The wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by a man from Riddick's past.
This story opens with the new action hero and the two other survivors of Pitch Black already caught by a giant spaceship filled with dread. The sinewy leader has a unique--and creepy--jail ... See full summary »
Veteran-turned-mercenary Toorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.
After the events of Pitch Black, a contractor is hired to locate Riddick, dead or alive. He reviews available information on him and the events of Pitch Black. Terrified, he hires a female cyberpunk merc to do the job for him. Bad move.
The space transport vessel "Hunter-Gratzner" carrying 40 people on-board crashes on a desert planet when the ship is struck in a meteor storm. There are only 11 survivors, among them are pilot Carolyn Fry (Who has assumed command after the ship's captain is killed), bounty hunter William J. Johns, religious man Abu Al-Walid, Antiques dealer Paris P. Ogilvie, runaway teenager Jack, settlers John 'Zeke' Ezekiel and his lover Sharon 'Shazza' Montgomery, and Richard B. Riddick, a dangerous escaped convict. Marooned, the survivors discover the barren and hot desert-scape has sunlight from three suns. Not only must they find food and water and worry about Riddick, the survivors find themselves being hunted by the planet's flesh-eating alien inhabitants when the planet is engulfed in darkness, which happens every 22 years, as they emerge from underground to hunt and eat all signs of life. Fry and the survivors find Riddick is their best chance of survival, as Riddick has surgically-enhanced ...Written by
Pitch Black (2000), Waking The Dead (2000), and Where The Money Is (2000), were the final film credits of PolyGram Filmed Entertainment, which merged with Universal Pictures and USA Films during production. See more »
The planet's only night occurs during a rare planetary alignment. As the ringed planet dawns on the horizon, it progresses visibly, moving so fast that the eclipse is already happening after just 2 minutes. Any planet appearing that large would be catastrophically close, but that detail isn't as important as the fact the rate at which it is rising would mean the entire event would be finished in just 5 minutes. And that's assuming the entire body of the planet transits the primary stars. It doesn't, though. Clearly only the edge of the ringed world blots out the stars. That would mean the crew would only need to survive the next minute before they were safe again. Yet the rest of the film takes place in darkness till the very end. See more »
They say most of your brain shuts down in cryo-sleep. All but the primitive side, the animal side. No wonder I'm still awake. Transporting me with civilians. Sounded like 40, 40-plus. Heard an Arab voice. Some hoodoo holy man, probably on his way to New Mecca. But what route? What route? I smelt a woman. Sweat, boots, tool belt, leather. Prospector type. Free settlers. And they only take the back roads. And here's my real problem. Mr. Johns... the blue-eyed devil. ...
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The persons and events in this production are fictitious. No similarity to actual persons or predators, living or dead, is intended or should be inferred. See more »
Universal released an unrated Director's Cut, three minutes longer than the theatrical release. See more »
From the opening crash scene - a classic, even if it does mess around with the laws of inertia - to the closing scene, this is pulse pounding sci-fi horror with a bravura performance from Vin Diesel. The CGI and effects serve the plot, and not the other way around.
The critters are fantastic (although I have to wonder what they eat when there are no hoomins around).
As with all films like this, there are a couple of troubling plot holes, but far fewer per running foot of celluloid than the average George Lucas movie, and far, far fewer than average. The direction is taut.
Quibbles. Soundtrack is very derivative in spots. To keep the George Lucas comparison going, it's partly dumbed down John Williams. That said, the score has some great creepy parts too. Science quibble.. Low oxygen results in non existent flames and complete inability to run. Character quibble... Vin Diesel's character Riddick's unusual skillset is not explained enough for my satisfaction.
But heck, none of this was enough for my willing suspension of disbelief to get more than a few spare cables cut. If you don't normally watch SF movies this is definitely one to consider, and if you like SF horror this is a must see - in fact true horror buffs might find it tame.
I am variable in how squeamish I am. Some days I can handle pretty disgusting stuff and other days I can't. This movie has a couple of pretty scary scenes, but I didn't find any of it particularly disturbing, and Vin Diesel made the whole trip worthwhile, in this, his breakout role.
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