The murderous fisherman with a hook is back to once again stalk the two surviving teens, Julie and Ray, who had left him for dead, as well as cause even more murder and mayhem, this time at a posh island resort.
Jennifer Love Hewitt,
Freddie Prinze Jr.,
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
A new film is currently in production, and a killer is on the loose. The murders draw a reporter, ex-cop, and young woman to the set of the movie inspired by their life. They soon find out that they are dealing with a trilogy, and in a trilogy...anything can happen.Written by
Roman Bridger (Scott Foley), the director of the movie-within-the-movie, complains that he had to make a horror film before he was allowed to make a classic love story. Something similar happened to director Wes Craven himself: he had to agree to do this movie before he was allowed to make the musical drama Music of the Heart (1999). See more »
(at around 1h 7 mins) After Sidney jumps from the second story window, you can see the ground bounce beneath her as if a padded surface is concealed under the grass. See more »
Come on. You have made millions off the story of her murder. You're obsessed with her and you're obsessed with her daughter!
Alright, easy Geraldo.
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R1 DVD includes an alternative ending and some deleted/alternative scenes:
Two different versions of Cotton Weary's pre-title sequence;
A scene taking place on the Stab 3 set, where we see the crew sitting together and talking with Dewey;
A scene showing Jenny McCarthy talking with a security guard for Sunrise Studios.
The alternate ending to the film involves Sydney hiding from the killer, while preparing to strike at the right moment. Only the beginning and end of the two endings are different.
After surviving the second wave of ghostface killings, Sidney Prescott has retired to the mountains to live in peace and work as a phone call therapist. Sadly for her she is about to be dragged back into the nightmare because the production of Stab 3 is rocked by murder and the killer is leaving pictures of Sidney's dead mother at the crime scenes.
I have to admit that I once never gave this film much love, I loved the first two to such a degree that I felt this third and final instalment was way off being a fitting closure to what was at the time a trilogy. Yet as time has wore on I have really grown fond of the film, Parker Posey no longer annoys the hell out of me, the once jarring itch of watching the makers kill off a fave character of mine in the opening sequence is something I now view as a masterstroke, and the twisty ending that was once an irksome pest has moved on to be the perfect "trilogy" closure.
Scream 3 has its tongue firmly in its cheek, it's aware of its number and it's aware of its formulaic root, so in spite of treading familiar ground (I mean come on gang, have you not learnt nothing from your previous experiences), the returning characters still have our undivided attention. While the transporting of the story to Hollywood, with its movie within a movie structure, is fresh and adds a new dimension to proceedings. New additions to the scary fun are Patrick Dempsey, Emily Mortimer, Lance Henriksen and the afore mentioned Parker Posey, and all of them add greatly to the mysterious plot unfolding.
The death quotient is still high, and the Wes Craven school of whodunitry is well and truly open, and I personally feel that this one is easily the funniest film of the three, witness Jay & Silent Bob turning up, a Carrie Fisher sequence that once heard will never be forgotten, and a video appearance by passed on geek god Randy Meeks. Scream 3 closes the "trilogy" just fine, it's got bags of energy and a glint in its eye, now if only I could get a copy of the uncompleted Stab 3 off the internet - and if only there wasn't to be a part 4 further down the line... 7/10
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