A private investigator is hired to discover if a "snuff film" is authentic or not.A private investigator is hired to discover if a "snuff film" is authentic or not.A private investigator is hired to discover if a "snuff film" is authentic or not.
- Awards
- 2 wins & 2 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaRussell Crowe agreed to do the film with Joel Schumacher when the film was slated to be a "dirty, handheld gritty thriller". Crowe had one stipulation to all this and it was the scene where his character is looking at the kiddie porn and throws it in the trash he throws a cigarette so it would start burning inside the trash can. Schumacher agreed. Then out of the blue, Nicolas Cage's agent called Schumacher and told him that he wanted to do the film as well. Schumacher then contacted John Calley at Sony and told him that we can do the film with Crowe as a "low budget, dirty handheld camera thriller" or a much bigger film with Cage. Calley then agreed to do the film with Cage as the lead which eventually led to a much bigger budget. Schumacher realized Cage was right for the part when Cage reportedly told him, "I want to play a role I can internalize instead of my normal Schtick."
- GoofsTo ascertain Machine's identity, Tom calls several emergency rooms, pretending to be a police officer, asking for Machine's real name, insurance information, and home address. Even in 1999, no hospital would ever give this information out over the phone and would need an in-person request with a court order to be in compliance with HIPAA laws (which were first passed in 1996).
- Quotes
Max California: [on the porn industry] All I'm saying is... it can get to you.
Tom Welles: No worries. Thanks for the warning, though.
Max California: You're welcome. Pops... If you dance with the devil, the devil don't change. The devil changes you.
Tom Welles: Some of your lyrics?
Max California: That's cute.
- Alternate versionsThe German theatrical version is allegedly 9 seconds longer. Additional footage shows more of Poole being beaten to death by Tom Welles.
- SoundtracksSick With It
Written by Tairrie Beth, Marcelo Palomino, Rico Villasenor & Brian Harrah
Performed by Tura Satana
Courtesy of Noise Records
Featured review
When it came out, "8mm" became notorious for its dark and perverted subject matter. Any and all warnings that are given in association with this film are warranted: this is a dark, dark, thriller, and one that revels in a lot of sordid subject matter. How this was never threatened with an NC-17 is beyond me.
Tom Welles (Nicholas Cage) is a well-respected private detective. One day, he gets a call from a recently widowed, and exceedingly wealthy woman named Mrs. Christian (Myra Carter). It seems that when Mrs. Christian was going through her husbands things, she came across a film reel that appears to be a "snuff film" (a "snuff film is where someone is actually murdered on screen, not merely acting like it). Tom is hired to find out if the film is actually real.
Andrew Kevin Walker wrote the suspense hit "Seven," and the two films bear a number of similarities. Both deal with grisly and bizarre subject matter, and take no prisoners when they show it all. But "Seven" had something that "8mm" doesn't: a sense of atmosphere. Try as he might, director Joel Schumaker can't establish an ominous atmosphere, which mutes the film's impact.
The acting varies. Nicholas Cage is effective as Tom Welles, though that's to be expected because this is a role that Cage could play in his sleep. Joaquin Phoenix shines as Max California, the porn star clerk who becomes Tom's sidekick. The rest of the cast is not so great. James Gandolfini is okay as Eddie Poole, but Peter Stormare (Dino Velvet, a mysterious hard-core porn producer), Anthony Heald as Mrs. Christian's lawyer, Daniel Longdale, (looking strikingly similar to Geraldo Rivera) and Catherine Keener (Tom's neurotic wife)are awful.
"8mm" works, but it's not masterpiece. The story is easy to follow, as long as you don't stop to think about how the film gets from one scene to the next. But the final 20 minutes are bad; they're not credible, and everyone acts like they've lost their brains.
"Seven" contained an ingenious twist ending, and while "8mm" doesn't offer that, it takes a few unexpected turns, and the story is not formulaic.
This is a good film, but not a great one. Recommended, if you can get it for cheap.
Tom Welles (Nicholas Cage) is a well-respected private detective. One day, he gets a call from a recently widowed, and exceedingly wealthy woman named Mrs. Christian (Myra Carter). It seems that when Mrs. Christian was going through her husbands things, she came across a film reel that appears to be a "snuff film" (a "snuff film is where someone is actually murdered on screen, not merely acting like it). Tom is hired to find out if the film is actually real.
Andrew Kevin Walker wrote the suspense hit "Seven," and the two films bear a number of similarities. Both deal with grisly and bizarre subject matter, and take no prisoners when they show it all. But "Seven" had something that "8mm" doesn't: a sense of atmosphere. Try as he might, director Joel Schumaker can't establish an ominous atmosphere, which mutes the film's impact.
The acting varies. Nicholas Cage is effective as Tom Welles, though that's to be expected because this is a role that Cage could play in his sleep. Joaquin Phoenix shines as Max California, the porn star clerk who becomes Tom's sidekick. The rest of the cast is not so great. James Gandolfini is okay as Eddie Poole, but Peter Stormare (Dino Velvet, a mysterious hard-core porn producer), Anthony Heald as Mrs. Christian's lawyer, Daniel Longdale, (looking strikingly similar to Geraldo Rivera) and Catherine Keener (Tom's neurotic wife)are awful.
"8mm" works, but it's not masterpiece. The story is easy to follow, as long as you don't stop to think about how the film gets from one scene to the next. But the final 20 minutes are bad; they're not credible, and everyone acts like they've lost their brains.
"Seven" contained an ingenious twist ending, and while "8mm" doesn't offer that, it takes a few unexpected turns, and the story is not formulaic.
This is a good film, but not a great one. Recommended, if you can get it for cheap.
- moviesleuth2
- Jun 28, 2009
- Permalink
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Eight Millimeter
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $36,663,315
- Opening weekend US & Canada
- $14,252,888
- Feb 28, 1999
- Gross worldwide
- $96,618,699
- Runtime2 hours 3 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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