The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate and other historical events unfold through the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweetheart.
A nameless first person narrator (Edward Norton) attends support groups in attempt to subdue his emotional state and relieve his insomniac state. When he meets Marla (Helena Bonham Carter), another fake attendee of support groups, his life seems to become a little more bearable. However when he associates himself with Tyler (Brad Pitt) he is dragged into an underground fight club and soap making scheme. Together the two men spiral out of control and engage in competitive rivalry for love and power. When the narrator is exposed to the hidden agenda of Tyler's fight club, he must accept the awful truth that Tyler may not be who he says he is.Written by
Three directors were offered the film prior to David Fincher. Peter Jackson was the initial choice of producers Joshua Donen and Ross Grayson Bell, who had been impressed with Jackson's work on Heavenly Creatures (1994) and The Frighteners (1996). Jackson however, although he loved the Chuck Palahniuk novel, was too busy prepping The Lord of the Rings: The Fellowship of the Ring (2001) in New Zealand. The second choice for director was Bryan Singer, who was sent the book, but who never got back to the producers (he later admitted he didn't read the novel when he received it). Next to be offered the job was British director Danny Boyle, who met with Donen and Bell, read the book, and loved the material, but who ultimately decided to concentrate on The Beach (2000) instead. The producers then turned to David Fincher, who was in post-production on The Game (1997). Donen and Bell had been impressed with Fincher's work on Se7en (1995), and thought he could bring something unique to the project. However, Fincher was reluctant to work with 20th Century Fox again after his negative experiences making Alien³ (1992), so a meeting was set up between Donen, Bell, Fincher, President of Production at Fox 2000 Pictures Laura Ziskin and 20th Century Fox studio head Bill Mechanic, where Fincher's relationship with the studio was restored, and he was hired to direct the film. See more »
When the Narrator is being held down on the table at the police station, a boom mic is clearly visible at the top of the screen for a few seconds. See more »
[Holding up a wad of cash]
You're not getting this back. I consider it asshole tax.
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Just as the closing credits are about to start, a flash-frame-shot of a penis appears on the screen. See more »
For the UK theatrical release of the film, the BBFC removed a total of four seconds from two scenes. In the scene where Lou (Peter Iacangelo) beats up Tyler (Brad Pitt), an overhead shot as Tyler receives a punch to the face is missing, and in the scene where The Narrator (Edward Norton) beats up Angel Face (Jared Leto), the third punch in the first load of hits, as well as several hits as his face becomes bloodied during the last load of hits have been removed. The BBFC argued that these cuts were made because of "excessively sustained violence" and "an indulgence in the excitement of beating a defenseless man's face into a pulp". Interestingly however, prior to the release of the film, the BBFC was petitioned to ban the film altogether, but they refused, disputing claims that it contained "dangerously instructive information" and could "encourage anti-social behavior". In fact, they actually came to the defense of the film, pointing out that "the film as a whole is - quite clearly - critical and sharply prodigy of the amateur fascism which in part it portrays. Its central theme of male machismo (and the anti-social behavior that flows from it) is emphatically rejected by the central character in the concluding reels." For the 2007 Definitive Edition DVD re-release of the movie in the UK, all previous cuts were waved, and the film was released with the deleted four seconds reinstated. See more »
I am, unfortunately, not one of the faithful Chuck Palahniuk readers who had read the book BEFORE they saw the movie. I, however, couldn't wait to read the book after seeing this film. I've read the book 5 times since and seen the movie more times than I can remember.
Simply put, this movie changed my life. Not just on a personal level (on which I will not comment here except to say I'm now a major Palahniuk fan) but also as a movie-watcher. I view movies differently after seeing this movie, because it broke down doors.
This movie is literally the first time I ever came upon something that, at first sight seemed incredibly stylish, sophisticated and entertaining. The plot lured you in before turning you upside down, the acting was nothing short of perfect (has there ever been a more memorable character than Brad Pitt as Tyler Durden?), the music, the screenplay (based on what is now my all-time favorite book), the lighting, the pacing, the everything! Virtually everything about this movie took my by surprise, save for one man.
David Fincher, director, was probably the only reason I went to see this movie in the first place. His work on 'Seven' and 'The Game' had me excited to see what he would do next, but I came to this movie expecting a stylish flick that offered a good plot and hopefully some good acting but what I got was so much, much more.
Honestly, how many times have you seen a movie that, with every viewing, gets even more complicated yet so simple that you can't help but laugh. Every time I watch this movie I notice something new about it, such is the depth of what is on the screen. Then there's the tiny issue of the story of Fight Club, penned by Chuck Palahniuk (who has one of the most fertile imaginations around. Don't believe me? Read 'Survivor' and weep!) the story is nothing short of incredible, a pure shock-value social commentary on the state of the world at the end of the century. You'll cry, you'll laugh, you'll do all the clichés but most importantly you'll identify with every single thing on the screen.
This movie rates as one of my all-time favorite movies and, simply put, if you haven't seen it yet then quit wasting your time OnLine and get to the nearest videostore!
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