Plunkett & Macleane

When I sat down in the cinema to see this I was expecting to see a sort of stylish tongue-in-cheek action film, which had been implied by the trailers. However, it very quickly became apparent that this film was trying to be more.

Normally, I don't approve of films that try to entertain in as many ways possible. For instance, this film tries to mix action with comedy, romance, lightheartedness and gritty seriousness all at once. Most of the time this sort of approach doesn't work in films (just look at Batman Forever) but I was was pleasantly surprised to see that in this case, they pulled it off.

The end result is a highly entertaining film that should appeal to most mature cinemagoers. (However, the weak of stomach should really be warned of one or two scenes.) Robert Carlyle and Jonny Lee Miller pull of a brilliant double act and Ken Stott does a excellent villain. This mixed in with superb costumes and a few decent action scenes makes for a very enjoyable watch.

However, the big let-down here for me is that in having 'The Gentleman Highwayman' there was a real opportunity for some good dialogue but the script was definitely lacking in punchiness and there were few belly laughs. Okay, so the lines weren't terrible but to me it does highlight a problem with recent British films; ignoring a few notable exceptions the screenplays being written today are still relatively mediocre when compared to some of Hollywood's efforts.

** HERE BE SPOILERS **

Recap: Macleane (Miller) witnesses a robbery by Plunkett (Carlyle) that goes wrong. Plunkett's partner get shot (and killed) but not until after he has swallowed a great ruby. Plunkett and Macleane then meet at the cemetery when both try to get hold of the ruby. Unfortunately they are caught as grave robbers and sent to jail, but not until Plunkett has swallowed the ruby. The ruby is their key to freedom, and once they're free, they form a partnership in robbery. Macleane is to pose as a gentleman and find out who is worth robbing, and then simply they rob him (and rob them in style). But Macleane falls in love with the niece/daughter (?) of their first victim, lady Rebecca Gibson (Tyler). And a Mr Chance (Stott) is out to catch them, and his methods are not very nice...

Comments: A good action flavoured by comedy and adventure. Carlyle and Miller form a good team, with a lot of friction and friendship. And then there is the relationship between Macleane and Rebecca Gibson. The scene with the ball is very good, especially the (anachronistic) use of the music. In addition to these interesting characters Cumming play the best of them all, Lord Rochester. Both the character and the acting are stellar and among the best in the movie. In total, the movie works very well, a nice balance between story and special effects, action and comedy. Very entertaining.

8/10

England in the 1700's, (1745 to be exact) was not a nice place. The rich were all made up to the eyeballs with ludicrous hair and cuffs you could hide a poodle in. They did, however smell a little better than the poor, who were lucky if they made it through the day without a vital appendage falling off in the street.

It is to this world that the audience watching Plunkett and Macleane are introduced. It's not pretty, but it's very believable and prepares you to accept the lengths to which people will go to clamber from the muck to a better life.

Thrown together through circumstance, Macleane, a semi-respectable gentleman who spends too much on women and gambling and Plunkett, a common criminal with more than a few tricks up his sleeve, find that they can rob together successfully as partners. So they do. A lot.

There's a lot of good ideas in the film, primarily the concept of turning the idea of 18th Century English nobility on its head and making it seem little more than an excuse to wear wigs and lipstick. A refreshing change in these days of Merchant Ivory productions and hey-nonny snooze.

Then there's the obligatory love interest, Lady Rebecca (Liv Tyler) and the vicious baddie, in the form of the Thief Taker General Chance, played with sadistic relish by Ken Stott. Both perform well, but it's up to the two leads, and the chemistry that worked well in Trainspotting to steal the show. Being Highwaymen, they steal it with ease, commanding each scene with humour and grit in equal proportions. Some moments of the film are laugh out loud funny, while others border on the disgusting. Always funny and compelling as an action movie, (the love story is left firmly in second place) Plunkett & Macleane is great fun. Though the efforts of the excellent cast and director Jake Scott, we have another British hit on our hands.

All in all, to blatantly rip off a line from the film:

"It was fantastic and I had a bloody good laugh!"

I didn't think I'd like Plunkett and Macleane that much, but I must say, I was pleasantly suprised with this flick. It had it all adventure, action, thrills, chills and drama. And especially the clever moments of stand-out hilarity which you will be laughing about hours after the flick. Plunkett and Macleane also has some very polished performances, especially from he-who-can-do-no-wrong man Robert Carlyle, Johnny Lee Miller and the stunningly beautiful Liv Tyler.

I guarantee you'll enjoy this movie, it is clever, funny and extremely entertaining.

Rating: 8

Jake Scott's bizarre late nineties historical folly was much derided and ignored at the time and despite some elements of it dating quite fiercely it maintains a characterful tenacity that I really took to. The biggest draw is the cast, Lee Miller and Carlyle are a great double act and brimming with post-Trainspotting intensity. The magnificent Ken Stott in fantastically creepy form as the odious General Chance and even Liv Tyler's love interest gets a chunk of things to do. Alan Cumming's glorious Rochester is the absolute core of the film for me. There's a lot of grotty historical detail (mashed in with the Ibiza-tinged soundtrack) and a weirdly large amount of British comedians hiding in the background. A very young Noel Fielding, Matt Lucas and even Armstrong & Miller as strangely anachronistic dandies. There's a lot to like here, the very definition of a cult film.