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Fight Club (1999)

R | | Drama | 15 October 1999 (USA)
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An insomniac office worker and a devil-may-care soapmaker form an underground fight club that evolves into something much, much more.

Director:

David Fincher

Writers:

Chuck Palahniuk (novel), Jim Uhls (screenplay)
Popularity
223 ( 87)
Top Rated Movies #10 | Nominated for 1 Oscar. Another 10 wins & 37 nominations. See more awards »

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Cast

Cast overview, first billed only:
Edward Norton ... The Narrator
Brad Pitt ... Tyler Durden
Meat Loaf ... Robert 'Bob' Paulsen (as Meat Loaf Aday)
Zach Grenier ... Richard Chesler
Richmond Arquette ... Intern
David Andrews ... Thomas
George Maguire ... Group Leader
Eugenie Bondurant ... Weeping Woman
Helena Bonham Carter ... Marla Singer
Christina Cabot ... Group Leader
Sydney 'Big Dawg' Colston ... Speaker
Rachel Singer ... Chloe
Christie Cronenweth Christie Cronenweth ... Airline Attendant
Tim DeZarn ... Inspector Bird (as Tim de Zarn)
Ezra Buzzington ... Inspector Dent
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Storyline

A nameless first person narrator (Edward Norton) attends support groups in attempt to subdue his emotional state and relieve his insomniac state. When he meets Marla (Helena Bonham Carter), another fake attendee of support groups, his life seems to become a little more bearable. However when he associates himself with Tyler (Brad Pitt) he is dragged into an underground fight club and soap making scheme. Together the two men spiral out of control and engage in competitive rivalry for love and power. When the narrator is exposed to the hidden agenda of Tyler's fight club, he must accept the awful truth that Tyler may not be who he says he is. Written by Rhiannon

Plot Summary | Plot Synopsis

Taglines:

Works great even on blood stains. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for disturbing and graphic depiction of violent anti-social behavior, sexuality and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA | Germany

Language:

English

Release Date:

15 October 1999 (USA) See more »

Also Known As:

El club de la pelea See more »

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Box Office

Budget:

$63,000,000 (estimated)

Opening Weekend USA:

$11,035,485, 17 October 1999, Wide Release

Gross USA:

$37,030,102

Cumulative Worldwide Gross:

$71,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (workprint)

Sound Mix:

Dolby Digital | DTS | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Fox 2000 Pictures executive Raymond Bongiovanni, who died shortly before the project was green-lit, first discovered the book whilst still in galleys. Prior to his death, Bongiovanni worked tirelessly to get the project off the ground, and in his obituary, it said that his last wish was that the novel be made into a film. See more »

Goofs

When the Narrator is quitting his job, the thermostat alternates between white and black as the shot cuts back and forth between him and his boss. (The 2009 Blu-ray release digitally alters the scene so the thermostat is now consistently white.) See more »

Quotes

Narrator: When deep space exploration ramps up, it'll be the corporations that name everything, the IBM Stellar Sphere, the Microsoft Galaxy, Planet Starbucks.
See more »

Crazy Credits

The three police officers that try to cut off the narrator's testicles are credited as Officer Andrew, Officer Kevin and Officer Walker. Andrew Kevin Walker is the screenwriter who wrote Se7en (1995) and 8MM (1999). He also worked uncredited on David Fincher's The Game (1997) and on one of the drafts of Fight Club (1999). However, his contribution to the Fight Club script was not enough to warrant a credit by current WGA rules. Director David Fincher named the officers Andrew, Kevin and Walker, as a way of surreptitiously giving Walker a credit. See more »

Alternate Versions

For the UK theatrical release of the film, the BBFC removed a total of four seconds from two scenes. In the scene where Lou (Peter Iacangelo) beats up Tyler (Brad Pitt), an overhead shot as Tyler receives a punch to the face is missing, and in the scene where The Narrator (Edward Norton) beats up Angel Face (Jared Leto), the third punch in the first load of hits, as well as several hits as his face becomes bloodied during the last load of hits have been removed. The BBFC argued that these cuts were made because of "excessively sustained violence" and "an indulgence in the excitement of beating a defenseless man's face into a pulp". Interestingly however, prior to the release of the film, the BBFC was petitioned to ban the film the film altogether, but they refused, disputing claims that it contained "dangerously instructive information" and could "encourage anti-social behavior". In fact, they actually came to the defense of the film, pointing out that "the film as a whole is - quite clearly - critical and sharply parodic of the amateur fascism which in part it portrays. Its central theme of male machismo (and the anti-social behavior that flows from it) is emphatically rejected by the central character in the concluding reels." For the 2007 Definitive Edition DVD re-release of the movie in the UK, all previous cuts were waved, and the film was released with the deleted four seconds reinstated. See more »


Soundtracks

Splended & 4M15
Composed by Kenneth 'Babyface' Edmonds
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Frequently Asked Questions

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User Reviews

 
A unique film
15 October 1999 | by buk-3See all my reviews

Fight Club is one of the most unique films I have ever seen. In addition to presenting a rather fresh take on life, FC also presents its material in a fresh way. My main interest in the film is in that, in my opinion, it does not present characters for us to think about. Rather, it presents actions for us to think about. I will say that I cannot recall *ever* having been "asked" by a film to both suspend my disbelief the way this film asks in its third act AND at the same time come to terms with an understanding that there is no room--or need--for disbelief.

Perhaps these comments will not make sense to the average movie goer who will dismiss this film--and, unfortunately, its premise--as another hollywood flick filled with gratuitous violence. I'd go as far as to say that this film is not about violence. It is about choices. It is about activity. It is about lethargy. It is about waking up and realizing that at some point in the past we've gone to the toilet and thrown up our dreams without even realizing that society has stuck its fingers down our throat.

I would argue that anyone caught, at some point in their lives, between a rock and a hard place--anyone who has reached bottom on a mental level--anyone who has uttered to themselves "Wait, this isn't right. I would not do/say/feel what it is that I just did/said/felt... I do not like this. I must change before I am forever stuck being the person that I am not." These people, they will know what I'm talking about. These people will not only recognize the similarities between Edward Norton's character and themselves--they will be uncomfortably familiar with him. These people will appreciate Fight Club for what it is: a wake up call that we are not alone.

As David Berman once said: "I'm afraid I've got more in common with who I was than who I am becoming." If this sentence makes any sense to you, go see Fight Club. You won't regret it.

L.


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