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Joan of Arc (1900)

Jeanne d'Arc (original title)
Not Rated | | Short, Drama, History | 11 November 1900 (USA)
A divinely inspired peasant woman becomes an army captain for France and then is martyred after she is captured.


Georges Méliès


Georges Méliès (screenplay), Georges Méliès (story)




Credited cast:
Bleuette Bernon Bleuette Bernon


Miraculously salvaged in 1982, this grand hand-tinted cinematographic epic in twelve superb static tableaux marks the great Georges Méliès's second cinematic triumph after his classic fairy-tale adaptation of Cinderella (1899). Although the introductory scene which establishes the young Joan as a humble peasant maiden is forever lost, the film still manages to portray Joan of Arc as a saint and France's national hero, through the use of theatrical long shots, experimental medium shots where the action is, and gradual dissolves. Starting off with the seraphic visitation by Archangel Michael, St. Margaret and St. Catherine, a 13-year-old Joan accepts a divine call to arms against her parents' will, as she boldly crosses the iron gates of Vaucouleur, convincing Captain Robert de Baudricourt to grand his permission to lead an army. Next, as Charles VII is crowned King of France in the magnificent Reims Cathedral after the decisive victory at Orléans, the brutal Siege of Compiègne and ... Written by Nick Riganas

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Short | Drama | History


Not Rated | See all certifications »

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Featured in Henri Langlois: The Phantom of the Cinémathèque (2004) See more »

User Reviews

Méliès Inventing the Story Film
16 September 2009 | by CineanalystSee all my reviews

This is an elaborate production for its time, with 11 tableaux, 250 meters and a runtime of 10 minutes. Additionally, the print available on the Flicker Alley set is wonderfully hand-colored. There's also a nice vision scene-within-a-scene, which is a rather common, but appreciated, occurrence in early films. On the other hand, this early story film especially seems to be bogged down by Méliès's typical theatrical style, perhaps because it's a historical reenactment film rather than some amusing fantasy or fairytale. I don't find it as entertaining as his later films such as "Bluebeard" (1901), "A Trip to the Moon" (1902) and "The Kingdom of the Fairies" (1903), which more greatly overcome their stagy and primitive qualities. For instance, the revolving parade scene and the lame battle are goofed even for 1900. In addition, Méliès plays too many different roles in this one, which could have been confusing without the lecture provided.

Nevertheless, it would take a couple years before other film pioneers, including Edwin S. Porter, Robert W. Paul and Ferdinand Zecca, to name a few, began to make narrative films to compare to this one. "Joan of Arc" came on the heels of Méliès's earlier and first super-production "Cinderella" (1899), which, like this film, connected its tableaux by dissolves. "Joan of Arc" is somewhat more polished than "Cinderella" was, as, likewise, Méliès's later féeries (fairy films) are more refined and sophisticated than this film.

Also of note, Joan of Arc has always been a popular screen subject. The first filmed version I know of was by the Edison Company in 1895. The Lumiére Company made a shot-scene reenactment of the trial, titled "Execution of Joan of Arc" (Exécution de Jeanne d'Arc), just a year before Méliès's film. The Lumiére film, which has been available on home video, isn't worthwhile except for perhaps that it, too, survives in a hand-colored print. When I saw it, and when considering its title and that they only had a single shot-scene, I wondered why they wouldn't use the hand coloring to exploit the attraction of a burning at the stake. Méliès didn't miss opportunities like that.

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Release Date:

11 November 1900 (USA) See more »

Also Known As:

Joan of Arc See more »

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Star-Film See more »
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Color (hand-colored)| Black and White

Aspect Ratio:

1.33 : 1
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