When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
A nameless first person narrator (Edward Norton) attends support groups in attempt to subdue his emotional state and relieve his insomniac state. When he meets Marla (Helena Bonham Carter), another fake attendee of support groups, his life seems to become a little more bearable. However when he associates himself with Tyler (Brad Pitt) he is dragged into an underground fight club and soap making scheme. Together the two men spiral out of control and engage in competitive rivalry for love and power. When the narrator is exposed to the hidden agenda of Tyler's fight club, he must accept the awful truth that Tyler may not be who he says he is.Written by
Much confusion exists amongst fans about the Narrator's name. Many believe it is Jack due to his use of the phrase "I am Jack's...", but others argue that he only uses the moniker Jack because that was the one he saw in "Annotated Reader". Interestingly, in the press packages released for the movie, which came in the form of an Ikea-esque catalog, the character is referred to as Jack, as he is on the back of the DVD, and in the booklet accompanying the DVD, where the Chapter list is referred to as "Jack's Chapters". Also, the original screenplay by Jim Uhls refers to him as Jack. On the other hand, in the closed captions for the film, he is referred to as Rupert. Edward Norton reveals that he refers to the character as Jack on the audio commentary on the DVD and Blu-ray. See more »
When Tyler is urinating in the soup, the boom microphone becomes visible as it moves to allow him to talk into it. *This has been corrected for the DVD.) See more »
I look around, I look around, I see a lot of new faces.
Shut up. Which means a lot of you have been breaking the first two rules of Fight Club.
See more »
The three police officers that try to cut off the narrator's testicles are credited as Officer Andrew, Officer Kevin and Officer Walker. Andrew Kevin Walker is the screenwriter who wrote Se7en (1995) and 8MM (1999). He also worked uncredited on David Fincher's The Game (1997) and on one of the drafts of Fight Club (1999). However, his contribution to the Fight Club script was not enough to warrant a credit by current WGA rules. Director David Fincher named the officers Andrew, Kevin and Walker, as a way of surreptitiously giving Walker a credit. See more »
In the Japanese version of the movie, due to censorship rules over showing genitalia, there are no penis shots in the whole movie. See more »
Fight Club is a brash slap in the face of consumerism and the working dead. It questions reality. It is strikingly thought provoking and visually stimulating. The direction is incredibly brilliant. Director David Fincher (Aliens, Se7en and The Game) is at his finest here warping both space and time, dropping in things here and there to make things clear. Edward Norton is excellent as Jack, the narrator of the movie. He is a nerdy insomniac who catalog shops at Ikea and has a going nowhere job. Brad Pitt is dynamic as Tyler Durden, an anarchistic man who lives in a run-down abandoned house and makes and sells soap for a living. Helen Bonham Carter is also great as Marla Singer, the manic-depressive chain-smoking woman in both their lives. Her role is critical and she plays it well.
There has been some controversy about the violence in this film but it is not gratuitous violence, it is part of the story and serves it well. It is much less than what you would see in your average Hollywood blockbuster. This is actually an insightful film and in many ways similar to American Beauty, although this film is much more in your face about it's message. If you are squeamish, you may not want to see it. There are some very painful bloody scenes, but if you can stomach it, then check it out. There is also a huge twist in this film that almost rivals the twist at the end of The Sixth Sense. And I must admit, it is the twist in this film that made me really love it. The best audience for this film is men in their 20's or 30's, but anyone that can appreciate film as a modern art should like it. One of the best films of 1999.
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