In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind, who murdered his only son. The plan turns sour when the criminal wakes up prematurely and seeks revenge.
Ben Sanderson, a Hollywood screenwriter who lost everything because of his alcoholism, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera..
A small, seemingly innocuous plastic reel of film leads surveillance specialist Tom Welles down an increasingly dark and frightening path. With the help of the streetwise Max, Welles relentlessly follows a bizarre trail of evidence to determine the fate of a complete stranger. As his work turns into obsession, he drifts farther and farther away from his wife, family and simple life as a small-town private eye.Written by
Russell Crowe agreed to do the film with Joel Schumacher when the film was slated to be a "dirty, handheld gritty thriller". Crowe had one stipulation to all this and it was the scene where his character is looking at the kiddie porn and throws it in the trash he throws a cigarette so it would start burning inside the trash can. Schumacher agreed. Then out of the blue, Nicolas Cage's agent called Schumacher and told him that he wanted to do the film as well. Schumacher then contacted John Calley at Sony and told him that we can do the film with Crowe as a "low budget, dirty handheld camera thriller" or a much bigger film with Cage. Calley then agreed to do the film with Cage as the lead which eventually lead to a much bigger budget. See more »
The car Tom leaves the "studio" in when running from Eddie and the one he arrives at the cabin in are not the same car. The first car has caps over the lug nuts of the alloy wheels and the one at the cabin has the lug nuts exposed and the wheels are a different style. See more »
Welcome to Miami. While in the airport, please observe Florida and local laws which prohibit any smoking in the terminal. Thank you for not smoking.
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The film was heavily cut before release to gain an 'R' rating. Joel Schumacher's audio commentary on the DVD points out the multitude of MPAA cuts throughout the film. The cuts include:
Sex throughout the movie. For example, background sexual activity was trimmed under the "no more than two buttock-thrusts rule"
A lot of a conversation between Phoenix and Cage was removed because a bank of TV monitors in the background were showing hardcore pornography footage
Sequences in the underground sex club were trimmed to remove shots of enema porn (which were in fact real)
I walked into the movie theater last Friday not expecting at all what I was about to see. I'd heard about it, thought "Oh, another Seven". Same screenwriter, but I was way off track. I can stomach a lot, having no problem stuffing down popcorn during very graphic scenes. In 8MM, my coke had trouble going down. 8MM did not have consistent gory/violent scenes, but the way the movie was made made you fill in the blanks of what the makers of the movie could not screen. And if you pay attention and immerse yourself, you fill in more blanks than you really think you could, or want. As Max put it: "the devil changes you." The perversity and deep rottenness of the human minds displayed in 8MM is what disturbs you. Then you realize, that "snuff"-movies are real, that there are individuals twisted enough to endorse/enjoy/take part in it. And worst of all, that these individuals don't look like monsters, they're perhaps just overweight nearsighted men who look like your dad, your son, your brother, even yourself. And if you don't look out,(no matter how secluded you think you are in your suburban home, with a wife, a daughter, and a dog named Shep) you dive into the pit of perversion and rottenness as well, finding no way out. In conclusion: excellent music, acting very sufficient, the plot: a must see. Just don't bring popcorn, and prepare to walk out of the movie theatre disturbed, asking questions, and a little bit more suspicious of those walking around you, and yourself.
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