When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
A nameless first person narrator (Edward Norton) attends support groups in attempt to subdue his emotional state and relieve his insomniac state. When he meets Marla (Helena Bonham Carter), another fake attendee of support groups, his life seems to become a little more bearable. However when he associates himself with Tyler (Brad Pitt) he is dragged into an underground fight club and soap making scheme. Together the two men spiral out of control and engage in competitive rivalry for love and power. When the narrator is exposed to the hidden agenda of Tyler's fight club, he must accept the awful truth that Tyler may not be who he says he is.Written by
Just as the closing credits are about to start, a flash-frame-shot of a penis appears on the screen. See more »
For the UK theatrical release of the film, the BBFC removed a total of four seconds from two scenes. In the scene where Lou (Peter Iacangelo) beats up Tyler (Brad Pitt), an overhead shot as Tyler receives a punch to the face is missing, and in the scene where The Narrator (Edward Norton) beats up Angel Face (Jared Leto), the third punch in the first load of hits, as well as several hits as his face becomes bloodied during the last load of hits have been removed. The BBFC argued that these cuts were made because of "excessively sustained violence" and "an indulgence in the excitement of beating a defenseless man's face into a pulp". Interestingly however, prior to the release of the film, the BBFC was petitioned to ban the film the film altogether, but they refused, disputing claims that it contained "dangerously instructive information" and could "encourage anti-social behavior". In fact, they actually came to the defense of the film, pointing out that "the film as a whole is - quite clearly - critical and sharply parodic of the amateur fascism which in part it portrays. Its central theme of male machismo (and the anti-social behavior that flows from it) is emphatically rejected by the central character in the concluding reels." For the 2007 Definitive Edition DVD re-release of the movie in the UK, all previous cuts were waved, and the film was released with the deleted four seconds reinstated. See more »
A rare film that challenges the viewer to come up with his own interpretations
Faithfully following Chuck Palahniuk's acerbic satire, Fight Club presents the vast emptiness of modern existence- ridden as it is with shallow values, rampant consumerism, empty of meaning, feeling and life itself- in a slick and ironically consumer oriented fashion. In a different vein from American Beauty, Fight Club explores the solutions to the veritable sleepwalking existence that plagues modern life. The film is violent, but it is not gratuitous violence, and any reviewer who claims that the film is promoting violence has missed the entire point of the film. A very black comedy, it is sure to provoke much conversation- it is definitely a film to see with friends. The film is fast-paced, densely packed and merits a second viewing, just to take it all in, especially if you haven't read the book. In typical Fincher style, you the viewer are left to draw your own conclusions. He feels no impetus to tell you how to interpret what you've seen, appropriate since the film condemns falling victim to the strictures of what society tells us to think and to value. My only criticism is that the editing is not as tight as it could be in the middle section of the film, it drags just a bit then picks up again. Other than that, it should definitely be an Oscar contender.
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