Doris and Doreen work for a large unnamed corporation. Changes are afoot, though they are not entirely sure what they are. Equipped with an indepth knowledge of regulations and paperwork the... Read allDoris and Doreen work for a large unnamed corporation. Changes are afoot, though they are not entirely sure what they are. Equipped with an indepth knowledge of regulations and paperwork they feel compelled to get to the bottom of it.Doris and Doreen work for a large unnamed corporation. Changes are afoot, though they are not entirely sure what they are. Equipped with an indepth knowledge of regulations and paperwork they feel compelled to get to the bottom of it.
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We're in typical Bennett territory here; strong female characters, the minutiae of everyday life. Although Pete Postlethwaite and Joan Sanderson do feature in this play, their appearances are short, and the plot mainly hangs on Doris and Doreen and how they slowly realise that there is something afoot in personnel which will have an impact on their cosy workplace.
Bennett has an eye for the mundane - green forms, what someone's husband used to do, whether the washbasin plug was stolen by another department - and manages to make a situation where not very much happens appear very enjoyable. Routledge and Scales are both regular collaborators with Bennett, and it is interesting to compare their roles here with others from the same writer.
When this play appeared in print it was re-titled 'Green Forms', somehow putting the focus away from the ladies and on to the paperwork. I like the title 'Doris and Doreen' better. I like the way these ladies rub together and deal with the dragon in their midst. A fun play, well written and very true to life.
The play is well structured and the random topics of conversation (forms with numbers, requisitions, interdepartmental feuds) that make-up the first act come back to haunt the two women in the second act as it becomes clearer and clearer that something is afoot in their department that will alter their lives and not for the better. Scales and Routledge are both brilliant in their roles creating very real characters who are obsessed with the trivial and mundane and ill-prepared for a new office environment.
My only criticism is that the context they work in is so vaguely defined. It's never clear precisely what their department is or what the company they work for is about. It's probably purposeful to give the presentation a more universal feel but while the characters feel very real, the world they live in lacks that grounding. But overall, a very entertaining play.
P. S. My favorite quote towards the end: "Doris, I'm frightened! Look at the point on those pencils!"
Did you know
- TriviaThe title of this teleplay was changed to 'Green Forms' when published in 1981 in Alan Bennett's Office Suite (and in all subsequent republications).
- Quotes
Doreen: Doris!
Doris: What?
Doreen: I know!
Doris: Know what?
Doreen: How we can find out about Dorothy Binns.
Doris: How? And if you say "Try Personnel", I'll staple your tits together.
Doreen: Doris!
Doris: I don't care! There's something happening in this place and I want to know what it is.
Doreen: You might at least say "Pardon my French".
Doris: When?
Doreen: If you say anything like that: "Pardon my French".
Doris: It isn't French.
Doreen: Clifford says "Pardon my French" if he even says "bloody"... pardon my French.
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- Six Plays by Alan Bennett: Doris and Doreen
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