Cast overview, first billed only: | |||
Christopher Walken | ... | Fox | |
Willem Dafoe | ... | X | |
Asia Argento | ... | Sandii | |
Annabella Sciorra | ... | Madame Rosa | |
John Lurie | ... | Distinguished Man | |
Kimmy Suzuki | ... | Asian Girl #1 (as Naoko 'Kimmy' Suzuki) | |
Miou | ... | Asian Girl #2 | |
Yoshitaka Amano | ... | Hiroshi | |
Gretchen Mol | ... | Hiroshi's Wife | |
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Phil Neilson | ... | The Welshman (as Phil Nielson) |
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Ken Kelsch | ... | The Expeditor |
Andrew Fiscella | ... | Sex Show Man | |
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Rachel Glass | ... | Sex Show Woman #1 |
Roberta Orlandi | ... | Sex Show Woman #2 (as Roberta Orlan) | |
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Erin Jermaine Serrano | ... | Sex Show Woman #3 |
Maas and Hosaka are two large Corporations in the future world. They are fighting to get control over the best minds of the world. The best is Hiroshi and at the moment he is working for the Maas Corporation. Fox has accepted an offer to persuade Hiroshi to go over to the Hosaka Corporation. Sandii is a little Italian girl from Japan and she should be the way to get to Hiroshi. X is the man who should train Sandii to break Hiroshi's Heart. But if X falls in love with Sandii? And if the Hosaka Corporation breaks the agreement? And if Sandii is not a little Italian girl? Written by Baldinotto da Pistoia
It's hard to believe that a movie directed by Abel Ferrara based on a story by William Gibson and starring Christopher Walken, Willem Dafoe and Asia Argento would be anything less than great, but this movie is just OK. It has a lot of moody atmosphere. Asia A., the lovely Eurobabe who is supposedly ogre-ish horror-meister Dario Argento's daughter (I, for one, won't believe it until I see the blood tests), spends most of the movie in various states of undress (unfortunately, so does Dafoe). Walken is great as always. But literally nothing happens. It's all atmosphere, eerie music, and occasional bursts of softcore groping. Neither Ferrara's visuals, Walken's acting presence, or Argento's tatooed nether regions can ultimately carry a film so totally devoid of conventional plot, suspense, or action. Not a bad film, just a disappointing one.