Shakespeare in Love

Shakespeare in Love, the best picture winner of 1998, I know this film receives a lot of bashing due to that win. I believe that also Saving Private Ryan was nominated, which it was also an incredible film. To be honest, I couldn't pick between the two, because both were wonderful films and completely different genres. But anyways, back onto Shakespeare in Love. Everything about this film was perfect and I think that's why it received so many Oscar nods and wins, I mean, the costumes, the acting, the sets, the story was absolutely terrific and wonderful to watch. John Madden knew what he was doing and shot this film so beautifully. The cast also seemed to really enjoy doing this film and worked so well together. Gwyneth Paltrow won best actress for this film and she did a terrific job portraying Viola, she was so elegant and touching. The love story between her and William Shakespeare is truly a memorable one.

Viola is a first class lady who is about to be married to Lord Wessex, a man who she does not love. Her heart belongs to poetry, mainly the poetry of William Shakespeare. William has lost all hope though when his heart is broken by his girlfriend and he is writing a comedy called Romeo and Ethyl, the pirate's daughter. Since the plays are only played by an all male cast, Viola dresses up as a man and auditions for his new play. She receives the part of Romeo; later that night at a big party her father is throwing, she meets Shakespeare and it is love at first sight. When William finds out the truth that she is the boy who loves his poetry, he doesn't care, they have a passionate affair and continue on with the play as if she were a boy. But the plot thickens and Viola knows that she must go back to her life of an unwanted love and marriage.

Shakespeare in Love is without a doubt a fine film and should have a higher rating in my book. I don't understand why so many people hate this film, I thought it was extremely clever and witty. It had a beautiful love story, it was funny, it was sad; there's nothing wrong with this film, but hey, everyone's a critic, right? I highly recommend Shakespeare in Love, just trust me, if you enjoy Shakespeare and his poetry, I'm sure you'll love this film. Just give it a chance, who cares about the Oscars? They make mistakes at times, but Shakespeare in Love is a great movie and I enjoyed watching it.

10/10

When my English teacher told the class that we would be watching "Shakespeare in Love" everyone groaned, me included. We all thought it would be another boring movie, but I along with many others was pleasantly surprised. Even though the movie didn't portray the actual life of William Shakespeare, it is a very interesting interpretation of what his life might have been like. Normally I am not a big fan of Gwenyth Paltrow, but she fulfilled the role of Viola De Lesseps very well. This movie, unlike many others I have been forced to watch in school, has not been a waste of time and has informed us more about the concepts and details that could not be seen just by reading the play. Overall I think I have gained a better understanding of Romeo and Juliet by watching "Shakespeare in Love".

Saving Private Ryan? Pants. Thin Red Line? Pants. Shakespeare In Love cannot and should not be compared to these movies for one simple reason - it isn't one of these movies. And why war films should be singled out for distinction when they are themselves rehashed or strangely and continually perceived as being 'powerful' or 'artistic' or 'sensitive' is beyond me. I'm not saying that they are necessarily bad films in themselves, but I think it's time you tried to broaden your horizons a bit. Shakespeare In Love seems certainly to have been received on two levels. Historical relevance and accuracy is not the aim of the film - no more than it was with Braveheart. The latter seems consistently raved-over, and not without some cause - I rank it as one of my favourite films, even though it is essentially a pure flight of fantasy (I love one reviewer's comment - "I look forward to the sequel". Come off it!). SIL contains a continual stream not just of 'in-jokes' but of humour at its cleverest and driest. It is an engaging and almost plausible theory of how the great bard came to write one of the great plays, and how others may have followed. The very fact that it is almost a convincing film singles it out as an achievement in inventive, entertaining script writing. The fact that it has been so well received on this side of the pond precludes the theory of its Englishness appealing to the Academians; it is simply an engaging love story whose humour suits the background knowledge and style of humour found here. Sorry guys - but if I wanted a decent war movie, I'd take Where Eagles Dare; if I wanted a trip into the surreal I'd settle for Jacob's Ladder; if I wanted a poignant, historically accurate, and powerful war movie I'd take Schindler's List. And if I wanted a clever, witty and original twist on two old themes, I'd take Shakespeare In Love. It deserved to win recognition, and failure to observe this precludes criticism of all but the most basic films to be found on the silver screen.

Tom Stoppard, who penned Rosencrantz and Guildenstern Are Dead, knows a thing or two about the modern deconstruction and reconstruction of Shakespeare's work -- and it shows in the bright and vivid Shakespeare in Love, which Stoppard co-wrote with Marc Norman. Applying many of the same conventions favored by Shakespeare in his own work (including primarily the confusion over mistaken identity and gender) the screenwriters begin with the "what if" premise and run with it, speculating with wicked delight on the Bard's rivalry with Christopher Marlowe, his use of overheard phrases finding their way into his plays, and best of all, the possible sources of his inspiration. Will's muse is Violet, played wonderfully by Gwyneth Paltrow, who shows off in this film her finest acting to date and credibly pulls off the tricky task of being both an object of poetic inspiration and a genuine, down-to-earth human being.

In the movie Shakespeare in Love, a young and promising William Shakespeare is finding it difficult to write a new play. He feels he has lost his gift for stringing together eloquent sentences and yearns for some sort of inspiration to rid him of his horrible writer's block. William then meets the lovely and royal Viola, who is craving to be an actress. She becomes his muse, as well as the lead `actor' in his new play Romeo and Juliet, as they weave a tangled love affair. This burning passion they feel can only end with separation when Viola is forced to marry Lord Wessex and move to America. This film is a wonderful combination of romance, comedy, and drama that attempts a new perspective of the classic Romeo and Juliet story. It employs clever dialogue, beautiful scenes, and wonderful characterization to entertain the viewer. The film's Renaissance dialogue is true to its time period. With such an excellent script, William comes across as the master of speech that he really is. Some parts of the movie are purely funny as almost to parody the seriousness of Romeo and Juliet. Other parts intertwine the actual lines from the play, such as the multiple bedroom scenes between Will and Viola, to provide a unique and obvious parallel between it and the movie. When Will quotes `Shall I compare thee to a summer's day?' to Viola, this provides not only a sentimental scene but actual words from Shakespeare to add to the historical content of this film. This film has an interesting twist on the tragic tale because Will becomes not just a writer pouring out the lines for pay, but a man pouring out his heart in true love. At the end of the movie, Romeo and Juliet is presented as though you were actually sitting on the dirt floor of the playhouse. You see the play through the eyes of a person in England during the late 1500's, except by this time the lead is not longer Romeo and Juliet but literarily and symbolically Will and Viola. The setting of this film is very well done, and the playhouses, taverns, and elegant houses convey the feeling of Renaissance England. The costumes, including Queen Elizabeth's glamorous dresses and Viola's body-shaping corset, are seemingly accurate. (I would have hated wearing those clothes!) The scenes between Will and Viola are rarely anything but love scenes, and they, like their counterpart scenes in Romeo and Juliet, mostly happen at night. This adds to the mystery and forbidden feeling of the movie. The characterization of this film was splendidly carried out. I could not help but fall in love with the beautiful emotion that gushed from Will and Viola ( Will is extremely good looking by the way). When the couple was separated in the end, I felt like a terrible wrong had been committed. The character of Queen Elizabeth, with her snide comments and all-knowing attitude, was a comical representation of a serious position that kept me completely entertained. Christopher Marlowe also provides a wonderful character that conveys `real person' qualities of competition between two famous playwrights. I found this film to be completely engaging from start to finish, but I would not recommend it to everyone. I believe it could truly be given the title of `chick flick' by some viewers despite its fight scenes and comedic devices. The viewer will gain a knowledge of the Renaissance period and its characteristics while also getting the feeling of knowing the great William Shakespeare, however inaccurate the description of Will may be. I feel that now I appreciate the play Romeo and Juliet with a new sense of understanding that can only come from looking at an old tale in a new light.