Talented rookie race-car driver Jimmy Bly has started losing his focus and begins to slip in the race rankings. It's no wonder, with the immense pressure being shoveled on him by his overly ambitious promoter brother as well as Bly's romance with his arch rival's girlfriend Sophia. With much riding on Bly, car owner Carl Henry brings former racing star Joe Tanto on board to help Bly. To drive Bly back to the top of the rankings, Tanto must first deal with the emotional scars left over from a tragic racing accident which nearly took his life.Written by
In the original version of the film when Memo Heguy's (de la Fuente) car wrecks and is thrown upside down in the river, Joe Tanto (Stallone) jumped into the river with Jimmy Bly (Pardue) to save him. Beau Brandenburg (Schweiger) was not involved in this scene at all originally. But director Renny Harlin thought that it made the Beau Brandenburg character look totally heartless. So Stallone rewrote the scene taking his character Joe Tanto out of it completely. He instead put his character in the pits the entire time. The scene was partly reshot in a similar location in California, instead of returning to Germany where the original scene was filmed. Stallone wrote that the Brandenburg character turns his car around and helps save Memo from drowning. Parts of the original scene featuring Joe Tanto, were for the most part not reshot. Digital Effects company Pixel Magic digitally erased Tanto out of the scene. Aside from this scene, other scenes involving Beau Brandenburg were rewritten during filming to make his character more likable and misunderstood. Some of these scenes include the ending of the film and a scene where Brandenburg denies a female fan a kiss. See more »
Hey Man Nice Shot
Performed by Filter
Written by Richard Patrick
Courtesy of Reprise Records
By Arrangement with Warner Special Products See more »
"Riven" would be better!
Utter and complete tripe - a film that is without any credibility, if for no other reason that it had the absolute temerity to think it could upstage Frankenheimer's 1966 masterpiece GRAND PRIX, on which it is so loosely yet obviously, based! Working on the assumption that 90% of viewers would never have seen (let alone heard of) GRAND PRIX, Stallone wrote himself a ROCKY on the racetrack.
Cornball script, z-grade fx....well thats to be expected, the Formula 1 people were never going to allow a loser like Harlin and his production flunkies anywhere near near the real thing, unlike the latitude extended to John Frankenheimer during GRAND PRIX's filming in 1965.
Look, I'm not even wasting more words on this affront to cinematic good taste. If you liked THE FAST AND THE FURIOUS you might be suitably underwhelmed by this crap!
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