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713 user 194 critic

The Talented Mr. Ripley (1999)

In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy. But when the errand fails, Ripley takes extreme measures.

Director:

Anthony Minghella

Writers:

Patricia Highsmith (novel), Anthony Minghella (screenplay)
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Popularity
1,572 ( 64)

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Nominated for 5 Oscars. Another 10 wins & 76 nominations. See more awards »

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Cast

Cast overview, first billed only:
Matt Damon ... Tom Ripley
Gwyneth Paltrow ... Marge Sherwood
Jude Law ... Dickie Greenleaf
Cate Blanchett ... Meredith Logue
Philip Seymour Hoffman ... Freddie Miles
Jack Davenport ... Peter Smith-Kingsley
James Rebhorn ... Herbert Greenleaf
Sergio Rubini ... Inspector Roverini
Philip Baker Hall ... Alvin MacCarron
Celia Weston ... Aunt Joan
Fiorello Fiorello ... Fausto (as Rosario Fiorello)
Stefania Rocca ... Silvana
Ivano Marescotti Ivano Marescotti ... Colonnello Verrecchia
Anna Longhi Anna Longhi ... Signora Buffi
Alessandro Fabrizi ... Sergeant Baggio
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Storyline

The 1950s. Manhattan lavatory attendant, Tom Ripley, borrows a Princeton jacket to play piano at a garden party. When the wealthy father of a recent Princeton grad chats Tom up, Tom pretends to know the son and is soon offered $1,000 to go to Italy to convince Dickie Greenleaf to return home. In Italy, Tom attaches himself to Dickie and to Marge, Dickie's cultured fiancée, pretending to love jazz and harboring homoerotic hopes as he soaks in luxury. Besides lying, Tom's talents include impressions and forgery, so when the handsome and confident Dickie tires of Tom, dismissing him as a bore, Tom goes to extreme lengths to make Greenleaf's privileges his own. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

It's better to be a fake somebody than a real nobody. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, language and brief nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English | Italian

Release Date:

25 December 1999 (USA) See more »

Also Known As:

The Strange Mr. Ripley See more »

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend USA:

$12,738,237, 26 December 1999, Wide Release

Gross USA:

$81,298,265

Cumulative Worldwide Gross:

$128,798,265
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The second film in as many years in which Jude Law plays an entitled young man impersonated throughout the movie by someone else. The other film is Gattaca (1997). See more »

Goofs

The ship Tom takes to England is the Queen Mary, shown passing the Manhattan skyline. But the lifeboats are covered with blue canvas tops, not installed until the ship became a hotel and convention center in Long Beach CA. See more »

Quotes

[first lines]
Tom Ripley: If I could just go back... if I could rub everything out... starting with myself.
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Crazy Credits

The opening title uses all the adjectives of the complete title before cutting to the final "The Talented Mr. Ripley". See more »

Connections

Featured in Reflections on 'The Talented Mr. Ripley' (2000) See more »

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User Reviews

 
A ravishing, emotionally complex, and heart-rending film of great elegance
3 January 2000 | by moviebuffcoleSee all my reviews

Seeing this gorgeous tango between Damon and Law, I was never less than captivated and riveted. Minghella has fashioned something literate, powerful, seductive, charming, tragic, and beautiful. His casting is nearly perfect. Damon is unforgettable as an amoral but fascinating character whom we even sympathize with by film's end. Law is stunning as Dickie, the man whose life Ripley adores. Paltrow is good, though she is not given a whole lot to do. Blanchett is perfect in a small but pivotal role that only adds to her already impressive filmography. This is a near-masterpiece. Minghella's talent for visual opulence is second to none, and his work here should earn him a directing Oscar nod. The same goes for many others associated with this brilliant achievement. The ending is as unsuspected as it is inevitable, that is, sad and unsettling. In fact, the whole film underscores these emotions. Whereas Highsmith's original novel was cold and sometimes inert, the film makes Ripley much more of a living, breathing character, and as such, a great symbol of tragedy. It may be some time before I forget this intense experience. Certainly one that deserves multiple viewings. One of the best films of 1999. I think this may be one of the best pictures I have ever seen. Bravo everyone. A moving, rich knockout!


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