When the menace known as The Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
A nameless first person narrator (Edward Norton) attends support groups in attempt to subdue his emotional state and relieve his insomniac state. When he meets Marla (Helena Bonham Carter), another fake attendee of support groups, his life seems to become a little more bearable. However when he associates himself with Tyler (Brad Pitt) he is dragged into an underground fight club and soap making scheme. Together the two men spiral out of control and engage in competitive rivalry for love and power. When the narrator is exposed to the hidden agenda of Tyler's fight club, he must accept the awful truth that Tyler may not be who he says he is.Written by
When Tyler is lecturing about history's middle children, he looks directly to Jared Leto and says "rockstars". He is the lead singer at 30 Seconds to Mars, famous rock band. See more »
When Marla is on the phone with the narrator and exclaims that she has attempted suicide by a Xanax overdose, the camera zooms in on the prescription bottle clearly labeled "Xanax 300mg". Xanax is only sold as .25mg,.5mg, 1mg and 2mg tablets. The 300mg dose does not exist. Also, the pill spilling out of the bottle is .5mg pill. See more »
[the Narrator is trying to disarm a car bomb of nitroglycerin]
You don't know which wire to pull.
I know everything you do, so if you know I know.
Or maybe, since I knew you'd know I spent all days thinking about the wrong wires.
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Just as the closing credits are about to start, a flash-frame-shot of a penis appears on the screen. See more »
For the UK theatrical release of the film, the BBFC removed a total of four seconds from two scenes. In the scene where Lou (Peter Iacangelo) beats up Tyler (Brad Pitt), an overhead shot as Tyler receives a punch to the face is missing, and in the scene where The Narrator (Edward Norton) beats up Angel Face (Jared Leto), the third punch in the first load of hits, as well as several hits as his face becomes bloodied during the last load of hits have been removed. The BBFC argued that these cuts were made because of "excessively sustained violence" and "an indulgence in the excitement of beating a defenseless man's face into a pulp". Interestingly however, prior to the release of the film, the BBFC was petitioned to ban the film the film altogether, but they refused, disputing claims that it contained "dangerously instructive information" and could "encourage anti-social behavior". In fact, they actually came to the defense of the film, pointing out that "the film as a whole is - quite clearly - critical and sharply parodic of the amateur fascism which in part it portrays. Its central theme of male machismo (and the anti-social behavior that flows from it) is emphatically rejected by the central character in the concluding reels." For the 2007 Definitive Edition DVD re-release of the movie in the UK, all previous cuts were waved, and the film was released with the deleted four seconds reinstated. See more »
Similar in idea to 'American Beauty' but certainly not in style or content this bleak look at underground culture and the spiritual redemption it brings is easily one of the most intelligent films I've ever seen. Directed by the same man who brought us the superb 'The Game' this is another film which you'll have to see more than once to truly understand. Focusing on sad white-collar, middle-class Norton whose only real dream in life is to own all the contents of an IKEA catalogue it follows him through a chance meeting with charismatic stranger Pitt and the unfortunate events which conspire to draw them together. After a nights hard drinking they start a friendly-ish scrap which is viewed by a couple of others and from that small acorn a mighty oak called Fight Club grows. This is the point around which the whole film revolves with Norton and Pitt forming an underground club which draws more and more disillusioned young men to join it. Based on firm 'Queensbury Rules' it is a cathartic if bloody way to spend your night. Eventually as it becomes a huge operation Pitt, the de facto leader, moves it up a gear and creates his own cult from this secret society. This is where the film becomes brilliant and the twist near the end is magnificent, better even than the much talked about 'The Sixth Sense'. It just has so much to say about things: the emasculation of an entire generation of young men ("No great war to fight, no great depression"), the growing isolation we all feel from one another and the need to find something to draw us back together and most importantly, the power of an exciting, challenging idea and it's fermentation into cultism. However, where many films would just say 'This is a bad thing' 'Fight Club' doesn't. It is more a condemnation of a materialistic society which has forgotten about a large section of itself. You can empathise with these men completely, even when they band together against this uncaring society that has reared them to be something their instincts don't understand. It's as close to genius as you'll get and one film you'll talk about and think about for days.
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