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An elderly monk, while training the young novice who will succeed him, recalls the mysterious lost love of his past - just as his young successor appears to be encountering her himself.

Director:

Aleksandr Petrov
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Nominated for 1 Oscar. Another 6 wins & 2 nominations. See more awards »

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Cast

Credited cast:
Evgeniya Smolyaninova Evgeniya Smolyaninova ... (singing voice) (as Yevgeniya Smolyaninova)
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Storyline

In spring, during the ice drift, a young monk sees a mermaid in the river for the first time. Then she appears to him again, wanting to drag him under the water. Another monk, an elderly man, seeing this, understands that a mermaid is a girl who had been deceived by him in his youth and drowned. When a mermaid tries to drown a young monk during a thunderstorm, the old man enters into a fight with her, and both die. Written by Peter-Patrick76 (peter-patrick@mail.com)

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Details

Country:

Russia

Language:

Russian

Release Date:

February 1997 (Germany) See more »

Also Known As:

The Mermaid See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Stereo (in selected theatres)

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Grand Prix at the 1998 International Film Festival in Zagreb (Croatia). See more »

Connections

Version of Rusalka (1977) See more »

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User Reviews

 
Hard to Follow But Darn Pretty
4 March 2008 | by ShortoftheWeekSee all my reviews

The narrative in Mermaid is somewhat muddled. The old monk has what must be considered a flashback 1/4 of the way through the film and then a dream 3/4 through, and frankly I'm a bit at a loss to try to explain either. Generally Petrov's storytelling is considered somewhat pedantic, despite or perhaps because he works entirely with literary adaptations, necessitating sometimes difficult omissions. Yet it's his art that he is famous for, and that is firmly on display in Mermaid. He is the most accomplished practitioner of a unique medium —he animates using oil paint on glass, using 2-to 3 layers to add depth to the images, animating new plates as the finished ones dry. It is a meticulous, yet beautiful technique that has won him much acclaim—3 previous Oscar nominations, including the win in 1999 for his adaptation of Hemingway's Old Man and the Sea. That film was a huge technical step forward as he adapted his style to the unforgiving IMAX format with the help of the Canadian production house Pascal Blais.

While Mermaid did not win, it likewise was nominated for the Oscar in 1996. Mermaid is in some ways the perfection of Petrov's original technique before money, improved technology, and production teams lead to Old Man and the Sea and My Love. Indeed it was the success of Mermaid that enabled Petrov to receive the kind of corporate patronage that allowed those films to happen.


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