Bryce (Josh Brolin) is a successful man who returns to his tiny hometown for a visit. While there, he runs into his old friend Nick (Alessandro Nivola). The two decide to go out for the night. When they enter a bar, Bryce encounters Kathy (Reese Witherspoon), a blonde temptress whom he eventually takes home for the night. When he awakens, Kathy informs him that she is underage and threatens to tell the police that Bryce has committed statutory rape. Bryce panics and decides to tie her up and hide her away in the basement. He then makes a call to Nick. Unbeknownst to Bryce, Kathy is actually Nick's girlfriend Lissa. The two had schemed to use Bryce's money to pay off a $15,000 debt they owe small-time hood Jimmy (Terrence Howard).
The elephant and mouse joke Bryce tells Nick in the bar is later repeated in Centre Stage (2000). See more »
Brice wears glasses when in a bar with Nick and at the house when Nick arrives until they go down stairs when he's seen without them on then he's got them on again when he enters the basement but he's got them on again when standing by the pool table. See more »
You know, not everything in the world revolves around fucking.
No, just most things.
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The DVD contains some deleted scenes:
Alternate Opening Titles featuring a vagrant named Cal, riding a bicycle decorated with recycling goods.
At the pool Nick and Bryce discuss what to do with Lissa.
Cal collects some tins.
Nick and Lissa sell the belongings of Nicks's deceased father.
An extended version of the scene where Nick and Lissa plan to leave Tropico. Here Lissa tells Nick that she wants to get out at all cost.
A longer version of the scene on the roof of the hotel which fleshes out Lissa's devotion to Nick.
An extended version of the scene where Nick and Lissa plan the robbery.
Nick kills some time, buys some cigarettes and inadvertently starts the bush fire.
An alternate ending which is not as clearly positive as in the final film, but is instead "hopeful".
The only reason I watched this is because my girlfriend threatened me to. This is movie is sooo desperate to be a post modern crime thriller that it looks and feels so relentlessly superficial.
Most scenes are decked out in unpleasant pastel colors and interiors are always lit with warm lights. It's nice to look at but has a student filmmaking feel to it that distracts me.
Something else that is quite unreal is the scene in which Nivola and Witherspoon discuss their forthcoming crime...on a roof in front of a neon sign on a sofa. Yeah...like people keep sofas on roofs in front of neon signs. This was obviously an attempt by the director to add a little sparkle to an otherwise BORING scene. Which is also the reason he throws in some cliched camera angles. It's a "film noir" you see...so diagonal shots on an ordinary scene are standard.
Composer Craig Armstrong was obviously hired at the last minute when the director heard the score for Romeo and Juliet to provide a superficial (that word again) soundtrack. It sounds like it belongs in a totally different movie. But perhaps this is a good thing. There isn't much theme but the music does evoke some weird feelings from us. Much like the feelings the characters have. It's cool and I wish more scores were this way.
The "twist" wasn't too obvious to me. Once it occurs it takes away all the tension and stress right away and will relieve you big time. It even manages to change the tone of the whole movie to light-hearted.
In case your wondering my girlfriend lists this as number 2 in her top 3 movies. Number 1 is Devils Advocate and 3 is Moonwalker...ugh!
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