In suburban Reston, Virginia, George Washington University American History professor Michael Faraday is still mourning the death of his wife, FBI agent Leah Faraday, after three years. His inside knowledge of the agency colors what he teaches in his classes. Although on good terms with Leah's ex-partner, Whit Carver, and the agency in general, Michael wants the agency at least to acknowledge their responsibility in her death in the line of duty. Michael is moving on with his personal life, he being in a serious relationship with his former teaching assistant Brooke Wolfe. Although he likes Brooke, Michael and Leah's nine year old son, Grant Faraday, may not yet be quite ready for Brooke to be a permanent part of their lives. It is only in helping adolescent Brady Lang who he sees in medical distress that Michael meets his new neighbors, Oliver and Cheryl Lang, Brady's parents. In the process, Michael and Brooke becomes friends with the Langs, as Grant and Brady become friends. ...Written by
Early in the film, when Bridges is showing a bombing slideshow to his class, he describes a bombing incident that occurred in St. Louis, MO at the Federal Roosevelt Building carried out by (fictitious) bomber Ian Scobee. The photo in the slideshow is actually of the Khobar Towers bombing in Saudi Arabia which occurred in 1996, and Bridge's description of the St. Louis attack is more consistent with the facts of the Oklahoma City bombing in 1995, including the rented truck and destruction of the daycare center. In fact, no such St. Louis attack ever took place and there was never a Roosevelt Federal Building in St. Louis. See more »
Lang's yearbook shows him receiving a B.A. under his graduation picture, but Faraday calls him an engineer (and he appears to be one), which would merit a degree of a B.S. at most schools. It's possible he went on to get another degree (though that seems unlikely) or post-graduate training. See more »
They asked you what you stand for. You tell them, you stand for blowing up families. For orphan sons. Your father really killed himself you son of a bitch? Or is that just where you got your start?
[steps on Lang's neck]
Call it off.
It's for you, Michael. We're doing this for you. It's for all of us.
It's not for me, call it off!
Are you happy in your godless suburban life?
Call off the bomb! Call off the fuckin' bomb!
[Lang smashes the walkie talkie]
They sent your wife to her death, ...
[...] See more »
The R-rated version is missing the graphic gore that was in the original shooting script of the film. The UNCUT bootleg of the workprint version is on some bootlegger's websites and has ALL the graphic gore cut to avoid the "X" rating. See more »
A friend of mine, the Belgian film director Robbe de Hert, said most people don't see a movie, they just look at it, listen to the dialogue and let their minds make up the movie. Th comments on Arlington Road suffer from the same problem, as nowhere do I see any comment on the splendid, almost innovating photography by Bobby Bukowski. Run it through your VCR again and see it !
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