boy |
Chris Dambra | ... | electrician |
Kevin Davis | ... | grip (as Kevin 'Cuz' Davis) |
Matt Doll | ... | grip |
Deborah Fastuca | ... | film loader |
Frank P. Flynn | ... | director of photography: second unit |
Billy Hendricks | ... | best boy (as Billy Bob Hendricks) |
Laurel Hughes | ... | assistant camera |
Kevin Jackson | ... | dolly grip |
Geary McLeod | ... | camera operator |
Matt Mosher | ... | still photographer: press |
Fred Norris | ... | still photographer |
Cristiano Palermi | ... | electrician |
Stoke T. Renigade Patterson | ... | electrician |
James Tomaro | ... | gaffer |
Dan Turek | ... | second assistant camera |
Costume and Wardrobe Department
Yolanda Braddy | ... | assistant costume designer |
Julian J. Filiberti | ... | set costumer |
Gloria Glynn | ... | costume supervisor |
Amy Lilley | ... | set costumer |
Catherine Moore | ... | tailor |
Location Management
Therese Honeycutt | ... | assistant location manager |
Virginia Ussery | ... | location manager |
E. Michael Hewett | ... | location scout (uncredited) |
Music Department
Paul Di Franco | ... | music supervisor |
Michelle Dygutowicz | ... | music editor |
Terry Plumeri | ... | orchestrator |
Federico Ramos | ... | musician: guitar solos |
J.D. Thomas | ... | music preparation |
Script and Continuity Department
Slayde Barnes | ... | script supervisor |
Transportation Department
Chuck Flynn | ... | transportation coordinator |
Scott Siler | ... | transportation captain |
Additional Crew
Taylor Ammons | ... | assistant production coordinator |
Stacy Barnhill | ... | craft service assistant |
Bronwyn Buroughs | ... | assistant: Mr. Vance |
Heidi Carrens | ... | assistant: Mr. Bursteen |
Michael Donnelly | ... | business affairs: CFI |
April H. Grantham | ... | craft service |
Steve Hansen | ... | stand-in |
Jonathan Heller | ... | caterer |
Eleanor Hemingway | ... | production coordinator |
Robert Henning | ... | stand-in |
Kristine Herbert | ... | stand-in |
Billy Dyron Jessup | ... | office intern |
Eddie Joe | ... | set production assistant |
Kristen Kahl | ... | production coordinator: Los Angeles |
Bill Kilmon | ... | caterer |
Renita King | ... | office personal assistant |
Beckett Lerter | ... | stand-in |
Adam Moos | ... | vice president of film finances |
Eleanor Nichols | ... | production supervisor |
Larry Price | ... | stand-in |
Micelle Pridgen | ... | dyer |
Kathy Rayle | ... | assistant: Mr. Dickerson and Mr. Josell (as Kathy Parthemos) |
Eric Rei | ... | caterer |
Bruce Roberts | ... | set production assistant |
Ryan Schaetzle | ... | set production assistant |
David Tibbetts | ... | caterer |
Clifford F. Waddell Jr. | ... | barber: Mr. Vance |
Jean Wesner | ... | dyer |
Erik Whitestone | ... | key set production assistant (as Eric Whitestone) |
André B. Walker | ... | stand-in: Courtney B. Vance (uncredited) |
Thanks
Amy Abell-Rosenfield | ... | special thanks (as Amy Abell) |
Royce Battleman | ... | special thanks |
Roger Corman | ... | special thanks |
John Craddock | ... | special thanks |
John Philip Dayton | ... | special thanks |
Mike Elliott | ... | special thanks |
Glenn D. Feig | ... | special thanks (as Glenn Feig) |
Craig Fredericks | ... | special thanks |
Charles Hallahan | ... | this film is dedicated to the memory of |
Kent Hamilton | ... | special thanks |
Vera Mihailovich | ... | special thanks |
Gerald R. Molen | ... | special thanks (as Gerald Molen) |
Michael Mostin | ... | special thanks |
Patricia O'Brien | ... | special thanks |
Susan Quinn | ... | special thanks |
Ed Reilly | ... | special thanks |
Dolores Robinson | ... | special thanks |
Marion Spiegelman | ... | special thanks |
Connie Tavel | ... | special thanks |
Adam Venit | ... | special thanks |
Janice Zeitinger | ... | special thanks |
Production Companies
Distributors
- Home Box Office (HBO) (1998) (United States) (tv)
- Warner Bros. Domestic Television Distribution (1998) (United States) (tv)
- Art Port (1999) (Japan) (VHS)
- Buena Vista International (1999) (Netherlands) (VHS) (rental)
- Home Box Office Home Video (HBO) (1999) (United States) (VHS)
- Indies Home Entertainment (1999) (Netherlands) (VHS) (retail)
- Starlight (2000) (Germany) (VHS)
- Yorin (2002) (Netherlands) (tv)
- ORF 1 (2003) (Austria) (tv)
- ORF Eins (2003) (Austria) (tv)
- Österreichischer Rundfunk (ORF) (2003) (Austria) (tv)
- Indies Home Entertainment (2004) (Netherlands) (DVD)
- VCL Communications (2008) (Germany) (DVD)
- Tele 5 TM-TV (2010) (Germany) (tv)
- Tele 5 (2010) (Germany) (tv)
- New City Releasing
Special Effects
Other Companies
- Film Finances (completion guarantor)
- Lightnin' Production Rentals (transportation equipment)
Storyline
Plot Summary |
Jim Natter, the leader of a violent Ku Klux Klan lodge, is shot dead. His teenage son Eric Natter is found nearby, and taken into police custody for his protection pending the investigation. While four cops drive him to a safe-house, they are ambushed. Three of them shot dead, including Deputy Lawrence, and his black partner Jerry Robinson is accused of the murders. Written by KGF Vissers |
Plot Keywords | |
Taglines | A Boy Raised on Hate. A Cop Set Up for Murder. A Killer No One Expects. See more » |
Genres | |
Parents Guide | View content advisory » |
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Did You Know?
Trivia | Charles Hallahan's last film. See more » |
Movie Connections | References Bonnie and Clyde (1967). See more » |
Quotes |
Watts Fatboy:
He died from Sickle Cell Anemia. Eric Natter: That's that black disease. I know cause my dad, he taught us to thank God for diseases like that. He taught us to thank God for bringing AIDS to the homos and anti-sex to the Jews. See more » |