Lola receives a phone call from her boyfriend Manni. He lost 100,000 DM in a subway train that belongs to a very bad guy. Lola has 20 min to raise this amount and meet Manni. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola's run.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The colors red (Lola's hair, numerous cars, telephone) and yellow (the phone box, supermarket, tram) appear very often in the film, these colors were selected by the director to signify danger. The reds are mainly in Lola's scenes and yellows in Manni's. See more »
Goofs
(at around 50 mins) She is running underneath the bridge, and into the tunnel. Far ahead of her, you see two girls doing flips on both sides in the tunnel. It switches views, and then you are looking at her from the front as she is running, and you never see the two girls again. See more »
Quotes
[first lines]
[subtitled version]
Narrator:
Man... probably the most mysterious species on our planet. A mystery of unanswered questions. Who are we? Where do we come from? Where are we going? How do we know what we think we know? Why do we believe anything at all? Countless questions in search of an answer... an answer that will give rise to a new question... and the next answer will give rise to the next question and so on. But, in the end, isn't it always the same question? And always the same answer?
See more »
Crazy Credits
During the credits, a giant, red ENDE (German for end) crawls across the background, taking several minutes to pass. See more »
Alternate Versions
The DVD version has different English subtitles than showings on pay-cable stations. Most notably, the opening credits are not translated to english on the DVD version, and small phrases are not translated, such as when Lola goes through everyone she knows, trying to get the money. Only "Dad" is translated. See more »
Tom Tykwer has truly proven himself as the filmmaker to watch. The little known German director has produced a modern-day masterpiece; a dazzling technical film about how life consists of the decisions we make.
Lola (Franka Potente) receives a phone call from her boyfriend, Manni. (Moritz Bleibtreii) Manni accidentally leaves a bag carrying $100 000 on a train, which is picked up by a homeless man. This leaves Manni in quite a predicament. He is supposed to deliver the money to a gangster by noon, if he fails, then he is likely to be killed. Lola has twenty- minutes to save his boyfriend. Twenty short minutes to somehow find the money and get it to him.
Run Lola Run is a film you expect to see at a Independent film festival, or in a Professor's office at a film school. In no way do I mean that in a negative way, I mean not to intend that the film is of a lower standard with lower production values, rather that the film is a beautifully mastered technical film that uses every filmmaking technique in the book. It is refreshing to see a film like this in the midst of the commercialised, dry-cut, 'traditional' filmmaking that we see on the silver screen so regularly.
As stated before, the film attempts to use a wide range of filmmaking techniques to help get the director's meaning and vision across to the audience. Some of these include speed-up, instant replay, black and white, and even animation in some parts.
It may sound strange, but the film is twenty-minutes long. Well, not really, but it is in context. Tykwer focuses on the twenty-minutes that Lola has, and shows that twenty-minutes three times over, each time with small differences will affect the outcome of the characters. The danger with this kind of technique is that it can threaten to be repetitive. However, the new additions added by Tykwer are very clever and link in perfectly, which will have you gasping for more.
Tykwer wrote and directed this film, and while doing this, he never lost sight of his meaning. His meaning that he is trying to express is that life consists of the decisions we make. While watching the film, this becomes increasingly evident. He also likes to emphasise that time is against Lola during the film. This can be seen when a young woman walks past and Lola asks her for the time, the next shot shows a much older woman answering her question, hence showing the importance of time.
Franka Potente gave a good performance as Lola. Yet, it is hard to say that she was fantastic, because it is a role that requires a great deal of physical acting and we didn't get to know a lot about Lola, hence the film wasn't overly-focusing on her issues, rather her boyfriend's problem. The real standout performance from my point of view came from Moritz Bleibtreii. He actually took on a quite challenging role and pulls it off successfully. He achieves his objective of getting the audience to feel sympathy for the position that he is in.
Run Lola Run is without a doubt, one of the best technical films ever made. A profound, exciting, new age masterpiece that has well and truly left its mark on the film industry.
Five out of Five.
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Tom Tykwer has truly proven himself as the filmmaker to watch. The little known German director has produced a modern-day masterpiece; a dazzling technical film about how life consists of the decisions we make.
Lola (Franka Potente) receives a phone call from her boyfriend, Manni. (Moritz Bleibtreii) Manni accidentally leaves a bag carrying $100 000 on a train, which is picked up by a homeless man. This leaves Manni in quite a predicament. He is supposed to deliver the money to a gangster by noon, if he fails, then he is likely to be killed. Lola has twenty- minutes to save his boyfriend. Twenty short minutes to somehow find the money and get it to him.
Run Lola Run is a film you expect to see at a Independent film festival, or in a Professor's office at a film school. In no way do I mean that in a negative way, I mean not to intend that the film is of a lower standard with lower production values, rather that the film is a beautifully mastered technical film that uses every filmmaking technique in the book. It is refreshing to see a film like this in the midst of the commercialised, dry-cut, 'traditional' filmmaking that we see on the silver screen so regularly.
As stated before, the film attempts to use a wide range of filmmaking techniques to help get the director's meaning and vision across to the audience. Some of these include speed-up, instant replay, black and white, and even animation in some parts.
It may sound strange, but the film is twenty-minutes long. Well, not really, but it is in context. Tykwer focuses on the twenty-minutes that Lola has, and shows that twenty-minutes three times over, each time with small differences will affect the outcome of the characters. The danger with this kind of technique is that it can threaten to be repetitive. However, the new additions added by Tykwer are very clever and link in perfectly, which will have you gasping for more.
Tykwer wrote and directed this film, and while doing this, he never lost sight of his meaning. His meaning that he is trying to express is that life consists of the decisions we make. While watching the film, this becomes increasingly evident. He also likes to emphasise that time is against Lola during the film. This can be seen when a young woman walks past and Lola asks her for the time, the next shot shows a much older woman answering her question, hence showing the importance of time.
Franka Potente gave a good performance as Lola. Yet, it is hard to say that she was fantastic, because it is a role that requires a great deal of physical acting and we didn't get to know a lot about Lola, hence the film wasn't overly-focusing on her issues, rather her boyfriend's problem. The real standout performance from my point of view came from Moritz Bleibtreii. He actually took on a quite challenging role and pulls it off successfully. He achieves his objective of getting the audience to feel sympathy for the position that he is in.
Run Lola Run is without a doubt, one of the best technical films ever made. A profound, exciting, new age masterpiece that has well and truly left its mark on the film industry.
Five out of Five.