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Shakespeare in Love (1998)

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The world's greatest ever playwright, William Shakespeare, is young, out of ideas and short of cash, but meets his ideal woman and is inspired to write one of his most famous plays.

Director:

John Madden
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Popularity
994 ( 390)
Won 7 Oscars. Another 57 wins & 87 nominations. See more awards »

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Cast

Cast overview, first billed only:
Geoffrey Rush ... Philip Henslowe
Tom Wilkinson ... Hugh Fennyman
Steven O'Donnell ... Lambert
Tim McMullan ... Frees (as Tim McMullen)
Joseph Fiennes ... Will Shakespeare
Steven Beard Steven Beard ... Makepeace - the Preacher
Antony Sher ... Dr. Moth
Patrick Barlow Patrick Barlow ... Will Kempe
Martin Clunes ... Richard Burbage
Sandra Reinton Sandra Reinton ... Rosaline
Simon Callow ... Tilney - Master of the Revels
Judi Dench ... Queen Elizabeth
Bridget McConnell Bridget McConnell ... Lady in Waiting (as Bridget McConnel)
Georgie Glen ... Lady in Waiting
Nicholas Boulton ... Henry Condell
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Storyline

William Shakespeare (Joseph Fiennes) is a known but struggling poet, playwright, and actor, who not only has sold his next play to both Philip Henslowe (Geoffrey Rush) and Richard Burbage (Martin Clunes), but now faces a far more difficult problem: he is bereft of ideas and has yet to begin writing. He is in search of his muse, the woman who will inspire him but all attempts fail him until he meets the beautiful Viola De Lesseps (Gwyneth Paltrow). She loves the theatre and would like nothing more than to take to the stage, but is forbidden from doing so as only men can be actors. She is also a great admirer of Shakespeare's works. Dressing as a man, and going by the name of "Thomas Kent", she auditions and is ideal for a part in his next play. Shakespeare soon sees through her disguise and they begin a love affair, one they know cannot end happily for them as he is already married and she has been promised to the dour Lord Wessex (Colin Firth). As the company rehearses his new play, ... Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

...A Comedy About the Greatest Love Story Almost Never Told... See more »


Motion Picture Rating (MPAA)

Rated R for sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA | UK

Language:

English

Release Date:

8 January 1999 (USA) See more »

Also Known As:

Shakespeare in Love See more »

Filming Locations:

Barnes, London, England, UK See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$224,012, 13 December 1998

Gross USA:

$100,317,794

Cumulative Worldwide Gross:

$289,317,794
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Producer Edward Zwick was initially supposed to direct when Universal Pictures was involved. At that time, Julia Roberts was cast as Viola, and the production got as far as having sets in the process of construction. However, Roberts had casting rights, and insisted on Daniel Day-Lewis. When he passed on the project, it fell through. When Miramax Films finally went ahead with the project, Harvey Weinstein decided to not hire Zwick to direct. However, Zwick's production company, The Bedford Falls Company, remained involved. See more »

Goofs

The sound of the tambourine, played by William Shakespeare with the musicians at the dance where he meets Viola, continues after he has stopped playing. However, given that Will was not originally part of the music group, it is reasonable to assume that there is a second tambourinist somewhere. See more »

Quotes

[first lines]
Philip Henslowe: [screams in pain]
Hugh Fennyman: Henslowe! Do you know what happens to a man who doesn't pay his debts? His boots catch fire!
Philip Henslowe: [screams]
Hugh Fennyman: Why do you howl when it is I who am bitten?
See more »

Alternate Versions

The Region 2 DVD contains some deleted scenes:
  • A different end sequence. Here the conversation between Will and Viola is shorter than in the final film. After Viola has left Burbage enters and stops Will from running after Viola. He also takes the 50 pounds and says "Welcome to the Chamberlain's Men". The scene where Lord Wessex's ship sinks is also different. Here we see that Viola survives the drowning and is washed ashore an unknown coast. There she asks two people where she is. Their reply is "This is America".
  • A slightly different version of the scene where Burbank and his men fight against Will and his actors in the theatre. The sequence is largely the same as the scene used in the final film but parts are shown from different angles. A small conversation between Fennyman and Henslowe is added where they discuss about business.
  • A small scene which takes place after Henslowe has announced the audition. Here the two actors John and James walk to the court to play witnesses. When they meet the other actors and hear that Will Shakespeare needs actors for his new play they follow them to the audition.
  • A deleted take where Tom Wilkinson announces that he will be playing the apothecary. To Rushs question "How does the comedy end?" Fiennes replys "By God, I wish I knew". Then Rush says "By God, if you do not, who does? Let us have pirates, clowns and a happy ending and you'll make Harvey Weinstein a happy man."
See more »


Soundtracks

The Play & the Marriage
(uncredited)
Written by Stephen Warbeck
Performed by Catherine Bott
Conducted by Nick Ingman
See more »

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User Reviews

Excellent
14 February 2003 | by tjowenSee all my reviews

Those who are looking for a historically accurate portrayal of Shakespeare's life had better look elsewhere - but then this was never intended to be a serious look at the life of the man. Those who attack it for its' fanciful relation to history have missed the point entirely. It is a romantic comedy obsessed with nothing more than making references in storyline and plot to the plays of Shakespeare and his contemporaries, and those references are made so seamlessly it could almost be assumed that what we see on the screen actually happened to the man.

In fact the overall story we are presented with is not new. Anyone who had read or seen `Romeo and Juliet' will have a pretty shrewd idea of the path the narrative takes - the twist is that in the film, Shakespeare writes the play `Romeo and Juliet' in parallel to, and based on, his `real life' relationship with Lady Viola.

The opening sees Shakespeare (Joseph Fiennes) desperately trying to write the masterpiece `Romeo and Ethel, the Pirates Daughter', a comedy he hopes will rival anything by Christopher Marlow (Rupert Everett). Words fail him until his muse appears in the shape of Lady Viola (Gwyneth Paltrow), a noblewoman whose love for the work of Shakespeare's leads her to dress as a boy (since at the time women were not allowed on stage) and attend an audition in disguise (mistaken identity and women dressing as men are devices Shakespeare often used in his comedies). She is given the role of Romeo and begins a forbidden relationship with Shakespeare, the only one who knows her real identity, in spite of the fact that she is betrothed to the villainous Lord Wessex (Colin Firth) at Queen Elizabeth's (Judi Dench) command.

Fiennes portrays Shakespeare wonderfully and not as the infallible master of rhetoric. He takes the Bard from the pedestal and brings him down to a human level that we can all sympathise with. His relationship with Paltrow is handled sensitively, although many of the scenes that are exclusively their own did have enough a little too much `Chick-Flick' for my liking. Paltrow's R.P. accent is technically very good, and though I normally like my English to be played by the English, I was as happily surprised by her performance as I was by Ben Affleck's brief, but memorable portrayal of the self-important Ned Alleyn. Much of the credit, though, must go to Michelle Guish for the wonderful supporting cast including: Judi Dench, Simon Callow, Imelda Staunton, Jim Carter, Martin Clunes and Geoffrey Rush, to name but a few.

John Madden directs hypnotically and constantly keeps the camera on the move but most credit for the film must go to Marc Norman and Tom Stoppard for their cunning and often self-parodying script. The only comment I would make is regarding the sheer number of theatre references. Those who have worked in the theatre will be aware of many, if not all, of the in-jokes that the film is littered with. Those who have not may be left with the feeling that they have been excluded from much of the content.


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