In a Hail Mary move for corporate preservation, the San Francisco based Northwest Broadcasting Corporation launches True TV, a new network which will broadcast the life of an Average Joe or Jane, 24/7 live and thus unedited, the subject chosen signed initially for one month. The project is conceived and led by one of the producers, Cynthia, but her boss, NWBC president Whitaker, will take the credit if it succeeds, and let her sink as the captain of the ship if it fails. The network is rebranded EdTV when Cynthia believes she's found her subject, Ed Pekurny, a native Texas hayseed, who fits the two main criteria that she is looking for in the person: he is easy on the eyes, and he has what seems to be a potential trainwreck of a life in that he he is thirty-one years old, spends most of his time hanging out at the bar, and has no ambition beyond his longtime dead end job as a clerk in a video store. Ed did not actively campaign for the job - his blowhard of a brother Ray was the one ...Written by
In the theater bathroom, where Ed finds Shari, (after pursuing her from the video store) they show a reaction shot of Shari's roommate watching at home. Then Ed goes out to the production van and, again, they cut to a reaction of Shari's roommate. She is wearing a completely different outfit. See more »
Cynthia, another word, and you may consider yourself fired.
Uh-oh. Can you gimme a hint? What word? Uh, *asshole*? *Shithead*? Is that - I bet that - is that one word or two though? I never can remember that. Shithead.
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In fact, throughout this dull and relentless tale of ordinary Joe Ed turned real-life 24-hour television star, Director Ron Howard consistently resists the obvious satire on the fallout of fame and focuses on the cloyingly saccharine romance that lies at EDTV's mushy core.
If you doubt this (and considering Howard's track record, you may), visit EDTV on DVD and you'll be treated to numerous deleted scenes that satirically drive home the point that fame is indeed a bitch. Unfortunately, these scenes are also some of the darkest, funniest and most telling in the script. (An entire subplot about an EdTV imitator that ends with tragedy was completely eliminated from the final cut.) Why then did they end up on the cutting room floor? Howard can't seem to get away from Mayberry sentimentality enough to make EDTV the film it needs to be by it's very nature. In fact, the stars of the film (Hurley, DeGeneres, Harrelson) could have made a more interesting documentary on the price of fame than EDTV does at it's cautious best.
All hail, however, the film's bright spot, Ellen DeGeneres. Yes, Ellen. With her balance of quirky humor and self-doubting charm, she manages to infuse the film with some sense of purpose and it is she (not wrongly cast lead Matthew McConaughey) that we care about.
See it for Ellen. Or, better yet, rent THE TRUMAN SHOW and cap it off with a re-run of TV's ELLEN. I guarantee more laughs and heaps more satire than the botched EDTV can ever provide.
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