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The Life and Death of 9413, a Hollywood Extra (1928)

Not Rated | | Short, Drama | 17 June 1928 (USA)
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized (he is identified by the number 9314 written on his forehead),... See full summary »

Writers:

Robert Florey (concept), Slavko Vorkapich (concept)
Reviews
1 win. See more awards »

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Cast

Complete credited cast:
Jules Raucourt Jules Raucourt ... 9413 (as Raucourt)
Voya George Voya George ... The Star (as Voya)
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Storyline

This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized (he is identified by the number 9314 written on his forehead), after which he dies and goes on to Heaven where the number is removed. Written by George Schneiderman

Plot Summary | Add Synopsis

Genres:

Short | Drama

Certificate:

Not Rated
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Details

Country:

USA

Release Date:

17 June 1928 (USA) See more »

Also Known As:

A Hollywood Extra See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Connections

Remade as Hollywood Boulevard (1936) See more »

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User Reviews

 
American Expressionism
1 April 2006 | by Polaris_DiBSee all my reviews

If you ever want to know when Hollywood became such a stressful place, where people gave up their lives to be a star, usually with no return, this little short can point you to way back in the silent era.

This little heavy-handed sequence deserves a lot of respect for its experimental uses of models, lighting, and different camera techniques at the time. Today it comes off as a bit heavy handed, a bit too obvious. Even when you know what's they're doing or trying to do, you can't help but giggle: "Heh, those are models!" Still, they're interestingly designed models.

A lot of the stuff working around actors and characters would have been really strong if it wasn't really so comical (which doesn't really work within the structure of the film because the film itself is rather dark and direct). The fish-out-of-water way they open and close their mouths and the over-acting does help to give the film an absurdist feel, but it also helps to not take the film very seriously.

--PolarisDiB


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